Lord of Scoundrels

From Wikipedia, the free encyclopedia

LanguageEnglish
PublisherAvon Books
Lord of Scoundrels
AuthorLoretta Chase
LanguageEnglish
GenreRegency romance
PublisherAvon Books
Publication date
1995
Publication placeUnited States
Pages384
ISBN978-0380776160
Preceded byCaptives of the Night 
Followed byThe Last Hellion 

Lord of Scoundrels is a Regency romance novel by American author Loretta Chase. Published in 1995 by Avon Books, it is the third installment of her Débauchés series. Set in 1828, the story follows the Marquess of Dain, an aristocrat known as "Lord Beelzebub" and the "Lord of Scoundrels" for his unscrupulous, immoral behavior. The son of an English father and Italian mother, Dain is hardened due to a difficult childhood and meets his match in Jessica Trent, a 27-year-old bluestocking more than capable of trading wits with him.

Chase had a love for Italian culture, and decided that this background would provide ample motivation for Dain, being the product of his parents' inability to understand each other's cultures. As with many of her stories, Chase made her heroine a strong female, deciding to model Jessica after the type of women who lived a few generations previously and who had "a more practical, frank attitude toward sex".[1] Lord of Scoundrels is a retelling of the fairytale Beauty and the Beast, with the author stating that like the Beast, Dain is an outcast and misfit among his society.

Lord of Scoundrels was positively received upon its release, and in 1996 it earned the RITA Award for "Best Short Historical", a prize given annually by the Romance Writers of America. Also during that year, Lord of Scoundrels won the Romantic Times' "Regency Historical Romance" award. Literary critics and romance readers have since described it as one of the best historical romances ever written, praising the novel for its wit and well-developed characters.

Background

In the story's prologue, Sebastian Ballister is born in Devon to the 2nd Marquess of Dain and his Italian wife, Lucia Usignuolo. The Marquess is disgusted with the child, describing him as the "Devil's spawn" and a "wizened olive thing with large black eyes, ill-proportioned limbs, and a grossly oversize nose".[2] Eight years later, the tempestuous Lucia abandons her husband for her lover. Unloved by his father and told that his mother is an "evil, godless creature",[3] Sebastian is sent off to Eton where he is teased by his classmates over his appearance. The boy grows up learning to hide his feelings; given no inheritance by his father, Sebastian acquires clever ways to make his fortune and uses money to unscrupulously get his way.

Plot

The story begins in 1828, Paris. Sebastian, now the intelligent but immoral 3rd Marquess of Dain, meets his match in Miss Jessica Trent, who has arrived in the city to rescue her unintelligent, nearly penniless brother Bertie from Dain's bad influence. Dain and Jessica are instantly attracted to the other, though each seeks to hide their feelings. Dain has developed a hard, sarcastic personality; he is hostile to noblewomen, as he believes they care only for money. Jessica, a 27-year-old beautiful, strong-willed bluestocking, has refused dozens of marriage proposals over the years and wishes to maintain her independence.

The two exchange wits; Jessica requests that Dain send her brother back to England in exchange for a valuable religious icon she will sell him, while Dain wants the icon or else he will destroy her reputation and ruin her brother. They reach an impasse, and while her reputation remains intact, Dain spends the week personally overseeing Bertie's disintegration from excessive drinking and gambling. Jessica angrily confronts him and the two unexpectedly kiss. Later, at a party they almost consummate their relationship before being discovered by other party-goers. Dain coldly departs, assuming Jessica invited the others to force him to honorably marry her, leaving her angry that he would leave her reputation in tatters so casually.

Jessica sues him for the loss of her reputation. To her surprise, Dain converts this proposition into a marriage proposal, and they are wedded in London several weeks later. En route to his estate in Devon, Dain assumes she is repulsed by his "gross blackamoor's body",[4] when the opposite is true. Filled with self-loathing over his appearance and personality, Dain initially avoids consummating their relationship despite Jessica's efforts to seduce him. They eventually do, and Dain apologizes for what he realizes has been his difficult behavior.

Later, they enter into a disagreement over his illegitimate son; Dain despises the eight-year-old boy's calculating mother and wants nothing to do with them, while Jessica sympathetically wants to rescue the boy from his poor living conditions. The boy, Dominick, is becoming ill-behaved and reminds Dain self-loathingly of himself at his age. Eventually, with Jessica's prodding, Dain is persuaded to rescue the neglected boy from his mother's clutches. While doing so, the Marquess comes to terms with his mother's abandonment and realizes that Dominick is just as scared and lonely as he was as a boy. Dominick is invited to live at the Ballister estate, while the boy's mother, to her pleasure, is given a large stipend and told to find her fortune in Paris.

Background and development

American author Loretta Chase began her writing career in 1987 by crafting traditional novels in the Regency romance literary subgenre;[5] Lord of Scoundrels, published in 1995, was her ninth such novel released.[6] It was the third installment of her Débauchés (also known as Scoundrels) series, following The Lion's Daughter (1992) and Captives of the Night (1994).[6][7] As such, some of the characters who feature in Lord of Scoundrels, such as the Comte d'Esmond and Francis Beaumont, also appear in previous Chase works. In 2007, Chase said Lord of Scoundrels was her only book "that came to me as a gift from the writing gods. Every other book is a struggle, some bloodier than others. This book was pure fun from start to finish".[8]

Possessing a love for Italian culture, Chase decided to make her male protagonist, Dain, a "mongrel English aristocrat" and half-Italian. By giving Dain Italian ancestry through his mother, Chase was able to develop his character and justify his motivations. She explains, "Having Dain be half-Italian fit so many aspects of his story: his background as well as his behavior, which does get operatic at times".[1] Chase adds that Dain's difficult childhood stemmed from his parents' inability to accept each other's cultures, which then "warps him and makes him a misfit. In a loving household, he would have grown up with a better self-image, and would have dealt with bullying at school in a different way, and thus would have grown up into someone altogether different from the man Jessica meets in that antique shop".[1]

When writing the novel, Chase knew that her female protagonist had to be strong enough to equal Dain's forceful personality. Chase admits that because the novel is set in the period leading up to the Victorian era, a woman like Jessica could not have dealt with Dain, writing that "if Jessica were like what we assume to be the typical young lady of her time, she could never handle Dain, and he’d think her too boring to live".[1] Chase instead modeled Jessica after the type of women who lived a few generations previously and who had "a more practical, frank attitude toward sex".[1]

Wishing to depict Jessica as the "Extreme Female", Chase emphasizes her clothing and gives Dain "a chance to exercise his caustic wit", as he deems the latest fashions to be ridiculous.[1][9] Upon their first meeting he silently observes that Jessica is wearing "a blue overgarment of some sort and one of the hideously overdecorated bonnets currently in fashion".[10] Jessica differs from many other Chase heroines by being interested in fashion; the author felt that "the way they dress, to a great extent, tells us who they are, in the same way that other heroines’ simpler or less fashionable attire expresses something about them".[9]

Analysis

Release and reception

References

Related Articles

Wikiwand AI