Assemblage (philosophy)

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Assemblage (from everyday French: agencement, "arrangement, layout") is a philosophical concept developed by Gilles Deleuze and Félix Guattari[1] and subsequently taken up by other theorists, such as Bruno Latour and Michel Callon who developed actor-network theory,[2] Manuel DeLanda in his work on assemblage theory,[3] and Jane Bennett who combines Latour with Deleuze and Guattari forming her own assemblage theory.[4][5][6] Bennett’s assemblage thinking has influenced environmental philosophy (e.g. Timothy Morton’s Hyperobjects), political theory (e.g. William Connolly’s work on complexity and politics), and new materialism (e.g. Rosi Braidotti, Karen Barad).

Assemblage is a philosophical concept used when studying ontological diversity of agency, which means redistributing the capacity to act from an individual to a socio-material network of people, things, and narratives.[7][8] Also known as assemblage theory[3] or assemblage thinking,[9][7] this philosophical approach frames social complexity through fluidity, exchangeability, and their connectivity.[citation needed] The central thesis is that people do not act predominantly according to personal agency; rather, human action requires material interdependencies and networks of discursive devices distributed across legal, geographical, cultural, or economic infrastructures.[citation needed]

The similarities among these versions include a relational view of social reality in which human action results from shifting interdependencies between material, narrative, social, and geographic elements.[7] The theories have in common an account for emergent qualities that result from associations between human and non-human. In other words, an assemblage approach asserts that, within a body, the relationships of component parts are not stable and fixed; rather, they can be displaced and replaced within and among other bodies, thus approaching systems through relations of exteriority.[10]

The term "assemblage", in a philosophical sense, originally stems from the French word agencement, whose meaning translates narrowly to English as "arrangement", "fitting", or "fixing".[11] Agencement asserts the inherent implication of the connection between specific concepts and that the arrangement of those concepts is what provides sense or meaning.[citation needed] Assemblage, on the other hand, can be more accurately described as the integration and connection of these concepts and that it is both the connections and the arrangements of those connections that provide context for assigned meanings.[citation needed] Assemblage might be viewed in contrast to intersectionality: an intersectional analysis takes people's formed identities as objects of study, while assemblage theory considers how people are positioned or arranged such that those identities emerge. One can consider not only what it means to be a Black woman but also how she is racialized and sexed, how racism and sexism are organized around her to produce her particular experience as a Black woman. To complement intersectionality and its focus on the identity of a subject (in a sense, its "content"), Jasbir Puar offers "ask[ing] not necessarily what assemblages are, but rather, what assemblages do". (p. 57)[3]

John Phillips (2006) argues that Deleuze and Guattari rarely used the term "assemblage" at all in a philosophical sense, and that through narrow, literal English translations, the terms "agencement" and "assemblage" became misleadingly perceived as analogous.[11] The translation of "agencement" as "assemblage" can "give rise to connotations based on analogical impressions, which liberate elements of a vocabulary from the arguments that once helped form it."[11]

Deleuze and Guattari

DeLanda

References

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