Shizuoka Prefectural Museum of Art

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EstablishedApril 18, 1986 (1986-04-18)
LocationYada 52-2, Suruga Ward, Shizuoka City, Shizuoka Prefecture, Japan, 422-8002
Coordinates34°59′30.4″N 138°26′46.2″E / 34.991778°N 138.446167°E / 34.991778; 138.446167
Shizuoka Prefectural Museum of Art
静岡県立美術館
Shizuoka Kenritsu Bijutsukan
The Rodin wing of the Shizuoka Prefectural Museum of Art
EstablishedApril 18, 1986 (1986-04-18)
LocationYada 52-2, Suruga Ward, Shizuoka City, Shizuoka Prefecture, Japan, 422-8002
Coordinates34°59′30.4″N 138°26′46.2″E / 34.991778°N 138.446167°E / 34.991778; 138.446167
TypeArt museum
CollectionsAuguste Rodin
Collection sizePurchased Works: 1,471 items (2020) ; Donated works: 1,262 works (2020)
DirectorNaoyuki Kinoshita (since 2017)
OwnerShizuoka Prefecture
Nearest parking400 spots on-site
Websitewww.spmoa.shizuoka.shizuoka.jp/en/guide/

The Shizuoka Prefectural Museum of Art (静岡県立美術館, Shizuoka Kenritsu Bijutsukan) is a prefectural museum in Shizuoka City, Japan, created in commemoration of the 100th Anniversary of the inauguration of the Shizuoka Prefectural Assembly.[1]

Aerial photograph of Shizuoka Prefectural Museum of Art (May 1, 2009)

Founded in 1986, the 9.240 m2 (99,4585 ft2) museum is located in the vicinity of the University of Shizuoka's (静岡県立大学) Kusanagi campus, on a verdant hill on the northern side of the picturesque Nihondaira Plateau in the southern part of the city.

A promenade in the midst of a Sculpture Garden creates a pleasurable journey for visitors to the wooded site and leads right up to the main museum entrance. Twelve sculptures grace this main alleyway. Monumental work by American artists George Rickey, James Rosati and Tony Smith is complemented by work from Japanese sculptors such as Makio Yamaguchi (山口牧生), Tadayoshi Sato (佐藤忠良), Kiyosumi Onishi (大西清澄), Kubei Shimizu (清水九兵衛), Takashi Sugimura (杉村孝), Goro Kakei (掛井五郎), Hisao Suzuki (鈴木久雄), Yoshitatsu Yanagihara (柳原義達) and Yasutake Funakoshi (舟越保武).[2]

Collection of the Main Building

The Main Building houses a.o. a Gallery of Prefecture Residents with work from local Japanese artists, mostly of lesser interest to an international public.

The bulk of the collection on show is constituted mostly of Japanese and some Western works of art, primarily focused on landscape painting.[3],[4] The museum also has a fine collection of Japanese drawings and prints, as well as a number of prints by Giovanni Battista Piranesi, Marco Ricci, etc., and watercolours by Joseph Mallord William Turner and John Robert Cozens.

European Painting

La Seine à Rouen (1872) by Monet (W 218)

XVIIth-C. and XVIIIth-C landscape paintings by Hubert Robert, Claude Lorrain, Gaspard Dughet, Claude-Joseph Vernet and Jean-Joseph-Xavier Bidauld constitute the earliest examples of the French School.

French early XIXth-C painting is represented by Gustave Courbet, Pierre Étienne Théodore Rousseau, Achille-Etna Michallon, and Alexandre-Hyacinthe Dunouy. Paintings by French Impressionists Claude Monet and Camille Pissarro, by Post-Impressionists Paul Cézanne, Paul Signac and Paul Gauguin, and by fauvist Maurice de Vlaminck complement the late XIXth-C collection.

The English masters John Constable and Samuel Palmer typify the early XIXth-C school of British landscape painting.

The Dutch school shows a number of XVIIth-C works by masters such as Jakob van Ruysdael, Rembrandt Van Rijn, Aert van der Neer, Jan van Goyen and Adriaen van Ostade.

Japanese Painting

(Work in Progress) [to be expanded]

The 400-year history of the Kanō school is one of the main focuses of the museum.

Many depictions of Mount Fuji and the Tōkaidō landscape by various Japanese painters can be viewed in the collection as is work by painters associated with the Tokugawa shogunate.

Most notable Japanese paintings are works by Taikan Yokoyama (横山 大観), a twentieth century painter, and Jakuchū Itō (伊藤 若冲), an eighteenth century (mid-Edo-period) master, who made a famous set of painted folding screens, called the Juka chōjū-zu byōbu (樹花鳥獣図屏風, Birds and Animals in the Flower Garden), using a rare technique he invented, masume gaki (枡目描き).[5]

Contemporary art

The museum has a number of sculptural works by 1960s artists from a group called GEN-SHOKU, i.e. Phantom Touch (幻触, Shizuoka Kenritsu Bijutsukan), a local avant-garde city-based movement of the XXth century: Issei Koike (小池一誠), Shoji Iida (飯田昭二), Yoshinori Suzuki (鈴木慶則), Morichi Maeda (前田守一) and Katsuji Niwa (丹羽勝次). Some of these artists became involved with later members of the Mono-ha movement.[6],[7]

Sculpture Collection in the new wing

The main attraction of this museum is its lofty 3.025 m2 (32,560 ft2) domed Rodin Wing (designed by the Shizuoka office of Nissoken Architects and Engineers, Tokyo) which opened in March 1994[8],[9] and offers a splendid home to a collection of thirty-two sculptures by the renowned French artist Auguste Rodin, including certified versions of The Thinker, The Gates of Hell, The Burghers of Calais, ... and some Monuments to great artists, such as James McNeill Whistler, Claude Lorrain, Jules Bastien-Lepage, Charles Baudelaire or Honoré de Balzac.

In the Bridge Gallery, connecting the Main Building to the Rodin Wing, the spectator can experience a total of 51 sculptures, from periods before and after Rodin, by renowned sculptors such as: Jean-Baptiste Carpeaux, Antoine-Louis Barye, Jules Dalou, Emmanuel Frémiet, Medardo Rosso, Constantin Brancusi, Albert-Ernest Carrier-Belleuse, Jacques Lipchitz, Aristide Maillol, Antoine Bourdelle, Alexander Archipenko, Alberto Giacometti, Wilhelm Lehmbruck, Henry Moore, Paul Gauguin, Ernst Barlach and Camille Claudel, Rodin's muse and one-time lover.[10]

Rodin Wing

Works in the collection

Works in the Main Building

(Work in Progress) [to be expanded]

Works in the Rodin Wing

"The Gates of Hell" by Auguste Rodin – FONDERIE DE COUBERTIN – Musée Rodin 1992, N° 6/8
The Gates of Hell and related works by Rodin[11]
Title Date Material Dimensions (cm) Cast
The Gates of Hell 1880–1917[12] 1880–1917
Bronze
620*390*100 No 6/8, 1992
The Gates of Hell, third maquette[13] 1880–81
Bronze
110*73*31 No III./IV., 1992
The Thinker[14] 1880
Bronze
183*130*110 1902–1904
The Caryatid with a Vase[15] ca.1880–88
Bronze
123.7*80.5*81.3 No II./IV., 1986
Cybele[16] 1890
Bronze
161*78.8*86.5 No I./III., 1988
Head of the Large Shade[17]
Bronze
38*28*32 NoII./IV., 1988
Torso of the Large Shade[18]
Bronze
100.5*73*49 No II./IV., 1991
Paolo and Francesca[19] 1880's
Bronze
29.8*59.1*27 No 8/8, 1983
Bacchanal[20] ca.1900–10
Bronze
41*48.8*41.8 No 1/8, 1989
Torso of the Centauresse and a Despairing Adolescent[21]
Bronze
31.2*24.5*13.1 No II./IV., 1991
Torso of the Centauresse and a Female Torso[22]
Bronze
21.5*15.1*12.4 No II./IV., 1991
Torso of the Centauresse and Study for Iris[23]
Bronze
22.9*11.3*13.2 No II./IV., 1991
Fugit Amor[24] ca.1887
Marble
55*87.6*56
The Burghers of Calais, Rodin Wing, Shizuoka Prefectural Museum of Art
The Burghers of Calais and related works by Rodin[11]
Title Date Material Dimensions (cm) Cast
The Burghers of Calais, Eustache de Saint-Pierre[25] ca.1886–87
Bronze
214*77.5*114.5 No IV./IV., 1988
The Burghers of Calais, Jean d'Aire[26] ca.1886–87
Bronze
204.5*67*63 No IV./IV., 1988
The Burghers of Calais, Pierre de Wissant[27] ca.1886–87
Bronze
196*113*95.5 No IV./IV., 1986
The Burghers of Calais, Jean de Fiennes[28] ca.1887–89
Bronze
206.5*119*85 No II./IV., 1984
The Burghers of Calais, Jacques de Wissant[29] ca.1887–89
Bronze
210*135*76 No III./IV., 1988
The Burghers of Calais, Andrieu d'Andres[30] ca.1887–89
Bronze
198*127*87.5 No II./IV., 1988
The Burghers of Calais, first maquette[31] 1884
Bronze
60*38*31 No 8/8, 1987
Some Monuments and other works by Rodin[11]
Title Date Material Dimensions (cm) Cast
Charles Baudelaire, head[32] ca.1892–98
Bronze
25.5*20.5*22.5 N1, c. 1892 – 1898
Young Girl with Roses in her Hair[33] ca.1870–75
Terracotta
39*19.5*17.5
Bastien-Lepage[34] 1887–89
Bronze
175*92*82 No III./IV., 1991
Claude Lorrain[35] 1889
Bronze
212*121*103 No II./IV., 1990
Naked Balzac[36] ca.1896
Bronze
91*38.5*36 No II./IV., 1987
Colossal Head of Balzac[37] 1897
Bronze
49*49.5*38 No I./I., 1982
Torso of the Spirit of Eternal Repose

aka Funerary Spirit[38]

Bronze
86*39*29 No 4, 1981
The Spirit of Eternal Repose[39] ca.1899
Bronze
193*100*91 No III./IV., 1990
The Muse of Whistler[40] ca.1903–08
Bronze
236*108*80 No III./IV., 1989
Grand Mask of Hanako[41] after 1907
Bronze
55*39*29 No 3, 1973
Torso of a Seated Woman called the Victoria and Albert Museum[42]
Bronze
63*38*20 No I./IV., 1982
Study for "La France" or Saint George[43] 1904
Bronze
50*43*31 No III./III., 1985
The 19th Century French Sculpture Before Rodin (At the Rodin Wing)[44]
Sculptor Title Date Material Dimensions (cm) Cast
Emmanuel FREMIET (1824–1910) Serpent Charmer[45] 1883
Bronze
45*15*14
Antoine-Louis BARYE (1795–1875) Lion Crushing a Serpent[46] 1838
Bronze
21.3*32*18.5 BARYE 1838
Jean-Baptiste CARPEAUX (1827–1875) Neapolitan Fisherboy[47] 1857
Bronze
89.5*45*54.5
Jean-Baptiste CARPEAUX (1827–1875) Mater Dolorosa[48] 1869–70
Terracotta
73.5*60*36.5
Albert-Ernest CARRIER-BELLEUSE (1824–1887) Satyr Carrying off a Nymph[49] after 1868
Terracotta
56.6, 28

(diameter of base)

Aimé-Jules DALOU (1838–1902) Nursing Parisienne[50] 1874
Bronze
47.5*23*36.2 Dalou 1874
Development of Post-Rodin Sculpture[51]
Sculptor Title Date Material Dimensions (cm) Cast
Paul GAUGUIN (1848–1903) Oviri[52] ca.1894–95
Coloured plaster
74.5*26*32.5
Medardo ROSSO (1858–1928) A Patient at Hospital[53] 1889
Bronze
21*18*25.5
Émile-Antoine BOURDELLE (1861–1929) Head of Apollo[54] 1909
Bronze
67*26.5*32
Émile-Antoine BOURDELLE (1861–1929) Bust of Rodin[55] 1909
Bronze
56*33*35
Aristide MAILLOL (1861–1944) Torso of Ile de France[56] 1921
Bronze
120*32*58 (M) 4/6
Camile CLAUDEL (1864–1943) Wave (reproduction)[57] 1897–98
Bronze
50*56*60 1/8
Constantin BRANCUSI (1876–1957) Mademoiselle Pogany II[58] 1925
Polished bronze
57*18*26
Wilhelm LEHMBRUCK (1881–1919) Small Torso of a Woman[59] 1911 Cement with brown patina 70.5*24.5*17.5
Ernst BARLACH (1870–1938) Reading Monks III[60] 1932
Bronze
58*44.5*34.5 1932
Jacques LIPCHITZ (1891–1973) Mother and Child[61] 1913
Bronze
59.5*24*24 1/7
Alexander ARCHIPENKO (1887–1964) Study for Woman Powdering Herself: Head, Construction with Crossing Planes [62] 1913
Bronze, wooden base
42.5*36*32.5 1913 A
Henry MOORE (1898–1986) Reclining Figure[63] 1977
Bronze
14*58.5*48 Moore 2/9
Alberto GIACOMETTI (1901–1966) Reclining Woman[64] 1929
Bronze
26.7*43.1*15.2 2/6, 1929

Literature

References

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