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Man working with a movie projector in a movie theater, 1958
Man working with a movie projector in a movie theater, 1958

A film, movie, or motion picture is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and sometimes feature other sensory stimuli.

Films are produced by recording people and objects with cameras or by creating them using animation techniques and special effects. They comprise a series of individual frames, but when these images are shown rapidly in succession, the illusion of motion is seen by the viewer. Flickering between frames is not noticeable due to an effect traditionally known as persistence of vision, and now more specifically known as flicker fusion, whereby the visual system processes a sufficiently fast succession of pictures and interruptions into a steady image of averaged brightness. (Full article...)

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Pah Wongso Pendekar Boediman (Malay for Pah Wongso the Righteous Warrior) is a 1941 detective film from the Dutch East Indies (now Indonesia). The first production by Star Film, it was produced by Jo Eng Sek and features camerawork by Cho' Chin Hsin. Starring Pah Wongso, Elly Joenara and Mohamad Arief, it follows the social worker Pah Wongso as he investigates a murder to clear his protégé's name.

The first film of its genre to be produced in the Indies, Pah Wongso Pendekar Boediman was made to capitalize on the popularity of Wijnhamer and Hollywood characters such as Charlie Chan and Mr. Moto. Released in April 1941 to popular acclaim, it had a mixed critical reception; the reviewer Saeroen suggested that its success was entire because of its star's renown. A sequel to this film, Pah Wongso Tersangka, was released later in 1941 but is possibly lost. (Portal:Film/Featured content)

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Buffalo galloping
Buffalo galloping
Credit: Eadweard Muybridge

American bison ("buffalo") galloping - set to motion using photos by Eadweard Muybridge. Muybridge was an English-born photographer, known primarily for his early use of multiple cameras to capture motion, and his zoopraxiscope, a device for projecting motion pictures that pre-dated the celluloid film strip that is still used today.

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Dietrich in 1951

Marie Magdalene "Marlene" Dietrich (/mɑːrˈlnə ˈdtrɪx/, German: [maʁˈleːnə ˈdiːtʁɪç] ; 27 December 1901 – 6 May 1992) was a German and American actress and singer whose career spanned nearly seven decades. In 1920s Berlin, she performed on the stage and in silent films. Her performance as Lola Lola in Josef von Sternberg's The Blue Angel (1930) brought her international acclaim and a contract with Paramount Pictures. Dietrich starred in many Hollywood films, including six roles directed by Sternberg: Morocco (1930) (her only Academy Award nomination), Dishonored (1931), Shanghai Express and Blonde Venus (both 1932), The Scarlet Empress (1934), and The Devil Is a Woman (1935). Throughout World War II, she was a high-profile entertainer in the United States. Although she delivered notable performances in several post-war films, including Billy Wilder's A Foreign Affair (1948), Alfred Hitchcock's Stage Fright (1950), Billy Wilder's Witness for the Prosecution (1957), Orson Welles's Touch of Evil (1958), and Stanley Kramer's Judgment at Nuremberg (1961), she spent most of the 1950s to the 1970s touring the world as a marquee live-show performer.

Dietrich was known for her humanitarian efforts during World War II, housing German and French exiles, providing financial support and advocating their American citizenship. For her work on improving morale on the front lines during the war, she received various honors from the United States, France, Belgium, and Israel. In 1999, the American Film Institute named Dietrich the ninth greatest female screen legend of classic Hollywood cinema. (Full article...)

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29 June 2026 –
American film Michael grosses to US$977 million in worldwide box offices, surpassing Oppenheimer as the highest-grossing biopic. (The Independent)

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Oliver Stone
Zero sum game implies winners and losers. If somebody wins, somebody gotta lose ... I don’t agree with that. Because all boats can rise on a rising sea. Good films help other good films. Different psychology. If you’re overly competitive, you say it is exclusionary, a zero sum game: I must win so he must lose. That’s not true. We can all win without forcing the other guy to lose.

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Terms - Animation Beta movement Camera Cult film Digital cinema Documentary film Dubbing Experimental film Fan film Film crew Film criticism Film festival Film frame Film genre Film journals and magazines Film industry Film manifesto Film stock Film theory Filmmaking History of film Independent film Lost film Movie star Narrative film Open content film Persistence of vision Photographic film Propaganda Recording medium Special effect Subtitles Sound stage Web film World cinema
Lists - List of basic film topics List of film topics List of films List of film festivals List of film formats List of film series List of film techniques List of highest-grossing films List of longest films by running time List of songs based on a film or book Lists of film source material List of open content films
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