Chestnut (Westworld)

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Episode no.Season 1
Episode 2
Directed byRichard J. Lewis
Featured musicRamin Djawadi
"Chestnut"
Westworld episode
Episode no.Season 1
Episode 2
Directed byRichard J. Lewis
Written by
Featured musicRamin Djawadi
Cinematography byBrendan Galvin
Editing byMark Yoshikawa
Production code4X6152
Original air dates
  • October 7, 2016 (2016-10-07) (online)
  • October 9, 2016 (2016-10-09) (HBO)
Running time59 minutes
Guest appearances
Episode chronology
 Previous
"The Original"
Next 
"The Stray"

"Chestnut" is the second episode in the first season of the HBO science fiction western thriller television series Westworld. The episode aired on October 9, 2016, but was released two days prior online by HBO.[1] The episode received positive reviews from critics.

Logan Delos brings his friend William to Westworld, and encourages him to take in the more carnal delights of the park. William remains reluctant given his recent engagement to Logan's sister. The next morning, William helps return a dropped tin of food to Dolores and leaves with a tip of the hat. Dolores returns to her farm to dig up a hidden pistol.

The Man in Black, following the maze on the scalp, arrives in time to prevent the outlaw Lawrence from being hanged. The Man takes Lawrence to the latter's village. When the Man demands he answer his questions about the maze, the villagers gather around them. The Man kills them all then Lawrence's wife, and prepares to kill his daughter when she starts to speak with a new voice, providing a clue about a snake in a riverbed. The Man leaves with Lawrence as his prisoner.

Dolores returns to Sweetwater and has visions of Hector's massacre from the day before, though no other townsperson seems aware of it. She talks to Maeve, a prostitute host, and repeats what she remembers Peter told her, which triggers Maeve to have similar visions, these of having a young daughter. After Dolores leaves, Maeve's performance with the guests declines, which is noticed by the park staff, and Elsie suggests increasing her intuition to compensate. Later, Maeve is witness to a drunken guest killing Teddy, which triggers her own flashback to the Man in Black chasing her and her daughter. The staff sees this response as a malfunction and bring Maeve in for repairs. Technicians Felix and Sylvester prepare to work on her but she wakes on her own and escapes, catching sight of what the staff does to hosts at Operations before Felix and Sylvester capture and put her in sleep mode.

Elsie expresses concern to Bernard that putting Dolores back in the park may have been the wrong decision, but Bernard asserts the host is showing no abnormal behavior. Bernard and Theresa continue to engage in a romantic relationship to an unclear end. Storyline writer Lee wants to introduce a new narrative involving a Native American conflict, but Dr. Ford vetoes it as cheap thrills, and instead asserts they will continue a new narrative with a deeper meaning. Dr. Ford takes Bernard into the park to show him a Christian shrine he found earlier that will serve as the basis for this narrative.

Production

"Chestnut" was written by series co-creators Jonathan Nolan and Lisa Joy, based on the premise of the 1973 film of the same name by Michael Crichton.[2] The episode was directed by Richard J. Lewis.[2]

Music

Ramin Djawadi
Composer Ramin Djawadi created the episode's musical score.

In an interview, The composer of the show Ramin Djawadi spoke about the piano interpretations of Radiohead's "No Surprises" used in the episode. He said, "When Jonathan says, 'Do a Radiohead song,' I say, 'Great!'"[3] Djawadi continued, "This particular piece was pretty simple, actually. The opening arpeggiated riff from 'No Surprises' translates really well into piano."[3] He noted, "The way I see it, it’s like a jukebox in a restaurant, When you put money in it, it plays preprogrammed pieces. These particular pieces that the piano plays help you with the sense of time, the repeats. It just marks time, and it provides the recognition factor that this is a preprogrammed event."[3]

Reception

References

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