The Lodger (opera)

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LibrettistDavid Franklin
Based onThe Lodger, 1913 novel by Marie Belloc Lowndes
Premiere
16 July 1960 (1960-07-16)
The Lodger
Opera by Phyllis Tate
LibrettistDavid Franklin
Based onThe Lodger, 1913 novel by Marie Belloc Lowndes
Premiere
16 July 1960 (1960-07-16)

The Lodger is an opera in two acts composed by Phyllis Tate. The libretto is by David Franklin, after the 1913 novel of the same name by Marie Belloc Lowndes.[1] The opera was commissioned by the Royal Academy of Music, with a grant from the William Manson Fund, and the premiere took place there on 16 July 1960.

The opera took three years to write, and the planning and libretto-writing took longer than the composing. Tate started with a synopsis, and after Franklin had turned it into a libretto, she acknowledged that "his great experience as a singer at Glyndebourne and Covent Garden has been of enormous help to me." Originally, the first scene would have lasted for eight hours, but "we managed to whittle it down so that the whole opera lasts a mere two and a quarter hours now."[2]

Roles

Roles, voice types, premiere cast
Role[3] Voice type Premiere cast, 16 July 1960
Conductor: Myers Foggin[4]
George Bunting bass William McCue
Paper Boy treble or tenor
Emma Bunting mezzo-soprano Jean Evans
Policeman bass-baritone
Daisy soprano
Three cockneys baritone, mezzo-soprano, bass
The Lodger high baritone David Bowman
Joel Chandler tenor John Wakefield
Chorus (soprano, mezzo-soprano, tenor, bass)

Synopsis

Emma Bunting, a poverty-stricken landlady in Victorian London, takes in a gentlemanly lodger who gives financial help to her and her husband George. Slowly it emerges that the lodger is not what he seems, and his religious mania indicates mental and other problems. As the tension mounts and the atmosphere becomes more sinister, Emma agonises over whether to report him to the authorities. The lodger's identity is revealed as Jack the Ripper.[2]

Performance history

Critical opinion

References

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