List of compositions by Franz Schubert (1815)

Franz Schubert's compositions of 1815 are mostly in the Deutsch catalogue (D) range D 127–330,^[1] and include:

Instrumental works:
- Symphony No. 3, D 200
- String Quartet No. 9, D 173
- Piano Sonata in E major, D 157
- Piano Sonata in C major, D 279
Vocal music:
- Der vierjährige Posten, D 190
- Die Freunde von Salamanka, D 326
- Mass No. 2, D 167
- Mass No. 3, D 324
- Stabat Mater in G minor, D 175
- "Schwertlied", D 170
- "An die Freude", D 189
- "Rastlose Liebe", D 138
- "Der Mondabend", D 141
- "An Mignon", D 161
- "Wandrers Nachtlied", D 224
- "Heidenröslein", D 257
- "Vaterlandslied", D 287
- "Sehnsucht", D 310
- "Mignon", D 321
- "Hermann und Thusnelda", D 322
- "Harfenspieler", D 325
- "Erlkönig", D 328

[1]

column		content
1	D '51	Deutsch number in the first version of the Deutsch catalogue (1951)^[2]
2	D utd	most recent (utd = up to date) Deutsch catalogue number;^[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3	Op. pbl	Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4	AGA	Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:^[4] Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht
5	NSA	NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:^[5] Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies
6	Name	unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7	Key / incipit	incipit mostly for songs^[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),^[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8	Date	(presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9	Additional info	may include: Information about the text (lyrics,^[6]^[7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...")

List of compositions by Franz Schubert (1815)

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Compositions by Franz Schubert listed in the Deutsch catalogue for 1815
D '51	D utd	Op. pbl	AGA	NSA	Name	Key / incipit	Date	Additional info
128	128	(1897)	XXI, 3 No. 23	VII/2, 6	Twelve Viennese German Dances	Various keys	1812?	For piano; Includes introduction; No. 12 related to D 32
129	129	(1892)	XIX No. 16	III, 4 No. 18	Mailied, D 129	Grüner wird die Au	1815?	Text by Hölty (other settings: D 199 and 503); For ttb
130	130	(1892)	XIX No. 25	III, 4 No. 19 VIII, 2 No. 24	Der Schnee Zerrinnt	Der Schnee Zerrinnt	1815?	Text by Hölty (other setting: D 202); Canon for three voices
131	131	(1892)	XIX No. 28	III, 4 No. 20 VIII, 2 No. 26	Lacrimoso son io	Lacrimoso son io	1815?	Canon for three voices; Two versions: 2nd is "Lacrimosa son io"
134	134	126p (1830)	XX, 2 No. 99	IV, 7 No. 21	Ballade	Ein Fräulein schaut vom hohen Turm	1815?	Text by Kenner
135	135	(1930)		VII/2, 6	German Dance with Trio, D 135	E major	1815	For piano; Variant of D 146 No. 3 (other Trio)
136	136	46 (1825)	XIV No. 1	I, 8	Offertory, D 136, a.k.a. Offertory No. 1	Totus in corde langueo C major	1815?	For s or t, clarinet or violin, and orchestra
137	137	(1893)	XV, 7 No. 14	II, 12	Adrast	(Singspiel)	fall 1819– early 1820^[8]	Text by Mayrhofer; For stbTTBB and orchestra; Nos. 1–8 complete (abandoned variants for some numbers, Nos. 1–7 in AGA) and sketches and fragments for six further numbers; Overture: D 648?
138	138	5,1 (1821) (1970)	XX, 3 No. 177	IV, 1a & b No. 6	Rastlose Liebe	Dem Schnee, dem Regen, dem Wind entgegen	19/5/1815– May 1821	Text by Goethe; Two versions: 1st, in AGA, is Op. 5 No. 1
139	139	(1930)		VII/2, 6	German Dance with Trio, D 139	C♯ major (Trio in A major)	1815	For piano
140	140	(1850)	XVIII No. 6	III, 3 No. 3	Klage um Ali Bey, D 140	Laßt mich! laßt mich! ich will klagen	1815	Text by Claudius (other setting: D 496A); For ttb (and piano?)
141	141	131p,1 (1830)	XX, 2 No. 43	IV, 7 No. 23	Der Mondabend	Rein und freundlich lacht der Himmel	1815	Text by Kumpf [de]
142	142	92,3 (1828) (1885) (1895)	XX, 3 No. 174	IV, 5	Geistes-Gruß	Hoch auf dem alten Turme steht	before Apr. 1816– after Nov. 1821	Text by Goethe; Six versions: 2nd publ. in 1885 – 3rd and 5th not in AGA – 6th is Op. 92 No. 3
143	143	109p,2 (1829)	XX, 3 No. 181	IV, 7 No. 24	Genügsamkeit	Dort raget ein Berg aus den Wolken her	1815	Text by Schober; Intro in 1st ed. not by Schubert
144	144	(1895)	XXII, 11 No. 209	IV, 7 Anh. No. 9	Romanze, D 144	In der Väter Hallen ruhte	April 1816	Text by Stolberg-Stolberg; Fragment
145	145	18 (1823)	XII No. 2	VII/2, 6 & 7a	12 Waltzes, 17 Ländler and 9 Écossaises, D 145	Various keys	c. 1815– July 1821	For piano; Waltz No. 7 ≈ D 970 No. 2; Écossaises Nos. 5 and 6 identical to D 421 No. 1 and 697 No. 5
146	146	127p (1824) (1830)	XII No. 8	VII/2, 6 & 7a	20 Waltzes, D 146, a.k.a. Letzte Walzer	Various keys	1815– Feb. 1823	For piano; No. 2 publ. in 1824, all 20 as Op. posth. 127 in 1830
147	147	(1892)	XIX No. 15	III, 4 No. 21	Bardengesang	Rolle, du strömigter Carun	20/1/1816?	Text by Macpherson (Ossian), from Comala, transl. by E. Baron de Harold
148	148	131p,2 (1830)	XIX No. 8	III, 3 No. 4	Trinklied, D 148	Brüder! unser Erdenwallen	February 1815	Text by Castelli; For tTTB and piano
149	149	117p (1829) (1894)	XX, 2 No. 45	IV, 7 No. 25	Der Sänger	Was hör' ich draußen vor dem Tür	February 1815	Text by Goethe, from Wilhelm Meister's Apprenticeship; Two versions: 2nd is Op. posth. 117, AGA switches 1st and 2nd
150	150	(1830)	XX, 2 No. 44	IV, 7 No. 26	Lodas Gespenst	Der bleiche, kalte Mond erhob sich im Osten	17/1/1816	Text by Macpherson (Ossian), from Carric-thura, transl. by E. Baron de Harold; 1st ed. replaces end by music from D 277
151	151	(1850)	XX, 2 No. 39	IV, 7 No. 27	Auf einen Kirchhof	Sei gegrüßt, geweihte Stille	2/2/1815	Text by Schlechta [de]
152	152	(1894)	XX, 2 No. 40	IV, 7 No. 28	Minona	Wie treiben die Wolken so finster und schwer	8/2/1815	Text by Bertrand [scores]
153	153	(1845)	XX, 2 No. 41	IV, 7 No. 29	Als ich sie erröten sah	All mein Wirken, all mein Leben	10/2/1815	Text by Ehrlich [scores]
154	154	(1897)	XXI, 2 No. 8	VII/2, 1 Anh. No. 1	Piano Sonata, D 154	E major	11/2/1815	Allegro (fragment); Partly reused in D 157
155	155	165p,3 (1862)	XX, 2 No. 42	IV, 7 No. 30	Das Bild	Ein Mädchen ist's	10/2/1815
156	156	(1887)	XI No. 6	VII/2, 4 & Anh.	Ten Variations, D 156	F major	completed 15/2/1815	For piano; Variant of Theme and Var. II
157	157	(1888)	X No. 1	VII/2, 1 No. 1	Piano Sonata, D 157	E major	started 18/2/1815	Allegro ma non troppo (partly reuses D 154) – Andante – Minuet
158	158	(1889)	XII No. 29	VII/2, 6	Écossaise, D 158	D minor – F major	21/2/1815	For piano
159	159	116p (1829) (1968)	XX, 2 No. 46	IV, 7 No. 31	Die Erwartung	Hör' ich das Pförtchen nicht gehen?	May 1816	Text by Schiller; Two versions: 2nd, in AGA, is Op. posth. 116
160	160	(1894)	XX, 2 No. 47	IV, 13	Am Flusse, D 160	Verfließet, vielgeliebte Lieder	27/2/1815	Text by Goethe (other setting: D 766)
161	161	19,2 (1825) (1894)	XX, 2 No. 48	IV, 1a & b No. 14	An Mignon	Über Tal und Fluß getragen	27/2/1815	Text by Goethe; Two versions: 2nd is Op. 19 No. 2
162	162	5,2 (1821) (1894)	XX, 2 No. 49	IV, 1a & Anh. No. 2	Nähe des Geliebten	Ich denke dein, wenn mir der Sonne Schimmer	27/2/1815	Text by Goethe; Two versions: 2nd is Op. 5 No. 2
163	163	(1894)	XX, 2 No. 50	IV, 8 No. 1	Sängers Morgenlied, D 163	Süßes Licht! Aus goldnen Pforten	27/2/1815	Text by Körner (other setting: D 165)
164	164			IV, 8 Anh. No. 1	Liebesrausch, D 164	Glanz des Guten und des Schönen strahlt mir dein hohes Bild	March 1815	Text by Körner (other setting: D 179); Fragment
165	165	(1872)	XX, 2 No. 51	IV, 8 No. 2	Sängers Morgenlied, D 165	Süßes Licht! Aus goldnen Pforten	1/3/1815	Text by Körner (other setting: D 163)
166	166	(1894)	XX, 2 No. 52	IV, 8 No. 3	Amphiaraos	Vor Thebens siebenfach gähnenden Toren	1/3/1815	Text by Körner
167	167	(1846)	XIII, 1 No. 2	I, 1b	Mass No. 2	G major Kyrie – Gloria – Credo – Sanctus & Benedictus – Agnus Dei	2/3/1815– 7/3/1815	Text: Mass ordinary (other settings: D 24E, 31, 45, 49, 56, 66, 105, 324, 452, 678, 755 and 950); For stbSATB and orchestra; Tr and Ti added by Ferd. Schubert; R. Führer as composer in 1st publ.
168	168	(1872)	XVII No. 16	III, 2a No. 2	Nun laßt uns den Leib begraben, a.k.a. Begräbnislied	Begrabt den Leib in seiner Gruft	9/3/1815	Text by Klopstock; For SATB and piano
987	168A	(1872)	XVII No. 17	III, 2a No. 3	Jesus Christus unser Heiland, der den Tod überwand, a.k.a. Osterlied	Überwunden hat der Herr den Tod!	9/3/1815	Text by Klopstock; For SATB and piano