List of artworks by Ivan Albright
From Wikipedia, the free encyclopedia
The following is a list of notable artworks by American artist Ivan Albright (1897–1983), organized by medium and listed chronologically.[1]
| Image | Title | Date | Technique | Dimensions | Current location |
|---|---|---|---|---|---|
| The Oaks in Winter | 1918 | Watercolor | unknown | unknown.[2] | |
| Portrait of Marie Walsh Sharpe | 1921 | Oil on canvas | 30 x 20 inches | Marie Walsh Sharpe Art Foundation, Colorado.[3] | |
 |
The Philosopher | 1922 | Oil on paper laid to panel | 24 x 18 inches | Private collection,[4] formerly the Milwaukee Art Center.[5] |
| Portrait of a Man | ca. 1924 | Oil on canvas | 24 x 18 inches | Private Collection.[3] | |
![](#/media/File:Albright_"I_Am_He_of_Whom_He_Spoke_(Samson)"_1925.jpg) |
I Am He of Whom He Spoke (Samson) | 1925 | Oil on canvas | 26.13 x 20.13 inches | Lowe Art Museum, University of Miami.[6][7] |
 |
Fur Collar (formerly The Baskerville Portrait) | 1925-1926 | Oil on canvas | 30 x 20 inches | National Academy of Design, New York.[8][9] |
 |
Paper Flowers | 1926 | Oil on canvas | 26 x 20 inches | Private collection.[10] |
 |
Burgomaster With a Key | 1926 | Oil on canvas | 30 x 24.25 inches | Detroit Institute of Arts.[11][12] |
 |
I Slept With the Starlight in My Face (The Rosicrucian) | 1926 | Oil on canvas | 30 x 20 inches | Wadsworth Atheneum, Hartford.[13][14][15] |
 |
Portrait of the Artist's Father Adam Emory Albright | ca. 1926 | Oil on canvas | Unknown | Unknown.[16][17] |
_1927.jpg) |
I Walk To and Fro Through Civilization and I Talk As I Walk (Follow Me, The Monk) | 1926-27 | Oil on canvas | 73 x 36 inches | Art Institute of Chicago.[13][18] |
 |
I Drew a Picture in the Sand and the Water Washed It Away (The Theosophist) | 1927 | Oil on canvas | 36 x 23 inches | Art Institute of Chicago.[19][20] |
 |
The Lineman | 1927 | Oil on canvas | 73 x 36 inches | Art Institute of Chicago.[21][22] |
 |
Memories of the Past | 1927 | Oil on canvas | 29.5 x 20.5 inches | Art Institute of Chicago.[23][24] |
 |
Woman | 1928 | Oil on canvas | 33 x 22 inches | Museum of Modern Art, New York.[25][26] |
 |
Maker of Dreams (Man With a Mallet, the Maker of Images) | 1928 | Oil on canvas | 30 x 20.25 inches | Private collection.[27] |
_1928.jpg) |
Flesh (Smaller Than Tears Are the Little Blue Flowers) | 1928 | Oil on canvas | 36 x 24 inches | Art Institute of Chicago.[28][29] |
_1928-29.jpg) |
Among Those Left (The Wheelwright, the Blacksmith) | 1928-29 | Oil on canvas | 73 x 36 inches | Carnegie Museum of Art, Pittsburgh.[30][31] |
 |
Fleeting Time, Thou Hast Left Me Old | 1928-29 | Oil on canvas | 30.25 x 20.25 inches | Metropolitan Museum of Art, New York.[32][33] |
 |
Heavy the Oar to Him Who is Tired, Heavy the Coat, Heavy the Sea | 1929 | Oil on canvas | 55.38 x 34.25 inches | Art Institute of Chicago.[34][35] |
| There Were No Flowers Tonight (Midnight) | 1929 | Oil on canvas | 48.5 x 30.25 inches | National Gallery of Art, Washington D.C.[36][37] | |
| Beneath My Feet | 1929 | Oil on canvas | 18 x 22 inches | Formerly collection of the artist.[38] | |
| Into the World There Came a Soul Called Ida | 1929-30 | Oil on canvas | 55 x 46 inches | Art Institute of Chicago.[39][40] | |
| And Man Created God in His Own Image (Room 203) | 1930-31 | Oil on canvas | 48 x 26 inches | Art Institute of Chicago.[41][42] | |
| And Wherefore Now Ariseth the Illusion of a Third Dimension | 1931 | Oil on canvas | 20 x 36 inches | Art Institute of Chicago.[43][44] | |
| Nude (Fourteen Year Old Child) | 1931 | Oil on canvas | 22 x 15 inches (framed) | Art Institute of Chicago.[45][46] | |
| That Which I Should Have Done I Did Not Do (The Door) | 1931-41 | Oil on canvas | 97 x 36 inches | Art Institute of Chicago.[47][48] | |
| And The Starlight in Her Eyes | 1932 | Gouache | 13.25 x 17.75 inches | Private collection.[49] | |
| Self Portrait (Unfinished) | 1933 | Oil on canvas | 15 x 11 inches | Los Angeles County Museum of Art.[50][51] | |
 |
The Farmer's Kitchen | 1933-34 | Oil on canvas | 36 x 30 inches | Smithsonian Institution, Washington D.C., transfer from the U.S. Department of Labor.[52][53] |
,_1934,_oil_on_canvas,_291⁄4_by_191⁄4_inches._Collection_of_New_Trier_High_School_District_203.png) |
Self Portrait | 1934 | Oil on canvas | 30.25 x 18.25 inches | New Trier Township High School, Winnetka, Illinois.[54] |
| Self Portrait | 1935 | Oil on canvas | 35 x 24 inches | Art Institute of Chicago.[55][56] | |
| In the Year 1840 (Second Storeys Are Popular), or When Fall Winds Blow | 1937 | Tempera | 14 x 22 inches | Dallas Museum of Fine Arts.[57][58] | |
| After the Race | 1938 | Oil on canvas | 36 x 20 inches | Forum Gallery, New York.[59][60] | |
| Portrait of Peaches Willis | 1938 | Oil on panel | 17 x 14.5 inches | Pennsylvania Academy of the Fine Arts.[61] | |
| Shore Sentinels | 1939 | Oil on canvas | 26 x 45 inches | Art Institute of Chicago.[62] | |
| This Ichnolite of Mine | 1940 | Oil on canvas | 14 x 7 inches | Art Institute of Chicago.[63][64] | |
| Black Cliffs, Schoodic Point, Maine, or Maine Coast | 1940 | Gouache | 25 x 19 inches | Art Institute of Chicago.[65][66] | |
| Maine Landscape | 1940 | Gouache | 13 x 19.25 inches | Private collection.[67] | |
| Lobster Salad | 1940 | Oil on canvas | 19.5 x 31.5 inches | Private collection.[68][69] | |
| Lobsterman's Catch | 1940 | Oil on canvas | 20 x 30 inches | Forum Gallery, New York.[60] | |
| Ah God, Herrings, Buoys, the Glittering Sea | 1940 | Gouache | 22 x 29 inches | Art Institute of Chicago.[70][71] | |
| Stones at Stonington, Maine | 1941 | Gouache | 14 x 20 inches | University of Iowa Museum of Art.[72][73] | |
| Bride with a Cold | 1941 | Oil on panel | 9.75 x 6.75 inches | Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington D.C.[74][75] | |
| Divided and Divided | 1941 | Oil on canvas | 27 x 42 inches | Art Institute of Chicago.[76][77] | |
| Poor Room – There Is No Time, No End, No Today, No Yesterday, No Tomorrow, Only the Forever and Forever and Forever Without End (The Window) | 1941-43
1948-55 1957-62 |
Oil on canvas | 48 x 37 inches | Art Institute of Chicago.[78][79] | |
| A Guttated Self Portrait – A Nutant Lycanthrope Seen in Glass | 1943 | Gouache | Unknown | Unknown.[80] | |
| Still Life | 1943 | Oil on mahogany panel | 14 1/2 × 21 inches | Middlebury College Museum of Art.[81] | |
 |
The Picture of Dorian Gray | 1943-44 | Oil on canvas | 85 x 42 inches | Art Institute of Chicago.[82][83] |
| Manifestation | 1944 | Oil on canvas | 19.5 x 15.5 inches | William Benton Museum of Art.[84][85] | |
| The Temptation of Saint Anthony | 1944-45 | Oil on canvas | 50 x 60 inches | Art Institute of Chicago.[86][87] | |
| Bridal Falls, Ten Sleep, Wyoming | 1946 | Gouache | 12 x 18 inches | Art Institute of Chicago.[88][89] | |
| After the Storm (Coastal Rocks, Corea, Maine) | 1947 | Gouache | 21.38 x 29.5 inches | Private collection.[90] | |
| Mephistopheles | 1947 | Oil on canvas | 90 x 42 inches | Private collection.[91][92] | |
| Roaring Fork, Wyoming | 1948 | Gouache | 22.5 x 30.25 inches | Whitney Museum of American Art, New York.[93][94] | |
| Around and Around | 1948 | Gouache | 14.25 x 20.5 | Private collection.[95] | |
| We Are Gathered Here | 1948 | Gouache and watercolor | 20 x 30.13 inches | Private collection.[96] | |
| Self Portrait | 1948 | Oil on canvas | 24 x 20 inches | National Academy of Design, New York.[97] | |
| The Purist | 1949 | Gouache on panel | 25.25 x 38.5 inches | Solomon R. Guggenheim Museum, New York.[98] | |
| The Wild Bunch (Hole in the Wall Gang) | 1950-51 | Oil on canvas | 30.5 x 42 inches | Phoenix Art Museum.[99][100] | |
| Troubled Waves | 1952 | Oil on canvas | 14 x 9 inches | Private collection.[101][102] | |
| Tin | 1952-54 | Gouache on panel | 32 x 45.5 inches | Formerly the collection of the artist.[103] | |
| Portrait of Mary Block | 1955-57 | Oil on canvas | 39.13 x 30 inches | Art Institute of Chicago.[104][105] | |
| The Rustlers | 1959, 1963–64 | Gouache | 22 x 40 inches | Art Institute of Chicago.[106][107] | |
| Rue du Bac, Paris | 1960 | Gouache | 25 x 15 inches | Private collection.[108][109] | |
| Alicia Patterson | 1962 | Enamel on copper | 4.88 inches diameter | Formerly collection of the artist.[110] | |
| Red Onion | 1962 | Gouache | 17.75 x 13.5 inches | Private collection.[111] | |
| Captain Joseph Medill Patterson | 1962-64 | Oil on Masonite | 30 x 24 inches | Art Institute of Chicago.[112][113] | |
| Aspen Self Portrait | 1963 | Gouache | 24 x 17 inches | Private collection.[114] | |
| To Tread Between Sky and Field | 1964 | Gouache | 18 x 24 | Private collection.[115] | |
| The Cliffs Revolve – But Slowly | 1965 | Gouache | 16.25 x 24.13 inches | Private collection.[116] | |
| Knees of Cypress (Reflections of a Cypress Swamp) | 1965 | Gouache on panel | 16 x 20 inches | Union League Club of Chicago.[117][118] | |
| If Life Were Life – There Would Be No Death (The Vermonter) | 1966-77 | Oil on panel | 37 x 27 inches | Hood Museum of Art, Dartmouth College.[119][120] | |
| The Trees: They Murmur So – Like People They Murmur – Murmur So | 1967 | Gouache | 18 x 24 inches | Private collection.[121] | |
| Self Portrait in Georgia | 1967-68 | Oil on panel | 36 x 26 inches | Butler Institute of American Art.[122][123] | |
| All Things Unassembled | 1968 | Gouache | 16 x 20 inches | Private collection.[124] | |
| There Comes a Time | 1969 | Gouache on canvas board | 16 x 20 inches | Private collection.[125][126] | |
| A Face From Georgia | 1970 | Oil on canvas | 15.5 x 11 | Art Institute of Chicago.[127][128] | |
| In Light Rise the Domes of Rome | 1970 | Gouache | 22.25 x 15.25 inches | William Benton Museum of Art.[129][130] | |
| Lima, Peru | 1971 | Gouache | 5.5 x 11.5 inches | William Benton Museum of Art.[131][132] | |
| From Yesterday's Day | 1971 | Oil on canvas | 8.5 x 15.25 inches | Private collection.[133] | |
| Apple on Apple – Ascent on Descent – Move the Apples | 1971 | Gouache | 5.63 x 11.63 inches | William Benton Museum of Art.[134][135] | |
| The Image After | 1972 | Oil on canvas | 8.5 x 15.25 inches | Private collection.[136] | |
| Pray for These Little Ones (Perforce They Live Together) | 1974 | Oil on silk | 10.5 x 16.5 inches | Art Institute of Chicago.[137][138] | |
| The Sea of Galilee | 1977 | Gouache | 14.5 x 20 inches | Formerly the collection of the artist.[139] | |
| Spoof-Tavern Club-Martinized Venus | unknown | Oil on plywood, joined with hinges | 96 x 96 inches | University of Michigan Museum of Art.[140] |
Drawings
| Image | Title | Date | Technique | Dimensions | Current location |
|---|---|---|---|---|---|
| Three Love Birds | 1930 | oil and charcoal on canvas | 78.25 x 42 inches | Art Institute of Chicago.[141][142] | |
| Show Case Doll | 1931-32 | charcoal and oil on canvas | 35 x 54 inches | Art Institute of Chicago.[143][144] | |
| Here Within Me – Stand I | 1935 | charcoal | 18 x 11.5 inches | American Israel Cultural Foundation.[145] | |
| After the Race | 1938 | pastel on paper | 27 x 14 inches | Private collection.[146] | |
| Silver Miner's Row, Aspen, Colorado | 1956 | metalpoint on ivory wove paper prepared with a white ground | 14 x 22 inches | Art Institute of Chicago.[147][148] | |
| Elm Street Bridge Over the Ottauquechee | 1965 | metalpoint on off-white wove paper prepared with an ivory ground | 16.5 x 20 inches | Art Institute of Chicago.[149][150] | |
| The Fallen, Georgia, or The Old and the New, Georgia | 1965 | metalpoint on cream wove paper prepared with a cream ground | 10.25 x 16 inches | Art Institute of Chicago.[151] | |
| The Vermonter I | 1965 | charcoal on canvas | 33 x 23.75 inches | Formerly the collection of the artist.[152] | |
| The Vermonter II | 1966 | charcoal and oil on canvas | 35 x 26.75 inches | Art Institute of Chicago.[153][154] | |
| The Red Barn Walked Around Me | 1968 | metalpoint on off-white wove paper prepared with an ivory ground | 16.5 x 20.25 inches | Art Institute of Chicago.[155][156] | |
| The Old Woodstock Inn, Vermont | 1968 | metalpoint on off-white wove paper prepared with an ivory ground | 20 x 16 inches | Art Institute of Chicago.[157][158] | |
| First a Church – Then a Lumberyard | 1969 | metalpoint on off-white wove paper prepared with an ivory ground | 16 x 20 inches | Art Institute of Chicago.[159][160] | |
| The Snow Moves Through the Morning Trees | 1972 | charcoal and black crayon, with stumping and erasing, on white wove card | 20 x 28 inches | Art Institute of Chicago.[161][162] | |
| This Is Jill | 1975 | back crayon and graphite, on white clay-coated wove paper | 15 x 13 inches | Art Institute of Chicago.[163][164] | |
| I Mary | 1975-76 | black crayon, with white crayon, touches of white gouache, scratching and erasing, on off-white clay coated paper | 20 x 16 inches | Art Institute of Chicago.[165][166] | |
| Made When Legally Blind | 1977 | colored pencil | 9 x 11.88 | Formerly the collection of the artist.[167] |
References
- ↑ Croydon, Michael (1978). Ivan Albright. New York: Abbeville Press. ISBN 0896590038.
- ↑ Murphy, John (11 May 2018). "Inside an Exhibition: Fleshing Out Ivan Albright". The Art Institute of Chicago.
- 1 2 Donnell, et al (1997) p. 19
- ↑ "Ivan Le Lorraine Albright, (American, 1897-1983), The - Jul 25, 2013 | Hindman in WI". LiveAuctioneers. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 11
- ↑ Croydon (1978) Plate 12
- ↑ "I Am He of Whom He Spoke (Samson)". emuseum1.as.miami.edu. Retrieved 2020-10-28.
- ↑ Croydon (1978) Plate 13
- ↑ "Fur Collar (or) The Baskerville Portrait". nationalacademy.emuseum.com. Retrieved 2022-01-13.
- ↑ Croydon (1978) Plate 1
- ↑ Croydon (1978) Plate 14
- ↑ "You are being redirected..." www.dia.org. Retrieved 2020-07-24.
- 1 2 Croydon (1978) Plate 16
- ↑ "Wadsworth Atheneum Collection". argus.wadsworthatheneum.org. Retrieved 2020-07-24.
- ↑ "Wadsworth Atheneum Collection". 5058.sydneyplus.com. Retrieved 2022-01-13.
- ↑ Lane, Jim (2016-06-15). "Art Now and Then: Ivan Albright". Art Now and Then. Retrieved 2021-02-09.
- ↑ "mountshang: October 2011". Retrieved 2021-02-09.
- ↑ "I Walk To and Fro through Civilization and I Talk as I Walk (Follow Me, the Monk)". The Art Institute of Chicago. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 17
- ↑ "I Drew A Picture in the Sand and the Water Washed It Away". The Art Institute of Chicago. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 18
- ↑ "The Lineman". The Art Institute of Chicago. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 19
- ↑ "Memories of the Past". The Art Institute of Chicago. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 2
- ↑ "Ivan LeLorraine Albright. Woman. 1928 | MoMA". The Museum of Modern Art. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 22
- ↑ Croydon (1978) Plate 25
- ↑ "Flesh (Smaller Than Tears Are the Little Blue Flowers)". The Art Institute of Chicago. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 21
- ↑ "CMOA Collection". collection.cmoa.org. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 23
- ↑ "Ivan Albright | Fleeting Time Thou Hast Left Me Old". www.metmuseum.org. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 4
- ↑ "Heavy the Oar to Him Who Is Tired, Heavy the Coat, Heavy the Sea". The Art Institute of Chicago. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 26
- ↑ "There Were No Flowers Tonight". www.nga.gov. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 43
- ↑ Croydon (1978) Plate 6
- ↑ "Into the World There Came a Soul Called Ida". The Art Institute of Chicago. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 27
- ↑ "And Man Created God in His Own Image". The Art Institute of Chicago. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 30
- ↑ "Wherefore Now Ariseth the Illusion of a Third Dimension". The Art Institute of Chicago. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 44
- ↑ "Nude". The Art Institute of Chicago. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 32
- ↑ "That Which I Should Have Done I Did Not Do (The Door)". The Art Institute of Chicago. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 45
- ↑ Croydon (1978) Plate 48
- ↑ "Self-Portrait | LACMA Collections". collections.lacma.org. Retrieved 2021-02-09.
- ↑ Croydon (1978) Plate 46
- ↑ "The Farmer's Kitchen". Smithsonian Institution. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 47
- ↑ Croydon (1978) Plate 49
- ↑ "Self-Portrait". The Art Institute of Chicago. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 51, 52
- ↑ "In the Year 1840 - DMA Collection Online". www.dma.org. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 53
- 1 2 "Ivan Le Lorraine Albright - Artists - Forum Gallery". www.forumgallery.com. Retrieved 2020-07-24.
- ↑ "Ivan Albright, "Portrait of Peaches Willis" (1938)". PAFA - Pennsylvania Academy of the Fine Arts. 2014-12-28. Retrieved 2022-01-01.
- ↑ Croydon (1978) Plate 54
- ↑ Croydon (1978) Plate 55
- ↑ "This Ichnolite of Mine". The Art Institute of Chicago. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 56
- ↑ "Maine Coast". The Art Institute of Chicago. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 57
- ↑ Croydon (1978) Plate 58
- ↑ "Ivan Albright, Lobster Salad (#0266) on Dec 13, 2022 | Toomey & Co. Auctioneers in IL". LiveAuctioneers. Retrieved 2022-11-30.
- ↑ Croydon (1978) Plate 59
- ↑ "Oh God, Herrings, Buoys, the Glittering Sea". The Art Institute of Chicago. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 60
- ↑ "Stones at Stonington, Maine | The University of Iowa Libraries". digital.lib.uiowa.edu. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 61
- ↑ "Bride With A Cold". Smithsonian Institution. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 62
- ↑ "Divided and Divided". The Art Institute of Chicago. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 35
- ↑ "Poor Room—There Is No Time, No End, No Today, No Yesterday, No Tomorrow, Only the Forever, and Forever, and Forever without End". The Art Institute of Chicago. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 65
- ↑ "Still Life – Works – eMuseum". museumcollections.middlebury.edu. Retrieved 2020-11-10.
- ↑ Croydon (1978) Plate 38
- ↑ "Picture of Dorian Gray". The Art Institute of Chicago. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 120
- ↑ "Ivan Albright | "Manifestation"". Benton Museum Art Collection.
- ↑ Croydon (1978) Plate 67
- ↑ "The Temptation of St. Anthony". The Art Institute of Chicago. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 63
- ↑ "Bridal Ten Sleep Falls, Wyoming". The Art Institute of Chicago. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 64
- ↑ Croydon (1978) Plate 71
- ↑ Huebner, Jeff (5 September 2002). "The Return of the Magnificent Seven". Chicago Reader. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 69
- ↑ "Ivan Le Lorraine Albright | Roaring Fork, Wyoming". whitney.org. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 75
- ↑ Croydon (1978) Plate 127
- ↑ "Ivan Le Lorraine Albright – NA Database". Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 70
- ↑ Croydon (1978) Plate 40
- ↑ "The Wild Bunch (or Hole in the Wall Gang) [(El Wild Bunch (o la banda de Hole in the Wall)]". Phoenix Art Museum. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 72
- ↑ "Ivan Albright (American, 1897-1983) Troubled Waves (#0024) on Sep 27, 2021 | Hindman in IL". LiveAuctioneers. Retrieved 2021-09-02.
- ↑ Croydon (1978) Plate 42
- ↑ Croydon (1978) Plate 73
- ↑ "Portrait of Mary Block". The Art Institute of Chicago. Retrieved 2020-07-23.
- ↑ Croydon (1978) Plate 114
- ↑ "The Rustlers". The Art Institute of Chicago. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 76
- ↑ "136: Ivan Le Lorraine Albright, (American, 1897-1983), - Sep 11, 2011 | Hindman in IL". LiveAuctioneers. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 77
- ↑ Croydon (1978) Plate 81
- ↑ Croydon (1978) Plate 79
- ↑ "Captain Joseph Medill Patterson". The Art Institute of Chicago. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 78
- ↑ Croydon (1978) Plate 121
- ↑ Croydon (1978) Plate 123
- ↑ Croydon (1878) Plate 125
- ↑ "Knees of Cypress (Reflections of a Cypress Swamp) – Works – Ivan Le Lorraine Albright – People – Union League Club of Chicago". ulcc.emuseum.com. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 116
- ↑ "The Vermonter (If Life Were Life There Would Be No Death) | Hood Museum". hoodmuseum.dartmouth.edu. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 128
- ↑ Croydon (1978) Plate 129
- ↑ "Ivan Albright – The Butler Institute of American Art". Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 124
- ↑ Croydon (1978) Plate 135
- ↑ "Ivan Albright - There Comes A Time". 1stdibs.com. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 119
- ↑ "A Face from Georgia". The Art Institute of Chicago. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 130
- ↑ "Ivan Albright | "In Light Rise The Domes Of Rome" | 1970". Benton Museum Art Collection.
- ↑ Croydon (1978) Plate 131
- ↑ "Ivan Albright | "Lima, Peru" | 1971". Benton Museum Art Collection.
- ↑ Croydon (1978) Plate 132
- ↑ Croydon (1978) Plate 134
- ↑ "Ivan Albright | Apple on Apple | 1971". Benton Museum Art Collection.
- ↑ Croydon (1978) Plate 133
- ↑ Croydon (1978) Plate 140
- ↑ "Pray for These Little Ones (Perforce They Live Together)". The Art Institute of Chicago. Retrieved 2020-07-24.
- ↑ Croydon (1978) Plate 139
- ↑ "Spoof-Tavern Club-Martinized Venus". University of Michigan Museum of Art. Retrieved 2024-10-09.
- ↑ Croydon (1978) Plate 82
- ↑ "Three Love Birds". The Art Institute of Chicago. Retrieved 2020-07-27.
- ↑ Croydon (1978) Plate 84
- ↑ "Showcase Doll". The Art Institute of Chicago. Retrieved 2020-07-27.
- ↑ Croydon (1978) Plate 86
- ↑ Croydon (1978) Plate 87
- ↑ Croydon (1978) Plate 88
- ↑ "Silver Miners' Row, Aspen, Colorado". The Art Institute of Chicago. Retrieved 2020-07-27.
- ↑ Croydon (1978) Plate 89
- ↑ "Elm Street Bridge, Woodstock, Vermont". The Art Institute of Chicago. 1965. Retrieved 2020-07-27.
- ↑ "The Old and the New Georgia". The Art Institute of Chicago. 1965. Retrieved 2020-07-27.
- ↑ Croydon (1978) Plate 136
- ↑ Croydon (1978) Plate 137
- ↑ "Study for "The Vermonter"". The Art Institute of Chicago. Retrieved 2020-07-27.
- ↑ Croydon (1978) Plate 91
- ↑ "The Red Barn Walked Around Me". The Art Institute of Chicago. 1968. Retrieved 2020-07-27.
- ↑ Croydon (1978) Plate 92
- ↑ "The Old Woodstock Inn". The Art Institute of Chicago. 1968. Retrieved 2020-07-27.
- ↑ Croydon (1978) Plate 93
- ↑ "First a Church, Then a Lumberyard, Woodstock, Vermont". The Art Institute of Chicago. 1969. Retrieved 2020-07-27.
- ↑ Croydon (1978) Plate 90
- ↑ "The Snow Moves Through the Trees-the Trees Move Through the Snow". The Art Institute of Chicago. 1972. Retrieved 2020-07-27.
- ↑ Croydon (1978) Plate 94
- ↑ "This is Jill". The Art Institute of Chicago. 1975. Retrieved 2020-07-27.
- ↑ Croydon (1978) Plate 95
- ↑ "I, Mary". The Art Institute of Chicago. Retrieved 2020-07-27.
- ↑ Croydon (1978) Plate 138