After (art)

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After is an art convention used in the titles and inscriptions of artworks to credit the original artist in the title of the copy.[1][2] Often the title of the original work is retained, for example an interpretation by Rembrandt of Leonardo's The Last Supper becomes The Last Supper, after Leonardo da Vinci.[3][4] The addendum, sometimes termed an attribution qualifier, may be used by the artist making the copy or a later curator or academic and features in the linked records that make up the Cultural Objects Name Authority.[1][5] The term may be used regardless of how similar the two works appear.[6] Curators have sometimes referred to the resulting imitation works as "after-[original artist's name]s", with works inspired by Albrecht Dürer being after-Dürers.[7] In some instances, artists have signed works made after the manner of their own indicating their approval of the copy.[8]

Notable examples of the convention in use
TitleArtistDateMediumTitle (based on)Artist (based on)Date (based on)Medium (based on)Ref
The Last Supper, after Leonardo da VinciRembrandt1634–1635red chalkThe Last SupperLeonardo da Vincic.1495 – c.1498mural[3][9]
Tall Bamboo and Distant Mountains, after Wang MengWang Hui1694ink wash paintingTall Bamboo and Distant MountainsWang Mengc.1309 – c.1385ink wash painting[10][11]
Christ on the Cross after RubensEdwin Landseer1840trois crayonsChrist on the CrossPeter Paul Rubens1619–1620oil on canvas[12][13]
The Abduction of the Sabine Women (after Poussin)Edgar Degas1861–1862oil on canvasL'enlèvement des SabinesNicolas Poussin1637–1638oil on canvas[14][15]
Still Life with a Sketch after DelacroixPaul Gauguin1887oil on canvasThe Expulsion of Adam and Eve from ParadiseEugène Delacroixc.1838 – c.1847oil on paper[16]
First Steps (after Millet)Vincent van Gogh1890oil on canvasFirst StepsJean-François Milletc.1859 – c.1866chalk and pastel on paper[17][9]
Study after Velázquez's Portrait of Pope Innocent XFrancis Bacon1953oil on canvasRetrato de Inocencio XDiego Velázquezc.1650oil on canvas[18]
Luncheon on the Grass, after ManetPablo Picasso1962linoleum cutLe Déjeuner sur l'herbeÉdouard Manet1863oil on canvas[19][9]
After Walker Evans: 4Sherrie Levine1981photographAlabama Tenant Farmer Wife (Allie Mae Burroughs)Walker Evans1936photograph[20]
Las Meninas (Self-Portrait after Velázquez) Joel-Peter Witkin1987photographLas MeninasDiego Velázquez1656oil on canvas[21][9]
A Sudden Gust of Wind (after Hokusai)Jeff Wall1993Cibachrome photographEjiri in Suruga Province (Travellers caught in a sudden breeze at Ejiri)Hokusaic.1830 – c.1832woodblock print[22]

See also

References

Further reading

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