Venetian literature
From Wikipedia, the free encyclopedia
Venetian literature is the corpus of literature in Venetian, the vernacular language of the region roughly corresponding to Venice, from the 12th century. Venetian literature, after an initial period of splendour in the sixteenth century with the success of artists such as Ruzante, reached its zenith in the eighteenth century, thanks to its greatest exponent, dramatist Carlo Goldoni. Subsequently, the literary production in Venetian underwent a period of decline following the collapse of the Republic of Venice, but survived nonetheless into the twentieth century to reach peaks with wonderful lyrical poets such as Biagio Marin of Grado.
The first evidence of the birth of vernacular Venetian (and Italian) is the Veronese Riddle, dating between the end of the eighth and the early ninth century, written in a language halfway between Latin and the vernacular.
The first fragment entirely in Venetian, dating to circa 1198, is the Ritmo bellunese which deals with events at Belluno in the years 1183 to 1196.
Thirteenth century
In the thirteenth century, there is an explosion of compositions in the Venetian language designed to meet the literary tastes of the emerging urban classes. Especially remarkable is the production of the Veronese School, with Giacomino da Verona, author of the poem in two parts, De Gerusalem Celesti ("On the Heavenly Jerusalem") and De Babilonia Civitate Infernali ("On Babylon, the Infernal City"). Published anonymously from this era are Lamento della Sposa Padovana or Bona çilosia
