List of paintings by John Constable
From Wikipedia, the free encyclopedia
List of paintings by the British artist John Constable
This is an incomplete list of the paintings of John Constable (11 June 1776 – 31 March 1837), an artist of the Romanticism, famous for his rural scenes.[1]
- 1776–1809 Early Years
- 1809–1816 Early Maturity
- 1817–1828 Established Londoner
- 1829-1837 Late Years
Paintings by Constable
This list includes paintings attributed to Constable.
In substitute of specific knowledge on the date of a painting's creation (in cases where this is not known), the year of exhibition has been put, is it would likely correlate. The circa date may also be put.
| Image | Title | Year | Location | ||||
|---|---|---|---|---|---|---|---|
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Salisbury Cathedral from the Meadows | 1831 | Tate | ||||
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Salisbury Cathedral from the Bishop's Grounds | 1823 | Victoria and Albert Museum | ||||
_by_John_Constable_-_Google_Art_Project.jpg) |
The Leaping Horse | 1825 | Royal Academy of Arts | ||||
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Osmington Bay | 1816 | Clark Art Institute | ||||
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Trees at Hampstead | 1821 | Victoria and Albert Museum | ||||
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The Wheat Field | 1816 | Clark Art Institute | ||||
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Waterloo Bridge Seen from Whitehall Stairs | 1829 | Clark Art Institute | ||||
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Sketch for The Opening of Waterloo Bridge Seen from Whitehall Stairs, June 18th 1817 | 1819 | Clark Art Institute | ||||
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Dedham Lock and Mill | 1820 | Victoria and Albert Museum | ||||
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A Boat Passing a Lock | 1826 | Royal Academy of Arts | ||||
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Sandbanks and a Cart and Horses on Hampstead Heath | 1820-1825 | Clark Art Institute | ||||
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Weymouth Bay: Bowleaze Cove and Jordon Hill | 1816 | National Gallery | ||||
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View of Lower Terrace, Hampstead | 1822 | Victoria and Albert Museum | _-_A_Cottage_in_a_Cornfield_-_NMW_A_486_-_National_Museum_Cardiff.jpg) |
A Cottage in a Cornfield | 1817 | National Museum Wales |
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The Cornfield | 1826 | National Gallery | ||||
.jpg) |
The Hay Wain | 1821 | National Gallery | ||||
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Malvern Hall | 1821 | Clark Art Institute | ||||
.png) |
Englefield House | 1832 | Private collection | ||||
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Cottage at East Bergholt | 1833 | Lady Lever Art Gallery | ||||
.jpg) |
Boat-Building Near Flatford Mill | 1815 | Victoria and Albert Museum | ||||
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Water Meadows near Salisbury | 1820 | Victoria and Albert Museum | ||||
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Hampstead Heath, Branch Hill Pond | 1828 | Victoria and Albert Museum | ||||
.jpg) |
Old Sarum | 1834 | Victoria and Albert Museum | ||||
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Stonehenge | 1835 | Victoria and Albert Museum | ||||
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Cenotaph to the Memory of Sir Joshua Reynolds | 1836 | National Gallery | ||||
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Chain Pier, Brighton | 1827 | Tate | ||||
_by_John_Constable,_Tate_Britain.JPG) |
Flatford Mill | 1816
1811 |
Tate | ||||
.jpg) |
Dedham Vale | 1811 | Private collection | ||||
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Stratford Saint Mary from the Coombs | c. 1800 | Clark Art Institute | ||||
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Old Hall, East Bergholt | 1801 | Private collection | ||||
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Dedham Vale | 1802 | Victoria and Albert Museum | ||||
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Woodland Scene Overlooking Dedham Vale | c. 1802-1803 | Clark Art Institute | ||||
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Bow Fell, Cumberland | 1807 | Clark Art Institute | ||||
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Dedham Church from Flatford | 1810 | Clark Art Institute | ||||
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Flatford Mill from the Lock | 1810 | Clark Art Institute | ||||
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Dedham Vale from the Road to East Bergholt, Sunset | 1810 | Clark Art Institute | ||||
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Study of a Burdock | 1810-14 or 1828 | Clark Art Institute | ||||
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Flatford Mill from the Lock | 1812 | Private collection | ||||
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Willy Lott's House (recto); Landscape Sketches with Trees and Church Tower (verso) | c.1812–13 (recto); c.1811–13 | Clark Art Institute | ||||
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Flailing Turnip-heads, East Bergholt | 1812-15 | Clark Art Institute | ||||
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East Bergholt Common, View Toward the Rectory | 1813 | Clark Art Institute | ||||
.jpeg) |
Boys Fishing | 1813 | Anglesey Abbey, Cambridgeshire | ||||
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The Mill Stream | 1814 | Christchurch Mansion, Ipswich | ||||
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Hadleigh Castle | 1829 | Tate | ||||
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The Valley Farm | 1835 | Tate | ||||
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The Lock | 1824 | private collection | ||||
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Wivenhoe Park | 1816 | National Gallery of Art | ||||
| The Watermill | Nationalmuseum | ||||||
.png) |
Vale of Health, Hampstead | c.1827 | Victoria and Albert Museum | ||||
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The Vale of Dedham | 1828 | National Galleries of Scotland | ||||
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The Grove, or the Admiral's House in Hampstead | 1821 | Berlin State Museums | ||||
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The Old Mill | 1820 | Walters Art Museum | ||||
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Landscape | 18th century | MuMa Museum of modern art André Malraux | ||||
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Helmingham Dell. Vallon dans le parc de Helmingham | 1800s | Department of Paintings of the Louvre | ||||
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Vue de Salisbury | 1800s | Department of Paintings of the Louvre | ||||
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The White Horse | 1819 | The Frick Collection | ||||
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Salisbury Cathedral from the Bishop's Garden | 1800s | Metropolitan Museum of Art | ||||
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Salisbury Cathedral from the Bishop's Garden | 1826 | The Frick Collection | ||||
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Salisbury Cathedral from the Bishop's Garden | 1821 | São Paulo Museum of Art | ||||
_MET_DP162142.jpg) |
Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856) | 1818 | Metropolitan Museum of Art | ||||
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Willy Lott's House from the Stour | 1818 | Ashmolean Museum | ||||
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Stoke-by-Nayland | 1810 | Metropolitan Museum of Art | ||||
| Hampstead Heath with Bathers | 18th century | Metropolitan Museum of Art | |||||
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Netley Abbey | 1800s | Herbert F. Johnson Museum of Art | ||||
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Stonehenge at Sunset | 1836 | Yale Center for British Art | ||||
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The White Horse | 1800s | National Gallery of Art | ||||
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Salisbury Cathedral from Lower Marsh Close | 1820 | National Gallery of ArtAndrew W. Mellon collection | ||||
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Cloud Study: Stormy Sunset | 1800s | National Gallery of Art | ||||
.jpg) |
A View on Hampstead Heath with Harrow in the Distance | 1822 | Fine Arts Museums of San Francisco | ||||
| Arundel Mill | Fine Arts Museums of San Francisco | ||||||
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Hampstead, Stormy Sky | 1814 | Art Institute of Chicago | ||||
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Stoke-by-Nayland | 1836 | Art Institute of Chicago | ||||
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Landscape with Cottages | 18th century | Art Institute of Chicago | ||||
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Study of a Windmill | 18th century | Statens Museum for Kunst | ||||
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The Quarters behind Alresford Hall | 1816 | National Gallery of Victoria | ||||
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West End Fields, Hampstead, noon | 1822 | National Gallery of Victoria | ||||
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Clouds | 1822 | National Gallery of Victoria | ||||
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Study of A boat passing a lock | 1800s | National Gallery of Victoria | ||||
| Keswick Lake | National Gallery of Victoria | ||||||
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The Mill Stream | 18th century | Statens Museum for Kunst | ||||
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Landscape with goatherd and goats (after Claude) | 1823 | Art Gallery of New South Wales | ||||
| A Heath | Museum of Fine Arts | ||||||
_-_23.489_-_Museum_of_Fine_Arts.jpg) |
A Hilltop (His Native Village) | 1809 | Museum of Fine Arts | ||||
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Weymouth Bay from the Downs above Osmington Mills | 1816 | Museum of Fine Arts | ||||
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Portrait of a Woman | Museum of Fine Arts | |||||
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Stour Valley and Dedham Church | 1814 | Museum of Fine Arts | ||||
| Branch Hill Pond, Hampstead Heath | Philadelphia Museum of Art | ||||||
| Branch Hill Pond, Hampstead Heath | Philadelphia Museum of Art | ||||||
| Coast Scene, Brighton | Philadelphia Museum of Art | ||||||
| Dell at Helmingham Park | Philadelphia Museum of Art | ||||||
| Dell at Helmingham Park | Philadelphia Museum of Art | ||||||
| Gandish Cottage, Suffolk | Philadelphia Museum of Art | ||||||
| Hampstead Heath | 1821 | Philadelphia Museum of Art | |||||
| Hilly Landscape | Philadelphia Museum of Art | ||||||
| Landscape (possibly the Stour valley) | Philadelphia Museum of Art | ||||||
| Landscape with a Lock | Philadelphia Museum of Art | ||||||
| Landscape with a River | Philadelphia Museum of Art | ||||||
| Landscape with Brushwood | Philadelphia Museum of Art | ||||||
| Marine | Philadelphia Museum of Art | ||||||
| Mill | Philadelphia Museum of Art | ||||||
| Near Bergholt Common | Philadelphia Museum of Art | ||||||
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Osmington Bay | Philadelphia Museum of Art | |||||
| Portrait of a Girl | Philadelphia Museum of Art | ||||||
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Portrait of Master Crosby | 1808 | Philadelphia Museum of Art | ||||
| Rising Moon | Philadelphia Museum of Art | ||||||
| Road to the Spaniards, Hampstead | 1822 | Philadelphia Museum of Art | |||||
![](#/media/File:John_Constable,_English_-_Sketch_for_"A_Boat_Passing_a_Lock"_-_Google_Art_Project.jpg) |
Sketch for A Boat Passing a Lock | 1800s | Philadelphia Museum of Art | ||||
| Sketch for The Marine Parade and Chain Pier, Brighton | Philadelphia Museum of Art | ||||||
| Sketch for The Marine Parade and Chain Pier, Brighton | Philadelphia Museum of Art | ||||||
| The Stour | 1810 | Philadelphia Museum of Art | |||||
| The Stour | Philadelphia Museum of Art | ||||||
| Two Donkeys | 1816 | Philadelphia Museum of Art | |||||
| View toward the Rectory, East Bergholt | 1810 | Philadelphia Museum of Art | |||||
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Golding Constable's Flower Garden | 1815 | Ipswich Museum | ||||
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Golding Constable's Vegetable Garden | 1815 | Ipswich Museum | ||||
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Windmills in landscape. | 18th century | National Museum in Warsaw | ||||
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Rushes by a pool | 1821 | Yale Center for British Art | ||||
_-_Google_Art_Project.jpg) |
A View from Hampstead Heath (?) | 1825 | Yale Center for British Art | ||||
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Horse and Cart | Yale Center for British Art | |||||
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A Cloud Study, Sunset | 1821 | Yale Center for British Art | ||||
.jpg) |
Cloud Study | 1821 | Yale Center for British Art | ||||
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Cloud Study | Yale Center for British Art | |||||
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Cloud Study with Tree | 1821 | Yale Center for British Art | ||||
.jpg) |
Cloud Study | 1821 | Yale Center for British Art | ||||
.jpg) |
Cloud Study | 1821 | Yale Center for British Art | ||||
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Extensive Landscape with Grey Cloud | 1821 | Yale Center for British Art | ||||
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Fen Lane, East Bergholt | 1811 | Yale Center for British Art | ||||
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Captain Richard Gubbin | 1805 | Yale Center for British Art | ||||
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Hampstead Heath, with a Bonfire | 1822 | Yale Center for British Art | ||||
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Sir Richard Steele's Cottage, Hampstead | 1832 | Yale Center for British Art | ||||
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Somerset House Terrace from Waterloo Bridge | 1819 | Yale Center for British Art | ||||
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East Bergholt Church | 1809 | Yale Center for British Art | ||||
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Barge below Flatford Lock | 1810 | Yale Center for British Art | ||||
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Flatford Lock | 1800s | Yale Center for British Art | ||||
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Osmington Village | 1817 | Yale Center for British Art | ||||
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Golding Constable's House, East Bergholt: the Artist's birthplace | 1809 | Yale Center for British Art | ||||
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West Lodge, East Bergholt | 1800s | Yale Center for British Art | ||||
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Half-size Sketch for The Opening of Waterloo Bridge (“Whitehall Stairs, June 18, 1817”) | 18th century | Yale Center for British Art | ||||
.jpg) |
Flatford Mill | 1800s | Yale Center for British Art | ||||
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Hadleigh Castle | 1800s | Yale Center for British Art | ||||
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Hampstead Heath Looking Towards Harrow | 1821 | Yale Center for British Art | ||||
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Dedham Lock | 18th century | Yale Center for British Art | ||||
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Hadleigh Castle, The Mouth of the Thames--Morning after a Stormy Night | 1829 | Yale Center for British Art | ||||
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Ploughing Scene in Suffolk | 1825 | Yale Center for British Art | ||||
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Dedham Lock | 18th century | Yale Center for British Art | ||||
.jpg) |
Cloud Study | 1821 | Yale Center for British Art | ||||
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Malvern Hall, Warwickshire | 1800s | Yale Center for British Art | ||||
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Dedham Vale | 1802 | Yale Center for British Art | ||||
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Mary Freer | 1809 | Yale Center for British Art | ||||
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Coastal Scene with Cliff | 1814 | Yale Center for British Art | ||||
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Lane near Dedham | 1802 | Yale Center for British Art | ||||
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Parham Mill, Gillingham | 1826 | Yale Center for British Art | ||||
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Bardon Hill, Coleorton Hall | 1823 | Yale Center for British Art | ||||
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Hove Beach | 1800s | Yale Center for British Art | ||||
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Study of a Cloudy Sky | 1825 | Yale Center for British Art | ||||
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A Shepherd in a Landscape looking across Dedham Vale towards Langham | 1811 | Yale Center for British Art | ||||
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Study of an Ash Tree | 1800s | Yale Center for British Art | ||||
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Undergrowth | 1821 | Yale Center for British Art | ||||
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Harnham Gate, Salisbury | 1821 | Yale Center for British Art | ||||
![](#/media/File:John_Constable_-_Sketch_for_"The_Haywain"_-_Google_Art_Project.jpg) |
Sketch for "The Haywain" | 1820 | Yale Center for British Art | ||||
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A View at Hampstead with Stormy Weather | 1830 | Yale Center for British Art | ||||
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Harwich: The Low Lighthouse and Beacon Hill | 1820 | Yale Center for British Art | ||||
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East Bergholt | 1813 | Yale Center for British Art | ||||
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Stormy Sea, Brighton | 1828 | Yale Center for British Art | ||||
.jpg) |
Cloud Study | 1821 | Yale Center for British Art | ||||
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Cloud Study | 1822 | Yale Center for British Art | ||||
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Cloud Study, Early Morning, Looking East from Hampstead | 1821 | Yale Center for British Art | ||||
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An Autumnal Landscape at East Bergholt | 1800s | Yale Center for British Art | ||||
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Cloud Study | 1821 | Yale Center for British Art | ||||
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Hampstead Heath | 18th century | Yale Center for British Art | ||||
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Hampstead Heath looking towards Harrow | 1800s | Yale Center for British Art | ||||
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View Towards the Rectory, East Bergholt | 1813 | Yale Center for British Art | ||||
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Cloud Study | 1822 | Yale Center for British Art | ||||
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Stratford Mill | 1820 | Yale Center for British Art | ||||
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Landscape with Windmills near Haarlem, after Jacob van Ruisdael | 1830 | Dulwich Picture Gallery | ||||
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On the River Stour | 1800s | The Phillips Collection | ||||
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English Landscape | The Phillips Collection | |||||
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Salisbury Cathedral and Leadenhall from the River Avon | 1820 | National Gallery | ||||
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Stratford Mill | 1820 | National Gallery | ||||
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Weymouth Bay with Approaching Storm | 1818 | Department of Paintings of the Louvre | ||||
| Landscape, Mill and Water | Auckland Art Gallery | ||||||
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East Bergholt - Lock on Stour | Indianapolis Museum of Art | |||||
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The Cornfield | Indianapolis Museum of Art | |||||
| Harnham Bridge, Salisbury | Indianapolis Museum of Art | ||||||
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Barge on the Canal | Indianapolis Museum of Art | |||||
| Laura Moubray, née Hobson (born 1788) | 1808 | National Galleries of Scotland | |||||
_-_On_the_Stour_-_NG_1219_-_National_Galleries_of_Scotland.jpg) |
On the Stour (Reverse: Study of Cows) | 1830 | National Galleries of Scotland | ||||
| The Artist's Daughter | Museum of Fine Arts, Houston | ||||||
_-_The_Glebe_Farm_-_N01823_-_National_Gallery.jpg) |
The Glebe Farm | 1830 | TateNational Gallery | ||||
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The Cottage in a Cornfield | 1833 | Victoria and Albert Museum | ||||
_-_Branch_Hill_Pond,_Hampstead_Heath,_with_a_Boy_Sitting_on_a_Bank_-_N01813_-_National_Gallery.jpg) |
Branch Hill Pond, Hampstead Heath, with a Boy Sitting on a Bank | 1825 | TateNational Gallery | ||||
_-_Stoke-by-Nayland_-_N01819_-_Tate.jpg) |
Stoke-by-Nayland | 1800s | TateNational Gallery | ||||
.jpg) |
Salisbury Cathedral from the Meadows | 1829 | TateNational Gallery | ||||
_-_View_at_Epsom_-_N01818_-_National_Gallery.jpg) |
View at Epsom | 1809 | TateNational Gallery | ||||
_-_The_Mill_Stream._Verso,_Night_Scene_with_Bridge_-_N01816_-_National_Gallery.jpg) |
The Mill Stream. Verso: Night Scene with Bridge | 1810 | TateNational Gallery | ||||
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Harwich Lighthouse | 1820 | TateNational Gallery | ||||
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Hampstead Heath with the Salt Box | c.1820 | TateNational Gallery | ||||
_-_Gillingham_Bridge,_Dorset_-_NG1244_-_Tate.jpg) |
Gillingham Bridge, Dorset | 1823 | TateNational Gallery | ||||
_-_East_Bergholt_House_-_N01235_-_National_Gallery.jpg) |
East Bergholt House | 1809 | TateNational Gallery | ||||
_-_The_Glebe_Farm_-_N01274_-_National_Gallery.jpg) |
The Glebe Farm | 1830 | TateNational Gallery | ||||
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Flatford Mill (‘Scene on a Navigable River’) | 1817 | TateNational Gallery | ||||
_-_Hampstead_Heath_with_a_Rainbow_-_N01275_-_National_Gallery.jpg) |
Hampstead Heath with a Rainbow | 1836 | TateNational Gallery | ||||
_-_The_Grove,_Hampstead_-_N01246_-_National_Gallery.jpg) |
The Grove, Hampstead | 1822 | TateNational Gallery | ||||
_-_The_Church_Porch,_East_Bergholt_-_N01245_-_Tate.jpg) |
The Church Porch, East Bergholt | 1810 | TateNational Gallery | ||||
_-_Mrs_James_Andrew_-_N05966_-_National_Gallery.jpg) |
Mrs James Andrew | 1818 | TateNational Gallery | ||||
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Chain Pier, Brighton | 1800s | TateNational Gallery | ||||
_-_The_Revd_Dr_James_Andrew_-_N05965_-_Tate.jpg) |
The Revd Dr James Andrew | 1818 | TateNational Gallery | ||||
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Malvern Hall, Warwickshire | 1809 | TateNational Gallery | ||||
_-_Maria_Bicknell,_Mrs_John_Constable_-_N02655_-_National_Gallery.jpg) |
Maria Bicknell, Mrs John Constable | 1816 | TateNational Gallery | ||||
_(formerly_attributed_to)_-_Trunk_and_Lower_Branches_of_a_Tree_-_N02660_-_National_Gallery.jpg) |
Trunk and Lower Branches of a Tree | TateNational Gallery | |||||
| A Bank on Hampstead Heath | 1800s | TateNational Gallery | |||||
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Dedham from Langham | 1813 | TateNational Gallery | ||||
_-_A_Windmill_near_Brighton_-_N02657_-_National_Gallery.jpg) |
A Windmill near Brighton | 1824 | TateNational Gallery | ||||
_-_Trees_at_Hampstead_-_N02659_-_National_Gallery.jpg) |
Trees at Hampstead | 1829 | TateNational Gallery | ||||
_-_Dedham_Lock_and_Mill_-_N02661_-_National_Gallery.jpg) |
Dedham Lock and Mill | 1817 | TateNational Gallery | ||||
_-_Yarmouth_Jetty_-_N02650_-_National_Gallery.jpg) |
Yarmouth Jetty | 1824 | TateNational Gallery | ||||
_-_The_Valley_Farm_-_N00327_-_National_Gallery.jpg) |
The Valley Farm | 1835 | TateNational Gallery | ||||
_-_The_Bridges_Family_-_N06130_-_National_Gallery.jpg) |
The Bridges Family | 1804 | TateNational Gallery | ||||
_-_Sketch_for_'Hadleigh_Castle'_-_N04810_-_National_Gallery.jpg) |
Sketch for ‘Hadleigh Castle’ | 1800s | TateNational Gallery | ||||
_-_Branch_Hill_Pond,_Hampstead_Heath,_with_a_Cart_and_Carters_-_N04237_-_National_Gallery.jpg) |
Branch Hill Pond, Hampstead Heath, with a Cart and Carters | 1825 | TateNational Gallery | ||||
_-_Susannah_Lloyd_-_T01141_-_Tate.jpg) |
Susannah Lloyd | 1806 | Tate | ||||
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The Opening of Waterloo Bridge | 1832 | Tate | ||||
_-_Study_of_a_Girl_in_a_Cloak_and_Bonnet_-_T03607_-_Tate.jpg) |
Study of a Girl in a Cloak and Bonnet | 1810 | Tate | ||||
_-_Brightwell_Church_and_Village_-_T03121_-_Tate.jpg) |
Brightwell Church and Village | 1815 | Tate | ||||
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Fen Lane, East Bergholt | 1817 | Tate | ||||
_-_A_Cornfield_-_T11862_-_Tate.jpg) |
A Cornfield | 1817 | Tate | ||||
| View in the Stour Valley looking towards Langham Church from Dedham | 1805 | Tate | |||||
_-_The_Glebe_Farm_-_T12293_-_Tate.jpg) |
The Glebe Farm | 1830 | Tate | ||||
_-_Maria_Constable_with_Two_of_her_Children._Verso,_Copy_after_Teniers_-_T03903_-_Tate.jpg) |
Maria Constable with Two of her Children. Verso: Copy after Teniers | 1820 | Tate | ||||
_-_Golding_Constable_-_T03901_-_Tate.jpg) |
Golding Constable | 1815 | Tate | ||||
_-_Ann_Constable_-_T03902_-_Tate.jpg) |
Ann Constable | 18th century | Tate | ||||
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The Celebration in East Bergholt of the Peace of 1814 Concluded in Paris between France and the Allied Powers | 1814 | Museum of Fine Arts, Budapest | ||||
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Helmingham Dell | 1830 | The Nelson-Atkins Museum of Art | ||||
| Écluse sur la rivière Stour | 1812 | Department of Paintings of the Louvre | |||||
| Vue de Hampstead Heath; Effet d'orage | 1823 | Department of Paintings of the Louvre | |||||
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View of Dedham Vale from East Bergholt | 1815 | Bavarian State Painting Collections | ||||
_-_Kalkbrennerei_-_8606_-_Bavarian_State_Painting_Collections.jpg) |
Kalkbrennerei (Umkreis) | 18th century | Bavarian State Painting Collections | ||||
_-_Waldlandschaft_-_8607_-_Bavarian_State_Painting_Collections.jpg) |
Waldlandschaft (Umkreis) | 1820 | Bavarian State Painting Collections | ||||
_-_Landschaft_mit_Fernblick_und_Gewitterhimmel_(Hampstead_Heath_mit_Branch_Hill_Pond)_-_8369_-_Bavarian_State_Painting_Collections.jpg) |
Landschaft mit Fernblick und Gewitterhimmel (Hampstead Heath mit Branch Hill Pond) (Umkreis) | Bavarian State Painting Collections | |||||
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Willy Lott's Cottage | 1820 | private collection | ||||
| The Washing Line | Carnegie Museum of Art | ||||||
| Yarmouth Jetty | 1822 | National Gallery of Art | |||||
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Waterloo Bridge | 1820 | Cincinnati Art Museum | ||||
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A Road across Hampstead Heath | 1822 | Yale University Art Gallery | ||||
| Das Haus des Admirals in Hampstead, genannt "The Grove" | Berlin State Museums | ||||||
| Higham Village am Flusse Stour | Berlin State Museums | ||||||
_-_Mrs_Mary_Fisher_-_PD.45-1972_-_Fitzwilliam_Museum.jpg) |
Mrs Mary Fisher | 1816 | Fitzwilliam Museum | ||||
_-_Archdeacon_John_Fisher_-_PD.44-1972_-_Fitzwilliam_Museum.jpg) |
Archdeacon John Fisher | 1816 | Fitzwilliam Museum | ||||
_-_Salisbury_-_2383_-_Fitzwilliam_Museum.jpg) |
Salisbury | 1829 | Fitzwilliam Museum | ||||
_(attributed_to)_-_Sky_Study,_Sunset_-_PD.7-1951_-_Fitzwilliam_Museum.jpg) |
Sky study, sunset | Fitzwilliam Museum | |||||
_-_East_Bergholt_-_PD.15-1968_-_Fitzwilliam_Museum.jpg) |
East Bergholt | 1808 | Fitzwilliam Museum | ||||
_(attributed_to)_-_Sky_Study_with_Mauve_Clouds_-_PD.8-1951_-_Fitzwilliam_Museum.jpg) |
Sky study with mauve clouds | Fitzwilliam Museum | |||||
_-_Hove_Beach_-_PD.16-1968_-_Fitzwilliam_Museum.jpg) |
Hove beach | Fitzwilliam Museum | |||||
_-_Parham's_Mill,_Gillingham,_Dorset_-_2291_-_Fitzwilliam_Museum.jpg) |
Parham's Mill, Gillingham, Dorset | 1824 | Fitzwilliam Museum | ||||
_-_Hampstead_Heath_-_PD.207-1948_-_Fitzwilliam_Museum.jpg) |
Hampstead Heath | 1820 | Fitzwilliam Museum | ||||
_(attributed_to)_-_At_Hampstead,_Looking_towards_Harrow_-_PD.79-1959_-_Fitzwilliam_Museum.jpg) |
At Hampstead, looking towards Harrow | Fitzwilliam Museum | |||||
_-_Sky_Study_with_a_Shaft_of_Sunlight_-_PD.222-1961_-_Fitzwilliam_Museum.jpg) |
Sky study with a shaft of sunlight | 1822 | Fitzwilliam Museum | ||||
_-_Shoreham_Bay,_near_Brighton_-_PD.21-1969_-_Fitzwilliam_Museum.jpg) |
Shoreham Bay, near Brighton (1824) | 1824 | Fitzwilliam Museum | ||||
_-_The_Embarkation_of_George_IV_from_Whitehall,_The_Opening_of_Waterloo_Bridge,_1817_-_515574_-_National_Trust.jpg) |
Embarkation of George IV from Whitehall: the Opening of Waterloo Bridge, 1817 | 1817 | National Trust | ||||
_-_Academic_Study_of_a_Male_Nude_in_the_Same_Pose_as_a_Figure_in_Michelangelo’s_‘Last_Judgement’_in_the_Sistine_Chapel,_Rome_-_515699_-_National_Trust.jpg) |
Academic Study of a Male Nude in the same Pose as a Figure in Michelangelo’s ‘Last Judgement’ in the Sistine Chapel, Rome | 1800s | National Trust | ||||
_-_Lamarsh_House,_Lamarsh,_Essex_(recto)_-_515716_-_National_Trust.jpg) |
Lamarsh House, Lamarsh, Essex | 18th century | National Trust | ||||
_-_Cumulus_Clouds_over_a_Landscape_-_1449136_-_National_Trust.jpg) |
Cumulus Clouds over a Landscape | 1822 | National Trust | ||||
_-_Lady_Louisa_Tollemache_(1745–1840),_Countess_of_Dysart_(after_John_Hoppner)_-_1140003_-_National_Trust.jpg) |
Lady Louisa Tollemache, Countess of Dysart (1745-1840) (after John Hoppner) | 1800s | National Trust | ||||
_-_Anna_Maria_Lewis_(1745–1804),_Countess_of_Dysart,_as_Miranda_(after_Joshua_Reynolds)_-_1140004_-_National_Trust.jpg) |
Anna Maria Lewis, Countess of Dysart (1745-1804) as Miranda (after Reynolds) | 1823 | National Trust | ||||
_(attributed_to)_-_Field_Flowers_and_Berries_in_a_Brown_Pot_-_541110_-_National_Trust.jpg) |
Field Flowers and Berries in a Brown Pot | 1814 | National Trust | ||||
_-_Harnham_Ridge,_near_Salisbury_-_446662_-_National_Trust.jpg) |
Harnham Ridge, near Salisbury | 18th Century | National Trust | ||||
| Dedham Lock and Mill | 1820 | Currier Museum of Art | |||||
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Trees on Hampstead Heath | 1821 | National Museum of Art, Architecture and Design | ||||
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A View on the Banks of the River Stour | Museum of Fine Arts, Houston | |||||
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View on the Stour near Dedham | 1822 | Huntington Library | ||||
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Branch Hill Pond, Hampstead Heath | 1824–1825 | Virginia Museum of Fine Arts | ||||
| Hampstead Heath | 18th century | National Gallery of Canada | |||||
| Salisbury Cathedral from the Bishop's Grounds | 1820 | National Gallery of Canada | |||||
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Branch Hill Pond, Hampstead | 1828 | Cleveland Museum of Art | ||||
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Hampstead Heath, Looking Toward Harrow | 1821 | Cleveland Museum of Art | ||||
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Dedham from Langham | 1820 | private collection | ||||
| The River Stour, Suffolk | |||||||
| View of Edinburgh, Scotland | |||||||
| Beach near Cromer | |||||||
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Portrait of Mrs. Edwards | 1818 | Rhode Island School of Design Museum | ||||
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Coast Scene Near Brighton | 1824 | Detroit Institute of Arts | ||||
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The Glebe Farm | 1827 | Detroit Institute of Arts | ||||
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Weymouth Bay | 1824 | |||||
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Paysage, esquisse | 1818 | Collection of paintings of the Palais des Beaux-Arts de Lille | ||||
| Harnham Ridge from Archdeacon Fisher's House, Salisbury | 1829 | National Gallery of Ireland | |||||
| Portrait of a Child with a Dog | National Gallery of Ireland | ||||||
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Arundel Mill and Castle | 1837 | Toledo Museum of Art | ||||
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Study for “The Leaping Horse” (View on the...) | Saint Louis Art Museum | |||||
| Sophia Lloyd and Child | 18th Century | Worcester Art Museum | |||||
_-_James_Lloyd_-_1992P9_-_Birmingham_Museums_Trust.jpg) |
Portrait Of James Lloyd | 1806 | Birmingham Museums Trust | ||||
_-_Harwich_Lighthouse_-_2002P4_-_Birmingham_Museums_Trust.jpg) |
Harwich Lighthouse | 1800s | Birmingham Museums Trust | ||||
_-_Study_of_Clouds,_Evening,_31_August_1822_-_1929P45_-_Birmingham_Museums_Trust.jpg) |
Study of Clouds - Evening, August 31st, 1822. | 1822 | Birmingham Museums Trust |
References
- ↑ "John Constable (1776 - 1837) | National Gallery, London". www.nationalgallery.org.uk. Retrieved 18 January 2021.
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