Taps at Reveille

Fitzgerald interrupted his work on his manuscript for his novel Tender is the Night (1936) to write the nine autobiographical Basil Duke Lee stories. The stories "capture with precision the emotions and attitudes of Fitzgerald's youth."^[11] The autobiographical elements of these stories are evident in the fictional details, which follow the male protagonist, Basil Duke Lee, from his childhood before entering boarding school in 1909 to his enrollment at Yale in 1913 — similar to Fitzgerald's trajectory from St. Paul Academy to Princeton during the same years.^[12]

Described as "sequential" narratives, eight of these were published by The Saturday Evening Post in 1928 and 1929.^[13] The ninth story "That Kind of Party" was rejected by Post and other journals and did not appear in print until summer 1951 in The Princeton University Library Chronicle.^[13][14] Fitzgerald conceived the Josephine stories as companion pieces to the successful Basil series. These works featured the character Josephine Perry, based upon Fitzgerald's first love while he was attending Princeton, Ginevra King. The Post published these in 1930 and 1931.^[15][16] Taps at Reveille includes three of the five "Josephine" Perry stories.^[17]

The Josephine stories are represented in five stories: "First Blood", "A Nice Quiet Place", "A Woman With a Past", "A Snobbish Story", and "Emotional Bankruptcy". All of these first appeared independently in The Saturday Evening Post. The first three of these were included in Taps at Reveille.^[17] Literary critic Kenneth Eble considers the Josephine stories a falling off from the foregoing Basil Duke Lee narratives:

The central character relies heavily on Fitzgerald's memory of Ginevra King…If she is less a successfully created character, as I think she is, it may be because Fitzgerald did not, could not, fully understand her or be as privy to her youthful feelings and experiences as he could with Basil.^[18]

As a literary creation, Josephine Perry is Fitzgerald's feminine ideal, whose infatuation with love is her paramount characteristic. Nonetheless, Fitzgerald endows her with a measure of credibility. In a letter to the Post editor Arthur Mizener, Mrs. Ginevra King Pirie offered this commentary on the accuracy of Fitzgerald's portrait of her as a girl:

I was too thoughtless in those days & too much in love with love to think of consequences. These things he has emphasized, and over-emphasized, in the Josephine stories: but it is only fair to say I asked for some of them.^[17]

Contrary to Fitzgerald's expectations that the recently published novel Tender is the Night would revive his reputation as an author of serious long fiction, sales for the novel, at 13,000 copies, were the poorest of all his major works.^[19] Fitzgerald remained known by his contemporary readership "as a popular writer who contributed stories like the Basil and Josephine series to the Post and other mass circulation magazines."^[20]

• The New York Times on Taps at Reveille
• F. Scott Fitzgerald Centenary: Matthew J. Bruccoli Collection at the University of South Carolina