Gamera: Super Monster

When the evil alien Zanon comes to enslave Earth, all hope seems lost. The Earth's resident superheroes, the Spacewomen, are powerless to stop him. They must enlist the help of a young boy who has a special connection with the giant turtle Gamera, who is potentially a pond slider magically turned into the kaiju by the Spacewomen. The Friend of All Children then battles a legion of kaiju sent by Zanon; Gyaos, Zigra, Viras, Jiger, Guiron, and Barugon.^[5][8][7]

After successfully defeating villainous monsters, Gamera sacrifices himself in the end to destroy Zanon once and for all and to protect Earth one last time, but his exact fate remains unclear.^[8][9][7]

Gamera: Super Monster was the first post-Daiei installment of the franchise by Tokuma Shoten and was produced as an attempt to help Daiei get out of its turbulent financial situation.^[14][15] The Totsu ECG System [ja] was utilized for filming.^[7][8][4]

It contains extensive stock footages of the entire Showa Gamera film series, as well as Space Battleship Yamato and Galaxy Express 999,^[9][16] where the producer Masaya Tokuyama also participated in the promotion of Galaxy Express 999 (1979).^[8] KochiKame: Tokyo Beat Cops^[13] and Kinnikuman were also briefly featured and parodied.^[9][15] The spaceship of "Zanon" and its introduction scene are identical to that of Star Destroyer from Star Wars (1977),^[9] while its video game adaptation involved a character based on Gyaos.^[17] There are additional parodies to Godzilla, Superman, Jaws, Close Encounters of the Third Kind, Shane, and so on.^[7][8]

Almost all of the footage of Gamera and his enemies are stock footages from previous films mostly due to budgetary and schedule constraints; this movie would have costed at least ¥1 billion if it was entirely a new production.^[7]

Various materials were lost during the turmoil when Daiei Film was officially declared bankrupt in December 1971, where a number of suits and props were destroyed either by Noriaki Yuasa himself^[5][18] or a riot among staffs.^[19] Newly produced tokusatsu scenes to involve Gamera were almost exclusively filmed with the props of flying Gamera,^[20] which were preserved at the Ex Productions [ja]^{[note 3]} and evaded the riot. The model was subsequently used for the promotion of Gamera: Guardian of the Universe (1995).^[21] Its production faced additional constraints such as music licenses, and the film didn't utilize music and songs from previous films, including the iconic Gamera March [ja].^[4]

The direction to rely on stock footages was also shaped by the success of the 1979 Ultraman video film (jp) by Akio Jissoji; Gamera: Super Monster and the Ultraman video film were double featured in Nagoya,^[8] and the latter contributed to revive the Ultra franchise.^[4]

Tamotsu Taga, one of former Daiei Film staffs who had abandoned the near-bankrupt company for P Productions due to the aftermaths of the scrapped project Giant Horde Beast Nezura prior to Gamera, the Giant Monster (1965), participated in Gamera: Super Monster as an editor along with additional crews from P Productions such as Shigeru Shinohara [ja] and Hirochika Muraishi [ja].^[8][2][22]

Gamera: Super Monster was released theatrically in Japan on March 20, 1980, where it was distributed by New Daiei.^[1] The franchise has prioritized reducing competitions against Toho's Godzilla franchise for financial constraints, and the film was released during the temporal cease of Godzilla film productions.^[9][23]

The film was double featured with the Astro Boy movie (jp) in Tokyo and Osaka and some other areas, and the aforementioned Ultraman video film (jp) by Akio Jissoji in Nagoya.^[8]

Gamera: Super Monster was a commercial failure.^[15] Its box office gross was presumably affected by the time period where the kaiju genre itself stagnated;^[9] the Second Kaiju Boom [ja] was short lived as the entire tokusatsu genre suffered multiple factors like the 1970s energy crisis.^[4][30]

It was the first Gamera film released almost a decade after Gamera vs. Zigra (1971). The franchise was again inactive until the 1995 film Gamera: Guardian of the Universe, although there had been several cancelled projects during the dormancy.^[31][32]

The 1994 manga series Giant Monster Gamera by Hurricane Ryu^{[note 4]} serves as a sequel to Gamera: Super Monster: Gamera was artificially resurrected after the incidents in the film and gained the physical appearance and abilities of the Heisei Trilogy incarnation of the character.^[34]

Mach Fumiake [ja], who played Kilara and sang the theme song Love for Future [ja] in Gamera: Super Monster, later participated in the 2020 biopic film Nezura 1964 as an actress and the singer of Nezura March, the films theme song which is a homage to Gamera March [ja].^[35]