Motswako
From Wikipedia, the free encyclopedia
| Motswako | |
|---|---|
| Stylistic origins | |
| Cultural origins | Mid 1990s, Mafikeng, South Africa |
| Typical instruments | |
| Other topics | |
Motswako is a subgenre of hip hop originating from South Africa additionally prominently popularized in Botswana. Mafikeng, the genre's origin point, is located close to the border of Botswana, where Setswana (Tswana) is predominantly spoken similar to Mafikeng. Motswako blends rap lyrics in local languages like Setswana with English over a steady beat. It also incorporates languages such as Sesotho, Zulu and Afrikaans depending on the artist's background. Popularized by South African acts like HHP and Baphixile (comprising "Prof" and "Blax Myth") in the late nineties, it gained a significant following among local audiences. Many emerging artists in South Africa use motswako as a foundation for their music careers due to its accessible principles, emphasizing creative writing skills crucial for mastering the genre. South Africa and Botswana have a substantial pool of motswako artists, although female representation remains limited.[1][2][3]
The genre's name originates from Setswana translating to "blend", "fusion" or simply, "mix" and in context this word refers to the amalgamation of English alongside Setswana or other indigenous languages in the production of motswako.[2][4]
The musical characteristics of motswako typically encompass smooth yet laid-back rap delivery, a consistent beat, occasionally employing a four-on-the-floor rhythm and incorporating reggae-influenced Afro-centric or drum and bass beats. Minimalistic electronic elements serve to maintain a backdrop for the rap vocals to take center stage. In its early stages, motswako utilized rap lyrics primarily in Setswana alongside American vernacular. Additionally, other South African languages such as Zulu, Xhosa and Afrikaans were incorporated. Lyrical themes range from spoken word poetry performed without accompaniment to localized socio-political or economic commentary, drug culture, unity, pride in local culture, romance, objectification of women, pursuit of wealth, aspirations and celebration.[3]
