Lucília Simões

Lucília Cândida Simões Furtado Coelho was the daughter of the acclaimed Portuguese actress Lucinda Simões and of the actor and impresario Furtado Coelho. She was born on 2 April 1879 in Rio de Janeiro, Brazil when her parents were performing there. She had a twin brother, Luciano Simões, who was also an actor. They moved to Portugal at a young age. Despite lacking encouragement from her parents to take up a theatrical career, she had a clear vocation for the theatre. Her first performance, unpaid, was at the Teatro Avenida in Coimbra, on 4 May 1895, in the second act of the play Frei Luís de Sousa (Brother Luis de Sousa) by Almeida Garrett, playing opposite her grandfather José Simões Nunes Borges, who was better known as Actor Simões. Her professional debut took place in December 1895, at the Teatro da Rua dos Condes in Lisbon, as part of her mother's company, in the play Madame Sans-Gêne, by Victorien Sardou and Émile Moreau. Although the role she played was not a major one, she received considerable applause and many favourable reviews.^{[1][2][3][4][5]}

In 1897, Simões accompanied her mother on a tour of Brazil, where she achieved great success in Madame San-Gêne. Shortly after returning to Portugal, she was hired by the D. Maria II National Theatre, where she debuted in a play called Família Americana. This caused conflict with the actress Rosa Damasceno, who was in residence at that theatre and, despite her age, did not want to give up the role of the "naΪf" to younger artists. In 1898, she toured with her mother to Coimbra, playing at the Teatro Circo Príncipe Real in A Doll's House, by Henrik Ibsen, the first time a work by Ibsen had been performed in Portugal. The play was very successful and her performance as "Nora" is considered to have been the first great success of her acting career. It was later performed at the Teatro do Ginásio in Lisbon, but only on Tuesdays, which was the rest day for the resident company. Its success was so great that the seats sold out hours after the tickets were put on sale.^{[1][2][3][4][5]}

Simões then returned to Brazil, in a company run and organized by her mother and the actor Cristiano de Sousa. The success of A Doll's House in Rio de Janeiro was so great that the expenses of traveling to Brazil were fully covered within a month. She remained in Brazil for 18 months, with great popularity. After a short trip back to Portugal, she again returned to Brazil as the star of the company. In 1901, she joined the Rosas & Brazão theatre company, performing at the Teatro D. Amélia. There she consolidated herself as one of the major actors in Portugal. She played La Dame de chez Maxim, a farce by Georges Feydeau and some of the pieces she had debuted in Brazil. Contrary to her mother's wish that they return together to Brazil, she decided to remain at the Teatro D. Amélia, where she stayed for 8 years.^{[1][2][3][4][5]}