List of compositions by Christoph Willibald Gluck
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This is a list of compositions by Christoph Willibald Gluck.
Wq. Number by Alfred Wotquenne (1867-1939).
Opera
- Wq. 1 – Artaserse (1741)
- Wq. 2 – Demetrio – or Cleonice (1742)
- Wq. 3 – Demofoonte (1743)
- Wq. 4 – Artemene (1743), 1st version
- – Il Tigrane (1743)
- Wq. 5 – La Sofonisba – Siface (1744)
- Wq. 6 – La finta schiava (1744)
- Wq. 7 – Ipermestra (1744)
- Wq. 8 – Poro (1744)
- Wq. 9 – Ippolito – Fedra (1745)
- Wq. 10 – La caduta de' giganti (1746)
- Wq. 11 – Artemene (1746), 2nd version
- Wq. 12 – Le nozze d'Ercole e d'Ebe (1747)
- Wq. 13 – La Semiramide riconosciuta (1748)
- Wq. 14 – La contesa dei numi (1749)
- Wq. 15 – Ezio (1749), 1st version; Revised in 1763
- Wq. 16 – La clemenza di Tito (1752)
- Wq. 17 – Issipile (1751-1752)
- Wq. 18 – Le cinesi (1754)
- Wq. 19 – La danza (1755)
- Wq. 20 – L'innocenza giustificata (1755), Revised as La vestale (1768)
- Wq. 55 – Les amours champêtres (1755)
- Wq. 21 – Antigono (1756)
- Wq. 22 – Il re pastore (1756)
- Wq. 23 – L'île de Merlin, ou Le monde renversé (1758)
- Wq. 24 – La fausse esclave (1758)
- Wq. 25 – L'arbre enchanté, ou Le tuteur dupé (1759), 1st version
- Wq. 26 – La Cythère assiégée (1759)
- – Le diable à quatre, ou La double métamorphose (1759)
- Wq. 27 – Tetide (1760)
- Wq. 28 – L’ivrogne corrigé (Der bekehrte Trunkenbold) (1760)
- Wq. 29 – Le cadi dupé (Der betrogene Kadi) (1761)
- – Arianna (Pasticcio) (1762)
- Wq. 30 – Orfeo ed Euridice (1762), Italian version
- Wq. 31 – Il trionfo di Clelia (1763)
- – Ezio (1763), 2nd version
- Wq. 32 – La rencontre imprévue – Les pèlerins de la Mecque (1764)
- – Enea e Ascanio (1764)
- Wq. 33 – Il Parnaso confuso (1765)
- Wq. 34 – Telemaco, ossia L’isola di Circe (1765)
- Wq. 35 – La corona (1765)
- Wq. 36 – Il prologo (1767)
- Wq. 37 – Alceste, Italian version of Alceste, Wq. 44 (1767)
- – La vestale (1768), Revision of L’innocenza giustificata, Wq. 20 (1755)
- Wq. 38 – Le feste d'Apollo (1769)
- Prologue
- Bauci e Filemone
- Aristeo
- Orfeo (Early version of Orfeo ed Euridice)
- – Philémon et Baucis, Opéra-Ballet
- Wq. 39 – Paride ed Elena (1770)
- – Die unvermuthete Zusammenkunft (1772), German version of La rencontre imprévue, Wq. 32 (1764)
- Wq. 40 – Iphigénie en Aulide (1774)
- Wq. 41 – Orphée et Eurydice (1774), French version of Orfeo ed Euridice, Wq. 30 (1762)
- Wq. 42 – L’arbre enchanté, ou Le tuteur dupé (1775), 2nd version
- Wq. 43 – La Cythère assiégée, Opéra-Ballet (1775), Revision of the 1759 opera
- Wq. 44 – Alceste (1776), French version of Alceste, Wq. 37 (1767)
- Wq. 45 – Armide (1777)
- Wq. 46 – Iphigénie en Tauride (1779), French version
- Wq. 47 – Echo et Narcisse (1779), 1st version
- – Echo et Narcisse (1780), 2nd version
- – Iphegenie auf Tauris (1781), German version of Iphigénie en Tauride, Wq. 46 (1779)
Ballet-Pantomime
- Wq. 51 – L’Orfano della china (1761), [doubtful work]
- Wq. 52 – Don Juan, ou Le festin de Pierre (1761)
- – La Citera assediata (1762), Dance version of La Cythère assiégée, [music lost]
- – Alessandro (Les amours d’Alexandre et de Roxane) (c.1755)
- Wq. 56 – Semiramis (1765)
- – Iphigénie (1765), [music lost]
- – Marche in G major
Orchestral
- – Sinfonia No.1 in F major
- – Sinfonia No.2 in D major
- – Sinfonia No.3 in D major
- – Sinfonia No.4 in D major
- – Sinfonia No.5 in D major
- – Sinfonia No.6 in E major
- – Sinfonia No.7 in F major
- – Sinfonia No.8 in G major
- – Sinfonia No.9 in F major
- About 18 Sinfonias total, some doubtful works
- – Flute Concerto, in G major, [doubtful work]
- – Violin Concerto, in G major, arr of the flute concerto
Chamber
- (Wq. 53) – mis-attributed to Gluck[1] - Six Trio Sonatas for 2 violins and basso continuo, publ. 1746
- in C major
- in G minor
- in A major
- in B♭ major
- in E♭ major
- in F major
- (Wq. 54) – mis-attributed to Gluck[1] – Trio Sonata in E major for 2 violins and basso continuo
- GluckWV 5.2.1 - authenticated Trio Sonata in F major for 2 violins and basso continuo
Sacred Vocal
- – Miserere (1744-1745), [music lost]
- – 2 Motets (1779)
- Wq. 59 – Almæ sedes, Motet for Solo and Orchestra (c.1785)
- Wq. 59 – Voces cantate
- Wq. 50 – De profundis, Motet for Chorus and Orchestra (1782)
Vocal
- Wq. 48 – Morceaux de chant détachés
- Oh Dei che dolce incanto, for soprano and orchestra
- Per tutto il timore, for soprano and orchestra
- Benché copra al sole il volto (1749), for soprano and orchestra
- Và, ti sarò fedele, for soprano and orchestra
- Pace, Amor, torniamo in pace, Cantate de Métastase
- Che legge spietata, for soprano, flute solo and orchestra
- Berenice, ove sei; Ombre che pallida, Scene and Aria for soprano and orchestra
- Ah pietà se di me senti, Duetto for Soprano, alto and orchestra
- Nò, che non ha la sorte; Si, vedrò quell'alma ingrata, Recitativo and Aria for soprano and orchestra
- Wq. 49 – 7 Oden und Lieder (c.1773~1785, published 1786)
- Vaterlandlied
- Wir und Sie
- Schlachtgesang
- Der Jüngling (2nd version)
- Die Sommernacht
- Die frühen Gräber
- Die Neigung
- Wq. 57 – Der Jüngling, 1st version (1775), [doubtful work]
- Wq. 60 – Amour en ces lieux for Voice, 2 violins and bass (c.1780)
- Wq. 61 – Quand la beauté lance for Voice, 2 violins and bass (c.1780)
- Wq. 58 – Ode an den Tod (c.1783, Published 1792)
- Wq. 62 – Die Sommernacht, 2nd version (1785)
- Wq. 63 – Minona lieblich und hold haucht reine Liebe, Duet (Published 1795)
- – Siegsgesang für Freie (Published 1795)
- – I lamenti d’amore, Cantata arranged from Alceste, Act III
- – Blütenmai herbei!
- – Einem Bach der fließt
- – In einem kühlen Grunde
Works without Wq number
- Hoch tut euch auf
