I Have Not Come to Bring Peace, But a Sword
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Episode 4
- John Carcieri
- Danny McBride
| "I Have Not Come to Bring Peace, But a Sword" | |
|---|---|
| The Righteous Gemstones episode | |
| Episode no. | Season 3 Episode 4 |
| Directed by | Jody Hill |
| Written by |
|
| Cinematography by | Paul Daley |
| Editing by | Joseph Ettinger |
| Original release date | July 2, 2023 |
| Running time | 36 minutes |
| Guest appearances | |
| |
"I Have Not Come to Bring Peace, But a Sword" is the fourth episode of the third season of the American dark comedy crime television series The Righteous Gemstones. It is the 22nd overall episode of the series and was written by executive producer John Carcieri and series creator Danny McBride, and directed by executive producer Jody Hill. It was released on HBO on July 2, 2023, and also was available on Max on the same date.
The series follows a family of televangelists and megachurch pastors led by widowed patriarch Eli Gemstone. The main focus is Eli and his immature children, Jesse, Kelvin and Judy, all of whom face challenges in their lives. The series depicts the family's past and scandals, which unleash consequences. In the episode, the Gemstones face new challenges as things start affecting each of the siblings.
According to Nielsen Media Research, the episode was seen by an estimated 0.256 million household viewers and gained a 0.05 ratings share among adults aged 18–49. The episode received very positive reviews from critics, who praised the revelations, character development and humor.
Eli (John Goodman) gets May–May (Kristen Johnston), Karl (Robert Oberst) and Chuck (Lukas Haas) to attend the Salvation Center, hoping they can integrate with the family. During their dinner, they are visited by Peter (Steve Zahn). Peter claims he found the real traitor in his militia, and wants the boys to return with him. They reject him, and Peter is forced to leave when the family threatens him at gunpoint.
Jesse (Danny McBride) has joined Eli at the Cape and Pistol Society. During the reception, Vance (Stephen Dorff), also member of the society, accuses Jesse of only entering through his father's influence rather than his merits. This makes Jesse swear, causing him to be slapped as punishment for using vulgarity on the society's grounds. Outside, he finds Baby Billy (Walton Goggins), who wants to find his way into the society to get someone to invest in Bible Bonkers. He then confronts Jesse, telling him he will never lead the Church as he is not Eli. He offers to "resurrect" Aimee-Leigh to help him, but Jesse rebuffs his claims.
Keefe (Tony Cavalero) faces a problem, when a friend of his exposes him as having bought sex toys from a porn shop, in front of the youth center's parents. Kelvin (Adam DeVine) tries to clean up his name, but the parents refuse to accept him, especially with circulating rumors about Kelvin and Keefe. Stephen (Stephen Schneider) tries to contact Judy (Edi Patterson), threatening to reveal their affair to B.J. (Tim Baltz). He even gets to interact with B.J. by becoming his pickleball teammate. He offends B.J. by making sexually suggestive comments about women and assaults one of his friends before leaving.
Jesse and Judy inform Kelvin that Keefe will be fired from his position and sent to a lower position, fearing a PR nightmare could damage the church's image. Kelvin is forced to deliver the news to Keefe, who chooses to quit the church and move out of their house. Judy meets with Stephen to stop harassing her and B.J., only to discover that B.J. is also present. Stephen forces her to reveal their affair, which devastates B.J. Jesse also meets with Billy at Zion's Landing, who reveals that he could bring Aimee-Leigh (Jennifer Nettles) back through a hologram form. That night, Karl and Chuck retrieve bags of ammonium nitrate from the warehouse and deliver it to Peter, revealing they are conspiring against the Gemstones.
Production
Development
The episode was written by executive producer John Carcieri and series creator Danny McBride, and directed by executive producer Jody Hill. This was Carcieri's 13th writing credit, McBride's 22nd writing credit, and Hill's 11th directing credit.[1]
