Portal:Opera

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Opera is an art form in which singers and musicians perform a dramatic work (called an opera) which combines a text (called a libretto) and a musical score. Opera is part of the Western classical music tradition. Opera incorporates many of the elements of spoken theatre, such as acting, scenery and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble.

Opera started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence around 1597), and was championed by Claudio Monteverdi with works such as L'Orfeo. It soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. However, in the 18th century, Italian opera continued to dominate most of Europe, except France, attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro, Don Giovanni, and Così fan tutte, as well as The Magic Flute, a landmark in the German tradition.

The first third of the 19th century saw the highpoint of the bel canto style, with Rossini, Donizetti and Bellini all creating works that are still performed today. It also saw the advent of Grand Opera typified by the works of Meyerbeer. The mid to late 19th century is considered by some a golden age of opera, led by Wagner in Germany and Verdi in Italy. This 'golden age' developed through the verismo era in Italy and contemporary French opera through to Puccini and Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in Central and Eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Schoenberg and Berg), Neo-Classicism (Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso became known to audiences beyond the circle of opera fans. Operas were also performed on (and written for) radio and television.

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Selected article

The London Coliseum, home of English National Opera
English National Opera (ENO) is an opera company based in London, resident at the London Coliseum in St Martin's Lane. It is one of the two principal opera companies in London, along with the Royal Opera, Covent Garden. ENO's productions are sung in English. The company's origins were in the late 19th century, when the philanthropist Emma Cons, later assisted by her niece Lilian Baylis, presented theatrical and operatic performances at the Old Vic in a rough area of London for the benefit of local people. From those beginnings, Baylis built up both the opera and the theatre companies, and later added a ballet company; these evolved into the ENO, the Royal National Theatre and the Royal Ballet. Baylis acquired and rebuilt Sadler's Wells theatre in north London, a larger house, better suited to opera than the Old Vic. The opera company grew there into a permanent ensemble in the 1930s. During the Second World War, the theatre was closed and the company toured British towns and cities. After the war, the company returned to its home, but it continued to expand and improve, and by the 1960s a larger theatre was needed. In 1968, the company moved to the London Coliseum in the heart of London; in 1974 it adopted the name English National Opera (ENO). The company has survived several proposals to merge it with the Royal Opera.
Les Troyens
Les Troyens
Credit: Antoine Barbizet; restored by Adam Cuerden
Cover of the entire vocal score to Hector Berlioz's opera Les Troyens published by the Parisian music editors Choudens et Cie in 1863. In this score, Berlioz introduced a number of optional cuts which have often been adopted in subsequent productions. He complained bitterly of the cuts that he was more-or-less forced to allow at the 1863 Théâtre Lyrique première, and his letters and memoirs are filled with the indignation that it caused him to "mutilate" his score. In the early 20th century, the lack of accurate parts led musicologists W. J. Turner and Cecil Gray to plan a raid on the Choudens office, even approaching the Parisian underworld for help.

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Jean de Reszke

Selected biography

Jessie Bond
Jessie Bond (10 January 1853 – 17 June 1942) was an English singer and actress best known for creating the mezzo-soprano soubrette roles in the Gilbert and Sullivan comic operas. She spent twenty years on the stage, the bulk of them with the D'Oyly Carte Opera Company. Bond began a concert singing career in Liverpool by 1870, after which, at the age of 17, she entered into a brief, unhappy marriage. After leaving her abusive husband, she continued her concert career and studied at the Royal Academy of Music. At the age of 25, Bond began her theatrical career, creating the role of Cousin Hebe in Gilbert and Sullivan's H.M.S. Pinafore. After this, she created roles of increasing importance with the D'Oyly Carte Opera Company in a series of successful comic operas, including the title role in Iolanthe (1882), Pitti Sing in The Mikado (1885), and others. During the 1890s, she continued performing on the West End, while being courted by Lewis Ransome, a civil engineer. In 1897, at the age of 44, Bond married Ransome and left the stage. They were happily married for 25 years; however, she survived Ransome by twenty years, living to the age of 89.

Selected quote

Thomas Beecham in a 1910 caricature
If an opera cannot be played by an organ-grinder — as Puccini and Verdi's melodies were played — then that opera is not going to achieve immortality.

Selected audio

From Jules Massenet's Manon sung by Aristodemo Giorgini in 1910.

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Antonio Salieri

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Main topics

Opera history: Origins of opera  Italian opera  Opera in German  French opera  Opera in English  Polish opera  Russian opera  Hungarian opera  Armenian opera  Opera in Latin America

Opera topics

Opera genres: Azione teatrale · Ballad opera · Comédie en vaudevilles · Comédie mêlée d'ariettes · Dramma giocoso · Dramma per musica · Farsa · Festa teatrale · Género chico · Grand Opera · Music Drama · Opéra-ballet · Opera buffa · Opéra bouffe · Opéra bouffon · Opéra comique · Opéra féerie · Opera semiseria · Opera seria · Operetta · Pastorale héroïque · Romantische Oper · Savoy opera · Semi-opera · Singspiel · Spieloper · Tragédie en musique · Verismo · Zarzuela · Zeitoper

Opera terms: Aria · Aria di sorbetto · Arioso · Bel canto · Breeches role · Burletta · Cabaletta · Cadenza · Cantabile · Castrato · Cavatina · Chest voice · Claque · Coloratura · Comprimario · Convenienze · Coup de glotte · Da capo aria · Diva · Entr'acte · Fach · Falsetto · Fioritura · Gesamtkunstwerk · Head voice · Intermezzo · Kammersänger · Leitmotif · Legato · Libretto · Literaturoper · Mad scene · Maestro · Melodrama · Melodramma · Monodrama · Messa di voce · Opera house · Passaggio · Portamento · Prima donna · Prompter · Recitative · Regietheater · Répétiteur · Sitzprobe · Spinto · Sprechgesang · Squillo · Stagione · Surtitles · Tessitura · Timbre · Vibrato

Opera voices: Baritenor · Baritone · Bass · Bass-baritone · Coloratura soprano · Contralto · Countertenor · Dramatic soprano · Haute-contre · Lyric soprano · Mezzo-soprano · Soprano · Soubrette · Spinto soprano · Tenor · Tenore contraltino · Tenore di grazia

Opera lists: Opera topics  List of operas by composer  Important operas  Major opera composers  Opera librettists  Opera houses  Opera companies  Opera festivals  Opera directors  Operetta composers  Orphean operas  Zarzuela composers  Opera genres  Operas set in the Crusades  The Record of Singing  Bayreuth canon

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