Portal:Opera

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Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597), and was championed by Claudio Monteverdi with works such as L'Orfeo. It soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.

The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid to late 19th century is considered by some a golden age of opera, led by Wagner in Germany and Verdi in Italy. This 'golden age' developed through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in Central and Eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neo-Classicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

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Selected article

Cover of The Bartered Bride score, 1919
The Bartered Bride (Czech: Prodaná nevěsta) is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The opera is considered to have made a major contribution towards the development of Czech music. It was composed during the period 1863–66, and first performed at the Provisional Theatre, Prague, on 30 May 1866. Set in a country village and with realistic characters, it tells the story of how, after a late surprise revelation, true love prevails over the combined efforts of ambitious parents and a scheming marriage broker. The opera was not immediately successful, and was revised and extended in the following four years. In its final version, premiered in 1870, it gained rapid popularity and eventually became a worldwide success. Czech national opera until this time had been represented only by a number of minor, rarely performed works. This opera, Smetana's second, was part of his quest to create a truly Czech operatic genre. Smetana's musical treatment makes considerable use of traditional Bohemian dance forms such as the polka and furiant, although he largely avoids the direct quotation of folksong. He nevertheless created music which was accurately folk-like, and is considered by Czechs to be quintessentially Czech in spirit. The overture, often played as a concert piece independently from the opera, was, unusually, composed before almost any of the other music had been written.
Marian Anderson (February 27, 1897  April 8, 1993)' was an American contralto who performed a wide range of music, from opera to spirituals with renowned orchestras in major concert and recital venues throughout the United States and Europe between 1925 and 1965.

Anderson was an important figure in the struggle for African-American artists to overcome racial prejudice in the United States during the mid-twentieth century. In 1939 during the era of racial segregation, the Daughters of the American Revolution (DAR) refused to allow Anderson to sing to an integrated audience in Constitution Hall in Washington, D.C. The incident placed Anderson in the spotlight of the international community on a level unusual for a classical musician. With the aid of First Lady Eleanor Roosevelt and her husband President Franklin D. Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the Lincoln Memorial steps in the capital before an integrated crowd of more than 75,000 people and a radio audience in the millions.


On January 7, 1955, Anderson became the first African-American to sing with the Metropolitan Opera in New York. At the invitation of director Rudolf Bing, she sang the part of Ulrica in Giuseppe Verdi's Un ballo in maschera. Anderson later said about the evening, "The curtain rose on the second scene and I was there on stage, mixing the witch's brew. I trembled, and when the audience applauded and applauded before I could sing a note, I felt myself tightening into a knot." Although she never appeared with the company again, Anderson was named a permanent member of the Metropolitan Opera company.

In this month

Pauline Viardot in an 1840 portrait by P.F. Sokolov

Selected biography

Giacomo Meyerbeer, Lithograph by Josef Kriehuber, 1847
Giacomo Meyerbeer, (born Jacob Liebmann Beer) (5 September 1791 2 May 1864) was a German opera composer of Jewish birth who has been described as perhaps the most successful stage composer of the 19th century. With his 1831 opera Robert le diable and its successors he gave the genre of grand opera "decisive character". Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe, and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the 19th century. Born to a very wealthy family, Meyerbeer began his musical career as a pianist, but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera Il crociato in Egitto was the first to bring him Europe-wide reputation, but it was Robert le diable (1831) which raised his status to great celebrity. His public career from 1831 until his death, during which he remained throughout a dominating figure in opera, was summarized by his contemporary Hector Berlioz, who claimed that he "has not only the luck to be talented, but the talent to be lucky." He was at his peak with his operas Les Huguenots (1836) and Le prophète (1849); his last opera (L'Africaine) was performed posthumously.

Selected quote

Frank Lloyd Wright
I wouldn't mind seeing opera die. Ever since I was a boy, I regarded opera as a ponderous anachronism, almost the equivalent of smoking.

Selected audio

From Giacomo Puccini's Tosca, sung by Emmy Destinn (1914).

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Giuseppina Strepponi

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Main topics

Opera history: Origins of opera  Italian opera  Opera in German  French opera  Opera in English  Polish opera  Russian opera  Hungarian opera  Armenian opera  Opera in Latin America

Opera topics

Opera genres: Azione teatrale · Ballad opera · Comédie en vaudevilles · Comédie mêlée d'ariettes · Dramma giocoso · Dramma per musica · Farsa · Festa teatrale · Género chico · Grand Opera · Music Drama · Opéra-ballet · Opera buffa · Opéra bouffe · Opéra bouffon · Opéra comique · Opéra féerie · Opera semiseria · Opera seria · Operetta · Pastorale héroïque · Romantische Oper · Savoy opera · Semi-opera · Singspiel · Spieloper · Tragédie en musique · Verismo · Zarzuela · Zeitoper

Opera terms: Aria · Aria di sorbetto · Arioso · Bel canto · Breeches role · Burletta · Cabaletta · Cadenza · Cantabile · Castrato · Cavatina · Chest voice · Claque · Coloratura · Comprimario · Convenienze · Coup de glotte · Da capo aria · Diva · Entr'acte · Fach · Falsetto · Fioritura · Gesamtkunstwerk · Head voice · Intermezzo · Kammersänger · Leitmotif · Legato · Libretto · Literaturoper · Mad scene · Maestro · Melodrama · Melodramma · Monodrama · Messa di voce · Opera house · Passaggio · Portamento · Prima donna · Prompter · Recitative · Regietheater · Répétiteur · Sitzprobe · Spinto · Sprechgesang · Squillo · Stagione · Surtitles · Tessitura · Timbre · Vibrato

Opera voices: Baritenor · Baritone · Bass · Bass-baritone · Coloratura soprano · Contralto · Countertenor · Dramatic soprano · Haute-contre · Lyric soprano · Mezzo-soprano · Soprano · Soubrette · Spinto soprano · Tenor · Tenore contraltino · Tenore di grazia

Opera lists: Opera topics  List of operas by composer  Important operas  Major opera composers  Opera librettists  Opera houses  Opera companies  Opera festivals  Opera directors  Operetta composers  Orphean operas  Zarzuela composers  Opera genres  Operas set in the Crusades  The Record of Singing  Bayreuth canon

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