List of compositions by Franz Schubert (doubtful and spurious)

Compositions by Franz Schubert
Lists of
D: 1–1C 2–12 13–37 37A–91 92–126 127–330 331–510 511–598 599–632 633–678 679–708 708A–732 733–767 768–798 799–822 823–862 863–895 896–936 936A–965B 966–992 Anh. I II III
By genre
Stage works Songs and part-songs Song cycles Symphonies Sonatas, duos and fantasies Solo piano
Publications
Opus/Deutsch number concordance 19th century complete edition New Schubert Edition
v t e

Anhang I (Anh. I; first Annex) of the 1978 edition of the Deutsch catalogue lists 32 compositions which are spuriously or doubtfully attributed to Franz Schubert.^[1]

Legend

Legend to the table
column		content
1	D '51	Deutsch number in the first version of the Deutsch catalogue (1951)^[2]
2	D utd	most recent (utd = up to date) Deutsch catalogue number;^[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3	Op. pbl	Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4	AGA	Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:^[4] Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht
5	NSA	NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:^[5] Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies
6	Name	unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7	Key / incipit	incipit mostly for songs^[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),^[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8	Date	(presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9	Additional info	may include: Information about the text (lyrics,^[6]^[7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...")

List

Compositions by Franz Schubert listed in the Deutsch catalogue for Anh. I
D '51	D utd	Op. pbl	AGA	NSA	Name	Key / incipit	Date	Additional info
40	Anh. I/1				String Quartet, D Anh. I/1	E♭ major	1813	Doubtful: lost or identical to D 87
	Anh. I/2				String Quartet, D Anh. I/2	F major	1816	Doubtful: lost or identical to D 353
	Anh. I/3			VIII, 2 Anh. No. 2	Fugue, D Anh. I/3	C major	1812?	Spurious?; For string quartet?; Fragment: only viola part is extant
2	Anh. I/4							Spurious: fragment of a string quartet movement in G major by Stadler, A. [scores]
	Anh. I/5							Spurious: sketch for the opening movement of a string quartet in E♭ major
	Anh. I/6							Spurious: Duet in D major for two violins
	Anh. I/6A							Spurious:^[8] Symphony in E major "1825" by Gunter Elsholz^[9] (fake Gmunden-Gastein Symphony, D 849)^[10]
858	Anh. I/7			VII/1, 4	March, D Anh. I/7		November 1825	Doubtful; Lost; For two pianos, eight hands
	Anh. I/8				Piano Sonata, D Anh. I/8	F major	1815	Doubtful: lost or identical to D 157
	Anh. I/9				Piano Sonata, D Anh. I/9	F major	1816	Doubtful: lost or identical to D 459
	Anh. I/10				Fantasy, D Anh. I/10	E♭ major	1825?	Doubtful; Lost; For piano
	Anh. I/11							Spurious: Allegro in G major and Minuet in C major, a.k.a. Sonatina; For piano; Publ. in 1967
	Anh. I/12	(1810)			Seven Easy Variations	G major	before Nov. 1810	Spurious?; For piano
	Anh. I/13				Six German Dances, D Anh. I/13		1814	Doubtful; Lost; For piano
	Anh. I/14	(1970)		VIII, 1	Waltz, D Anh. I/4, a.k.a. Kupelwieser-Walzer	G♭ major	17/9/1826	Doubtful; For piano
336	Anh. I/15	(1897)	XXI, 3 No. 26	VIII, 1	Minuet with Trio, D Anh. I/15	D major		Doubtful; For piano
	Anh. I/16	(1975)			Écossaise de Vienne	A♭ major	1821?	Doubtful: by Hüttenbrenner?; For piano
	Anh. I/17			VIII, 1	Tantum ergo, D Anh. I/17	B♭ major		Text by Aquinas (other settings: D 460, 461, 730, 739, 750 and 962); Spurious?; Fragment: only s part
132	Anh. I/18	(1974)		III, 4 Anh. I No. 2	Lied beim Rundetanz	Auf, es dunkelt, silbern funkelt	1815–1816	Text by Salis-Seewis (other setting: D 983B); Doubtful; Fragment: one voice of a part song
133	Anh. I/19	(1974)		III, 4 Anh. I No. 3	Lied im Freien, D Anh. I/19	Wie schön ist's im Freien	1815–1816	Text by Salis-Seewis (other setting: D 572); Doubtful; Fragment: one voice of a part song
339	Anh. I/20	(1974)		III, 4 Anh. I No. 4	Amors Macht	Wo Amors Flügel weben	1815–1816	Text by Matthisson; Doubtful; Fragment: one voice of a part song
340	Anh. I/21	(1974)		III, 4 Anh. I No. 5	Badelied	Zur Elbe, zur Elbe, des Äthers Gewölbe	1815–1816	Text by Matthisson; Doubtful; Fragment: one voice of a part song
341	Anh. I/22	(1974)		III, 4 Anh. I No. 6	Sylphen	Was unterm Monde gleicht uns Sylphen flink und leicht	1815–1816	Text by Matthisson; Doubtful; Fragment: one voice of a part song
425	Anh. I/23	(1974)		III, 4 Anh. I No. 7	Lebenslied, D Anh. I/23	Kommen und Scheiden	1815–1816	Text by Matthisson (other setting: D 508); Doubtful; Fragment: one voice of a part song; Related to D 425?
	Anh. I/24				Kantate auf den Vater (Cantata to his father)		27/9/1816	Doubtful; Lost
	Anh. I/25			VIII, 1	Drum Schwester und Brüder	Drum Schwester und Brüder singt fröhliche Liede	October 1819	Doubtful; For voices and instruments; Fragment: choir text, and violin II and cello parts extant
	Anh. I/26			VIII, 1	Sturmbeschwörung	Nirgends Rettung, nirgends Land	before 1840	Spurious?; For voices; Fragment: s part extant
	Anh. I/27							Spurious: fragment of three TTB choirs with winds
512	Anh. I/28			VIII, 1	Klage, D Anh. I/28	Nimmer länger trag ich dieser Leiden Last	c. 1817	Other setting: D 432; Spurious?
	Anh. I/29			VIII, 1	Kaiser Ferdinand II.	Was reget die Stadt sich in freudiger Hast?	1853 or earlier	Doubtful
	Anh. I/30							Spurious: "Mein Frieden" (Text Ferne, ferne flammen helle Sterne by Heine, C.), publ. in 1823, by another Schubert^[11]
	Anh. I/31							Spurious: "Adieu!"/"Lebe wohl!" (Text Voici l'instant suprême by Bélanger after Wetzel, re-translated in German as Schon naht, um uns zu scheiden), publ. in 1824, by Weyrauch [et]
598A	Anh. I/32			VIII, 2 Anh. No. 1	Themes for thoroughbass exercises		before 1812	Doubtful

List of compositions by Franz Schubert (doubtful and spurious)

Legend

List

References

Sources

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