Alaverdi (expression)

Georgian expression related to toasting From Wikipedia, the free encyclopedia

Alaverdi (Georgian: ალავერდი) is a Georgian expression and practice related to the tradition of ritualized toasting at a supra (feast).[1][2] It can refer to a competitive toasting round or a directive from the toastmaster (tamada) to the next speaker.[1][2]

Etymology

The term is derived from Turkish and means "if God will".[1]

Usage and function

The use of alaverdi is a key element in managing the structure and flow of a Georgian supra.[2]

As a toast competition

Alaverdi can be a ritualized toast competition among the men at the table.[3] The tamada begins by proposing a toast on a specific topic.[3] Other men must then modify and elaborate on this topic in subsequent toasts.[3] The tamada symbolically grants his power of speech to another participant, who becomes the temporary tamada and the center of attention.[4]

In formal contexts, the competition is to determine "who is the best" speaker.[4] The head tamada judges the winner of a round based on the toast's originality, formulation, and the approval it received from the table.[4] The winner is then given the right to speak second in the following round.[4] In informal settings, the basic structure of alternation is followed without the direct competition.[4]

To manage drinking order

A tamada can use the expression alaverdi to directly control the order of drinking.[2] By saying to someone, ალავერდი შენთანა ვარ alaverdi, shentana var ("I am alaverdi with you"), the tamada designates that person to deliver their toast and drink immediately after him.[2]

This is often done for specific reasons:

  • When a toast is particularly special to an individual at the table, giving them the opportunity to speak first.[2] For example, if the toast is to a guest, the tamada might call on the person who invited the guest to be alaverdi so they can provide more context for the others.[2]
  • To draw a person who has become withdrawn or stopped participating back into the group.[2] This action forces the person to speak and rejoin the activity, which is done for the "unity of the table".[2]

Social context

The practice of alaverdi is closely tied to concepts of masculinity in Georgian culture.[4] Table rhetoric is considered an important sign of masculinity, and men who cannot participate are considered "unmanly".[4] The power of words demonstrated during the competition is seen as a sign of masculinity.[4]

See also

References

Sources

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