Resesi

From Wikipedia, the free encyclopedia

ReleasedFebruary 1983
Recorded1982–1983
Length50:40
Resesi
Studio album by
ReleasedFebruary 1983
Recorded1982–1983
GenrePop
Length50:40
LabelMusica Studios
Producer
Chrisye chronology
Pantulan Cita
(1981)
Resesi
(1983)
Metropolitan
(1984)

Resesi (literally Recession) is the sixth studio album by the Indonesian singer Chrisye, released on February 1983 by Musica Studios. Recorded in collaboration with Jockie Soerjoprajogo and Eros Djarot after the latter's return from Germany, Resesi was inspired by the sound of The Police and featured songs influenced by CB radio and social criticism. It was a commercial hit upon release, selling 350,000 copies and being certified silver. In 2007 Rolling Stone Indonesia listed it as the 82nd best Indonesian album of all time.

After the failure of the Pantulan Cita album due to the emergence of Jamal Mirdad on the Indonesian music scene, several new singers who were younger and had adequate musical abilities and had a more homogeneous taste 'connection' with young music enthusiasts, Chrisye became confused about this. Apart from his disappointment with the film Seindah Rembulan (As Beautiful as the Moon), Chrisye had taken a long sabbatical.[1] In early 1983 Eros Djarot, who had collaborated with the singer on the highly successful soundtrack album Badai Pasti Berlalu in 1977,[2] returned to Indonesia after studying cinematography in Germany.[3] This inspired Chrisye to ask him to record a new album in collaboration with Jockie Soerjoprajogo.[4] Although Djarot had not been involved in music for several years, he agreed.[3]

On the album Chrisye provided vocals and played the bass, while Soerjoprajogo played several instruments – including the mandolin. They were joined by Ian Antono on the electric and acoustic guitars and Uce Hudioro on drums. Djarot served primarily as a songwriter.[5] Recording was completed at Musica Studios' recording rooms number I and II, with H. Rusmin as operator. Soerjoprajogo arranged the music.[5] The owner of Musica, Aciu Wijaya, suggested that they adopt a currently trending genre to ensure marketability;[4] ultimately the result was similar to songs by The Police.[6] Chrisye felt that Sting's bass performances for the band had made their songs more powerful; as such, he modeled his playing style after the British performer.[4]

During his hiatus Chrisye had become involved in CB radio, listening but not broadcasting; this influenced the song "Polusi Udara" ("Air Pollution").[3] For the song "Sentuhan Cinta" Chrisye was joined by Hetty Koes Endang, who served as a backing vocalist.[5] With Djarot's influence two of the songs – "Money" and "Resesi" ("Recession") – began taking a critical view of society.[3] Meanwhile, Chrisye refused to sing "Malam Pertama" ("Wedding Night"), not speaking with Soerjoprajogo, until he was convinced to do so by Djarot.[3] "Resesi" was chosen to be the album's title track after a vote.[4]

Track listing

No.TitleWriter(s)Length
1."Lenny"Chrisye and Eros Djarot4:38
2."Malam Pertama" ("Wedding Night")Jockie Soerjoprajogo and Eros Djarot4:52
3."Resesi" ("Recession")Chrisye, Eros Djarot, and Jockie Soerjoprajogo4:50
4."Sentuhan Cinta" ("Love's Touch")Jockie Soerjoprajogo and Eros Djarot5:00
5."Di Batas Akhir Senja" ("At the Boundary of Dusk")Jockie Soerjoprajogo and Eros Djarot5:31
6."Money"Jockie Soerjoprajogo and Eros Djarot5:51
7."Anak Manusia" ("Child of Mankind")Chrisye and Eros Djarot5:18
8."Polusi Udara" ("Air Pollution")Jockie Soerjoprajogo4:49
9."Hening" ("Silent")Chrisye, Eros Djarot, and Jockie Soerjoprajogo4:30
10."Juwita" ("Beautiful")Jockie Soerjoprajogo and Eros Djarot5:28
Total length:50:40

Release and reception

References

Works cited

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