Singaar
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| Singaar | |
|---|---|
 | |
| Directed by | J. K. Nanda |
| Written by | J. K. Nanda |
| Screenplay by | J. K. Nanda |
| Produced by | R. B. Haldia |
| Starring | |
| Cinematography | Rajnikant Pandya |
| Music by | Khurshid Anwar |
Production company | Shree Sound Studio |
Release date |
|
| Country | India |
| Language | Hindi |
Singaar (lit. 'Embellishment') is a 1949 Indian Hindi-language romantic film directed by J. K. Nanda. Produced by R. B. Haldia under his production company, the film stars Suraiya, Madhubala and Jairaj, with Durga Khote and K. N. Singh appearing in supporting roles. The music of the film was composed by Khurshid Anwar.[1]
Also written by Nanda, Singaar featured Suraiya and Jairaj as a couple whose marriage begins troubling after he falls in love with a prostitute named Sitara, played by Madhubala. Principal photography of Singaar took place in Shree Sound studio in Bombay, and was marked by professional rivalry between Suraiya and Madhubala. After many delays, the film was theatrically released on 12 December 1949, and became a critical and commercial success.[2] Madhubala's work specially gained widespread praise. The following year Anwar won an award for composing the music of the film.[3]
The film tells the story of a doctor who carries an extramarital affair with a dancing girl.
Cast
The cast of Singaar included:[2]
- Suraiya as Shanta
- Madhubala as Sitara
- Jairaj as Dr. Kishan
- Amir Banu as Sitara's mother
- Durga Khote as Kishan's mother
- Madan Puri as Dr. Niranjan
- K. N. Singh as Kishan's father
- Shivraj as Ramu
- Randhir as Ramesh
- Cuckoo as Dancer
- Prem Dhawan as Dancer
Production
The principal photography of Singaar took place in Shree Sound studios between February and May 1949.[4][5] The film's was a troubled production, marked by professional rivalry between Madhubala and Suraiya.[6] Reportedly, the latter was unhappy with Madhubala's rising fame and felt that the diligent actress did not deserve the attention director Nanda was paying to her.[6] Mohan Deep, Madhubala's biographer, has stated the following in his book The Mystery And Mystique of Madhubala (1996):
Unit hands wouldn't notice the cold vibes since Suraiya and Madhubala, the actresses that they were, never gave a hint of their true feelings. But they would play games and friendly journalists would come in handy. [...] It was the producer who would have ulcers. If Madhubala had five close-ups, Suraiya wanted seven and if Suraiya was given an expensive silk sari to wear, Madhubala wanted some thing more expensive. Hero Jairaj would look silently amused.[6]
Soundtrack
The soundtrack was composed by Khursheed Anwar, and lyrics were penned by Deenanath Madhok, Nakshab and Shakeel Badayuni.[7][8]
| No. | Title | Singer(s) | Length |
|---|---|---|---|
| 1. | "Woh Din Kidhar Gaye Kaho" | Suraiya | |
| 2. | "Ae Bhoolne Wale" | Suraiya | |
| 3. | "O Bedardi Yun Hamko Na Sata" | Surinder Kaur | |
| 4. | "Aayi Aayi Suhag Ki Raat" | Shamshad Begum | |
| 5. | "Ae Dard-E-Mohabbat" | Suraiya, Surinder Kaur | |
| 6. | "Naya Nainon Mein Rang Nayi Uthi Umang" | Suraiya | |
| 7. | "Dhadhak Dhadhak Tere Bin Mora Jiyara" | Suraiya | |
| 8. | "Ari O Mohe Chhed Gaya" | Rajkumari Dubey | |
| 9. | "Kaun Samjega Dil Aane Ke Dhang, lyricist by Nakhshab Jarchavi" | Surinder Kaur | |
| 10. | "Chanda Re Main Teri Gawaahi Lene Aayi" | Surinder Kaur |