Draft:Biollante

Kaiju character From Wikipedia, the free encyclopedia

Biollante[1][2][3] (Japanese: ビオランテ, Hepburn: Biollante) is a fictional giant monster who first appeared in the 1989 film Godzilla vs. Biollante. The character is portrayed as a genetically engineered clone of Godzilla spliced with the genes of a rose plant and a human. Created during the end of the Cold War and the wane in concerns over nuclear weapons represented by Godzilla, she was conceived as a symbol of more contemporary controversies regarding genetic engineering.[4]


First appearanceGodzilla vs. Biollante (1989)
Created by
Designed byKoichi Kawakita
Portrayed byMasao Takegami
Quick facts Biollante, First appearance ...
Biollante
Godzilla character
First appearanceGodzilla vs. Biollante (1989)
Created by
Designed byKoichi Kawakita
Portrayed byMasao Takegami
In-universe information
AliasErika Shiragami (spirit, human DNA)
SpeciesMutated Godzilla-rose-human hybrid
GenderFemale
FamilyDr. Genichiro Shiragami
RelativesGodzilla (via his cells)
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Overview

Development

Biollante was first conceived by dentist Shinichiro Kobayashi, who was the winner of a story writing contest for a sequel to The Return of Godzilla. In developing the character, Kobayashi kept in mind how he would feel if his daughter died, and combined this with a mental image he had consisting of Godzilla being consumed by a flower.[5] His idea of Biollante's origins was not too different from those of the final film, though the creature was portrayed in his submission as having no direct link to Godzilla, and of having human-level intelligence, as well as maintaining the memories of Erika. The draft's portrayal of the character had her psychically communicating with a reporter via images of flowers with human faces, and the final Biollante creature had a woman's face.[6][7] Kobayashi had previously created a plant-animal hybrid kaiju named Leogon for a similar story writing contest held for 1971's Return of Ultraman series.[8]

Design

Koichi Kawakita, who had previously worked for Tsuburaya Productions, was assigned to designing and realizing Biollante by Toho after the company became impressed at his work in Gunhed. Kawakita made use of Gunhed's special effects team Studio OX, though designing and building the Biollante props proved problematic, as traditional suitmation techniques made realizing the requested design of the creature's first form difficult, and the resulting cumbersome model for Biollante's final form was met with disbelief from the special effects team. Biollante's first form was performed by Masao Takegami, who sat within the model's trunk area on a platform just above water level. While the creature's head movements were simple to operate, her vines were controlled by an intricate array of overhead wires which proved difficult for Godzilla performer Kenpachiro Satsuma to react to during combat scenes as they offered no tension, thus warranting Satsuma to feign receiving blows from them, despite not being able to perceive them.[5] Creature designer Shinji Nishikawa originally designed Biollante's head as much more flowerlike, with four petal-like jaws, though the film's producers insisted on a more reptilian head.[9]

Biollante's final form proved even more difficult to operate than the previous model, as her vine network took hours to rig up on set and required 32 wires to operate,[5] far more than required to operate King Ghidorah in the following film.[10] Visibility in the final form Biollante suit was poor, thus causing difficulties for Takegami in aiming the creature's head when firing sap, which permanently stained anything it landed on.[5]

Character biography

Godzilla vs. Biollante (1989)

After Godzilla's return in 1985,[a] Dr. Genshiro Shiragami attempts to use the monster's cells to genetically enhance various species of plants to create crops resistant to harsh weather of Saradia, an arid country in the Middle East. His attempts are initially thwarted when a bomb planted by the American organisation Bio-Major destroys his laboratory and kills his daughter, Erika Shiragami. Genichiro splices her DNA with that of a rose, which is nearly destroyed five years later by an earthquake. Hoping to make the rose immortal, he further splices its DNA with those of Godzilla, resulting in the creation of a hybrid mutant which he christens "Biollante".[11][12]

The creature then breaks out of the lab and into Lake Ashi, where she begins calling out to her progenitor, Godzilla. Godzilla arrives and incinerates Biollante, whose spores float into the atmosphere. The spores later land near Osaka in the form of a much more Godzilla-like Biollante, who fights Godzilla to a standstill until the latter retreats after being weakened by the Anti-Nuclear Energy Bacteria. Biollante subsequently transforms into spores again and floats into space, with an image of Erika being seen among the spores.[13]

Godzilla vs. SpaceGodzilla (1994)

Biollante makes a brief cameo appearance in Godzilla vs. SpaceGodzilla, where it is speculated that her cells floating in space may have contributed to the creation of the extraterrestrial monster, SpaceGodzilla. However, Biollante appears in the film as stock footage for the speculation scene.[14]

Reception

Godzilla vs. Biollante recieved generally positive reviews from critics and has been since reassessed by scholars and fans as one of the more ambitious in the Heisei series of Godzilla films. Reviewers praised the design and practical effects for Biollante, and Kazuki Ōmori's willingness to foreground themes of genetic engineering and environmental anxiety alongside the typical kaiju spectacle.[15]

Many critics singled out Biollante's design and the film's visual work as highlights, such as the creature's plant-based forms in the dark, often gruesome aesthetic of monster battles were described as striking and memorable even by reviewers who found other elements of the film uneven.[16]

Appearances

Films

Television

Video games

Literature

Notes

  1. As depicted in The Return of Godzilla (1984).

References

Bibliography

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