Just Live Tour
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| Continental tour by Bonnie Tyler | |
Promotional poster | |
| Location | Europe |
|---|---|
| Associated album | In Berlin |
| Start date | 3 May 2025 |
| End date | 29 July 2025 |
| No. of shows | 17 |
| Supporting act | C.B. Green |
| Bonnie Tyler concert chronology | |
The Just Live Tour is an ongoing concert tour by Welsh singer Bonnie Tyler, scheduled to take place from 3 May to 30 May 2025 in central Europe. The tour is in support of her 2024 live album, In Berlin.
The album was recorded during Tyler's 40 Years "Total Eclipse of the Heart" Tour and features live performances of her greatest hits alongside songs from Between the Earth and the Stars. The Just Live Tour marks Tyler's return to the stage in 2025, following a knee operation that caused four months of postponed concert dates in other countries.
Dennis Hahn of Berlin Magazine praised Tyler's performance, noting an "energy that made you forget her age of 73". He also remarked on her voice, which "hasn't lost any of its emotional power".[1] Oliver Knaack of B.Z. felt that Tyler's performance in Berlin was "still an experience" but noted her voice "didn't always hold the high notes" with her "distinctively raspy voice".[2] Thorsten Czarkowski of Ostsee-Zeitung described Tyler's performance in Rostock as emotionally moving but vocally strained, noting she often appeared "at her limit" and that her signature rasp "seems to have suffered".[3] Jonas Schlömer of Westdeutsche Allgemeine Zeitung remarked on the diversity of age in the audience at her concert in Duisburg, and while acknowledging some vocal limitations, concluded that her "timbre is still unmistakably the same".[4] Karina Stark of Braunschweiger Zeitung described Tyler as a "star within reach", noting the emotional connection with the audience. While her voice sounded "more fragile in places" and she "holds back in the high notes", Stark praised the energy of the finale, saying Tyler and her band "unleashed every last ounce of energy" during "Holding Out for a Hero".[5]
Christian Jooß-Bernau of Süddeutsche Zeitung called Tyler’s performance in Munich "electrically charged", with her voice delivering "harmonic distortion" like a "well-set tube amplifier". He praised her classics for sending "electric jolts of memory", while noting newer songs like "Yes I Can" felt overproduced.[6]