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Emmanuel Lubezki

Mexican cinematographer From Wikipedia, the free encyclopedia

Emmanuel Lubezki Morgenstern (Spanish pronunciation: [emaˈnwel luˈβeski]; born November 30, 1964) is a Mexican cinematographer. Lubezki is known for uses of natural lighting and continuous uninterrupted shots in cinematography, often utilizing a Steadicam, a 3-axis gimbal, or hand-held camera. He is also known for his frequent collaborations with Terrence Malick, Alfonso Cuarón, and Alejandro González Iñárritu.[2]

Born
Emmanuel Lubezki Morgenstern

(1964-11-30) November 30, 1964 (age 61)
Mexico City, Mexico
OthernameChivo[1]
OccupationCinematographer
Quick facts Born, Other name ...
Emmanuel Lubezki
Born
Emmanuel Lubezki Morgenstern

(1964-11-30) November 30, 1964 (age 61)
Mexico City, Mexico
Other nameChivo[1]
EducationNational Autonomous University of Mexico
OccupationCinematographer
Years active1983–present
Organization(s)Mexican Society of Cinematographers
American Society of Cinematographers
RelativesDaniel Lubetzky (cousin)
AwardsFull list
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He has received numerous accolades including three consecutive wins for the Academy Award for Best Cinematography for the science fiction thriller Gravity (2013), the dark comedy Birdman (2014), and the epic western The Revenant (2015). He was Oscar-nominated for his work on A Little Princess (1995), Sleepy Hollow (1999), The New World (2005), Children of Men (2006), and The Tree of Life (2011).

Lubezki is a member of both the Mexican Society of Cinematographers and the American Society of Cinematographers. Lubezki won the Royal Photographic Society Lumière Award for major achievement in cinematography, video or animation in 2016.

Early life and education

Lubezki was born to a Jewish family in Mexico City, Mexico.[2][3][4] His father was actor and producer Muni Lubezki.[5] His paternal grandfather is Lithuanian Jewish while his grandmother is also Jewish, from Russia.[5] Lubezki studied film at Mexico's Centro Universitario de Estudios Cinematográficos (CUEC), where he met Alfonso Cuarón.[2] Lubezki is the cousin of billionaire businessman Daniel Lubetzky.[6]

Career

Lubezki began his career in Mexican film and television productions in the late 1980s. His first international production was the 1993 independent film Twenty Bucks.

Lubezki is a frequent collaborator with fellow Mexican filmmaker Alfonso Cuarón. The two have been friends since they were teenagers and attended the same film school[7] at the National Autonomous University of Mexico.[1] Together they have worked on six motion pictures: Sólo Con Tu Pareja, A Little Princess, Great Expectations, Y Tu Mamá También, Children of Men, and Gravity.

His work with Cuarón on Children of Men[8] was praised for utilizing a number of new technologies and distinctive techniques. The "roadside ambush" scene was shot in one extended take utilizing a special camera rig invented by Doggicam systems, developed from the company's Power Slide system.[9] For the scene, a vehicle was modified to enable seats to tilt and lower actors out of the way of the camera. The windshield of the car was designed to tilt out of the way to allow camera movement in and out through the front windscreen. A crew of four, including Lubezki, rode on the roof. Children of Men also features a seven-and-a-half-minute battle sequence composed of roughly five seamless edits.

Lubezki won his first Academy Award for Best Cinematography for his work on Cuarón's Gravity, a thriller set in outer space.[10][11] The film was praised for the way it combined two shots through digital backgrounds of space to create the illusion of scenes done in a single shot.[12] Lubezki won his second Academy Award in the following year for his work on Alejandro González Iñárritu's Birdman. The film used a similar technique from Gravity, being very unusual in the way the entire movie was shot so as to appear to be photographed in one continuous take.[13] Lubezki won the award again in 2015 for Iñárritu's The Revenant, becoming a milestone for his third consecutive win and for being the first cinematographer to do so.[14] The film was shot entirely in the wilderness during a cold season, minimizing the amount of CGI and using only natural lighting. The process proved to be extremely difficult, which required a limited amount of time to shoot each scene, thus causing production delays, budget overruns, and changes of locations for proper settings. Despite everything, the movie became both a commercial and a critical success, with much praise towards its atmospheric tone and realism.

Style and reception

Lubezki is known for groundbreaking uses of natural lighting and continuous uninterrupted shots in cinematography, often utilizing a Steadicam, a 3-axis gimbal, or hand-held camera to orchestrate fluid, uninterrupted camera movements during particularly significant scenes.[citation needed] He is also known for his frequent collaborations with directors Terrence Malick, Alfonso Cuarón, and Alejandro González Iñárritu.[2]

Lubezki is a member of both the Mexican Society of Cinematographers and the American Society of Cinematographers. Lubezki won the Royal Photographic Society Lumière Award for major achievement in cinematography, video or animation in 2016.

Filmography

Feature film

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Television

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Year Title Director Notes
1989–90 La hora marcada Alfonso Cuarón
Luis Estrada
Juan Mora Catlett
8 episodes;
Also credited as producer
1990 El motel de la muerte Luis Estrada
Jorge Prior
TV movie;
With Alfonso Cuarón, Guillermo Granillo and Antonio Ruiz
1993 Fallen Angels Steven Soderbergh
Alfonso Cuarón
Episodes "The Quiet Room" and "Murder Obliquely"
2024 Disclaimer Alfonso Cuarón Miniseries;
With Bruno Delbonnel, also credited as executive producer
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TV shorts

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Year Title Director Notes
2010 Write the Future Alejandro González Iñárritu
Dick Tracy Special Warren Beatty
Chris Merrill
With Stephanie Martin
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Music video

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Year Title Director Notes Ref.
2026 "Patient Zero" Taylor Swift [15]
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Awards and nominations

Lubezki has been recognized by the Academy of Motion Picture Arts and Sciences for the following films:

See also

References

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