Kiyoshi Kurosawa

Born in Kobe on July 19, 1955,^[3] Kiyoshi Kurosawa started making films about his life in high school.^[4] He studied at Rikkyo University in Tokyo under the guidance of prominent film critic Shigehiko Hasumi,^[5] where he began making 8mm films.^[4]

Though they share a surname, he is not related to filmmaker Akira Kurosawa.^[6]

Kurosawa began directing commercially in the 1980s, working on pink films^[7] and low-budget V-Cinema (direct-to-video) productions such as formula yakuza films.^[8] In 1981, his 8mm film Shigarami Gakuen (しがらみ学園) was nominated for the Oshima Prize at the PFF (Pia Film Festival). In 1983, after he worked with Shinji Soumai, he released his first feature film Kandagawa Pervert Wars (1983). He became popular after The Excitement of the Do-Re-Mi-Fa Girl (1985) and The Guard from Underground (1992).^[9]

In the early 1990s, Kurosawa won a scholarship to the Sundance Institute by submitting his original screen play Charisma. Then, he was able to study filmmaking in the United States, although he had been directing for nearly ten years professionally.^[10]

Kurosawa first achieved international acclaim with his 1997 crime thriller film Cure.^[11] A year later, he completed two thrillers back-to-back, Serpent's Path and Eyes of the Spider, both of which shared the same premise (a father taking revenge for his child's murder) and lead actor (Show Aikawa) but spun entirely different stories.^[12] In March 1999, the Hong Kong International Film Festival presented his first retrospective, a five-title-program including The Excitement of the Do-re-mi fa Girls, The Guard from Underground, Serpent's Path, Eyes of the Spider, and License to Live.

Kurosawa followed up Cure with a semi-sequel in 1999 with Charisma, a detective film starring Kōji Yakusho.^[10] In 2000, Seance, Kurosawa's adaptation of the novel Seance on a Wet Afternoon by Mark McShane, premiered on Kansai TV. It also starred Yakusho, as well as Jun Fubuki (the two had appeared together in Charisma as well). In 2001, he directed the horror film Pulse.^[13] Kurosawa released Bright Future, starring Tadanobu Asano, Joe Odagiri and Tatsuya Fuji, in 2003.^[14] He followed this with another digital feature, Doppelganger, later the same year.^[15] Both Bright Future and Doppelganger have nominated for the Cannes Film Festivals^[9]

In 2005, Kurosawa returned with Loft, his first love story since Seance.^[16] Another horror film, Retribution, followed in the next year.^[17] With his 2008 film, Tokyo Sonata, Kurosawa was considered to step "out of his usual horror genre and into family drama".^[18]

He has written a novelization of his own film Pulse, as well as a history of horror cinema with Makoto Shinozaki.^[19]

In September 2012, it was announced that he would direct 1905, a film starring Tony Leung Chiu-Wai, Shota Matsuda and Atsuko Maeda.^[20] In February 2013, it was announced that production of the film had been cancelled before filming could start.^[21]

Kurosawa directed a 2012 five-part television drama Penance.^[22] Beautiful 2013, an anthology film featuring Kurosawa's Beautiful New Bay Area Project, screened at the Hong Kong International Film Festival in 2013.^[23]

Kurosawa's next feature film Real, which stars Takeru Sato and Haruka Ayase, was released in 2013.^[24] He won the Best Director award at the 8th Rome Film Festival for Seventh Code later that year.^[25]

His 2015 film Journey to the Shore was screened in the Un Certain Regard section at the 2015 Cannes Film Festival where he won the prize for Best Director.^[26][27]

In 2016, his thriller Creepy premiered at the 66th Berlin International Film Festival.^[28] The film marked Kurosawa's first cinematic return to the horror genre since 2006.

His 2017 film Before We Vanish was screened in the Un Certain Regard category at the Cannes Film Festival.

His 2019 film To the Ends of the Earth was screened as the closing film in the Piazza Grande program of the 72nd Locarno Film Festival.

In 2020, Kurosawa won the Silver Lion for Best Direction at the 77th Venice International Film Festival for his film Wife of a Spy.^[29]

Kurosawa directed three films in 2024: the short film Chime, a French-language remake of Serpent's Path, and the thriller Cloud. The latter was nominated for Best Film at that year's Sitges Film Festival.

His jidaigeki (period drama) Kokurojo: The Samurai and the Prisoner is scheduled to premiere in June 2026.^[30]

From 2005 to 2023, Kurosawa was a Professor at the Tokyo University of the Arts's Graduate School of Film and New Media.^[31]

Kurosawa's filmmaking style has been compared to those of Stanley Kubrick and Andrei Tarkovsky, though he has never expressly listed those directors as influences.^[32] In an interview, he claimed that Alfred Hitchcock and Yasujirō Ozu contributed to shaping his personal vision of the medium.^[33] He has also expressed admiration for American film directors such as Don Siegel, Sam Peckinpah, Robert Aldrich, Richard Fleischer,^[34] and Tobe Hooper.^[35] In a 2000 interview with Time, Kurosawa noted his appreciation for John Cassavetes, stating, "When I watch a Cassavetes film, I am awed by the understanding that people can subtly change in the course of a simple conversation."^[36] Through his association with mentor Shigehiko Hasumi, Kurosawa was also influenced by Jean-Luc Godard.^[37]

In a 2009 interview with IFC, Kurosawa talked about the reason why he has cast the actor Kōji Yakusho in many of his films: "He has similar values and sensitivities. We're from the same generation. That's a big reason why I enjoy working with him on the set."^[38]

According to Tim Palmer, Kurosawa's films occupy a peculiar position between the materials of mass genre, on the one hand, and esoteric or intellectual abstraction, on the other. They also clearly engage with issues of environmental critique, given Kurosawa's preference for shooting in decaying open spaces, abandoned (and often condemned) buildings, and in places rife with toxins, pestilence and entropy.^[39]

In an interview with the Tokyo Art University, where he is a professor, Kurosawa talks about not wanting his directorial style to be too fixed.^[40] The interviewer makes reference to Kurosawa's versatility when they talk about Clint Eastwood; Kurosawa says he admires people who can do many things and that he doesn't box himself into one style or one theme. When asked what he wants to try next, he answered: "The next thing I want to do is something I have never done." Kurosawa also mentions that he has seen many films since he was young, and that he knows there are many great films from around the world. Those films motivate him to be a better filmmaker; he always asks himself how to make films that will be memorable for a long time.

In the same article by the Tokyo Art University, Kurosawa names film critic Hasumi Shigehiko as a mentor and early influence in his filmmaking career. Much of Hasumi's influence would go on to shape the core of Kurosawa's filmography. Kurosawa met Hasumi in University, where he was one of the few students to finish his course, and credits Hasumi with teaching him that film is worth dedicating your entire life to. Hasumi and Kurosawa believe that every element of the film matters and should be meticulously planned. Kurosawa has also stated that one of his goals as a filmmaker is to share Hasumi's teachings.

• Medal with Purple Ribbon (2021)^[1]

• 1905 (一九〇五) - A period drama set in early-20th-century Yokohama, starring Tony Leung Chiu-wai, Shota Matsuda, and Atsuko Maeda. Partly financed by Hong Kong studio Sil-Metropole Organisation. Filming was set to begin in Taiwan in fall 2012, for a fall 2013 release. Production was cancelled prematurely due to Leung's involvement exacerbated by the Senkaku Islands dispute and the bankruptcy of studio Prenom H on 20 February 2013.^{[61][62][63][64][65][66]}