| Prix |
Artiste |
Titre |
| Enregistrement de l'année |
Paul Simon |
Graceland |
| Album de l'année |
U2 |
The Joshua Tree[2] |
| Chanson de l'année |
|
Somewhere Out There |
| Meilleur nouvel artiste |
Jody Watley |
| Best Pop Vocal Performance, Female |
Whitney Houston |
I Wanna Dance with Somebody (Who Loves Me) |
| Best Pop Vocal Performance, Male |
Sting |
Bring on the Night |
| Best Pop Performance By A Duo Or Group With Vocal |
Jennifer Warnes et Bill Medley |
(I've Had) The Time Of My Life |
| Best Pop Instrumental Performance (Orchestra, Group Or Soloist) |
Larry Carlton |
Minute by Minute |
| Best New Age Performance |
Yusef Lateef |
Yusef Lateef's Little Symphony |
| Best Rock Vocal Performance, Female, Male |
Bruce Springsteen |
Tunnel of Love |
| Best Rock Performance By A Duo Or Group With Vocal |
U2 |
The Joshua Tree |
| Best Rock Instrumental Performance (Orchestra, Group Or Soloist) |
Frank Zappa |
Jazz from Hell |
| Best R&B Vocal Performance, Female |
Aretha Franklin |
Aretha |
| Best R&B Vocal Performance, Male |
Smokey Robinson |
Just to See Her |
| Best R&B Performance By A Duo Or Group With Vocal |
Aretha Franklin et George Michael |
I Knew You Were Waiting (For Me) |
| Best R&B Instrumental Performance (Orchestra, Group Or Soloist) |
David Sanborn |
Chicago Song |
| Best Rhythm & Blues Song |
|
Lean on Me |
| Best Jazz Fusion Performance, Vocal Or Instrumental |
Pat Metheny Group |
Still Life (Talking) |
| Best Jazz Vocal Performance, Female |
Diane Schuur |
Diane Schuur & The Count Basie Orchestra |
| Best Jazz Vocal Performance, Male |
Bobby McFerrin |
What Is This Thing Called Love |
| Best Jazz Instrumental Performance, Soloist |
Dexter Gordon |
The Other Side Of Round Midnight |
| Best Instrumental Jazz Performance (Group) |
Wynton Marsalis |
Marsalis Standard Time - Volume I |
| Best Jazz Instrumental Performance, Big Band |
Mercer Ellington |
Digital Duke |
| Best Country Vocal Performance, Female |
K.T. Oslin |
80's Ladies |
| Best Country Vocal Performance, Male |
Randy Travis |
Always & Forever |
| Best Country Performance By A Duo Or Group With Vocal |
|
Trio |
| Best Country Vocal Performance, Duet |
Ronnie Milsap et Kenny Rogers |
Make No Mistake, She's Mine |
| Best Country Instrumental Performance (Orchestra, Group Of Soloist) |
Asleep at the Wheel |
String of Pars |
| Best Country Song |
|
Forever And Ever, Amen |
| Best Gospel Performance, Female |
Deniece Williams |
I Believe In You |
| Best Gospel Performance, Male |
Larnelle Harris |
The Father Hath Provided |
| Best Gospel Performance By A Duo Or Group, Choir Or Chorus |
Mylon LeFevre & Broken Heart |
Crack the Sky |
| Best Soul Gospel Performance, Female |
CeCe Winans |
For Always |
| Best Soul Gospel Performance, Male |
Al Green |
Everything's Gonna Be Alright |
| Best Soul Gospel Performance By A Duo Or Group, Choir Or Chorus |
Anita Baker & The Winans |
Ain't No Need To Worry |
| Best Latin Pop Performance |
Julio Iglesias |
Un Hombre Solo |
| Best Tropical Latin Performance |
Eddie Palmieri |
La Verdad - The Truth |
| Best Mexican-American Performance |
Los Tigres del Norte |
Gracias! America Sin Fronteras |
| Best Traditional Blues Recording |
Professor Longhair |
Houseparty New Orleans Style |
| Best Contemporary Blues Recording |
The Robert Cray Band |
Strong Persuader |
| Best Traditional Folk Recording |
Ladysmith Black Mambazo |
Shaka Zulu |
| Best Contemporary Folk Recording |
Steve Goodman |
Unfinished Business |
| Best Polka Recording |
Jimmy Sturr |
A Polka Just For Me |
| Best Reggae Recording |
Peter Tosh |
No Nuclear War |
| Best Recording For Children |
Bobby McFerrin et Jack Nicholson |
The Elephant's Child |
| Best Comedy Recording |
Robin Williams |
A Night At The Met |
| Best Spoken Word Or Non-Musical Recording |
Garrison Keillor |
Lake Wobegon Days |
| Best Musical Cast Show Album |
|
Les Miserables |
| Best Instrumental Composition |
|
Call Sheet Blues |
| Best Album Or Original Instrumental Background Score Written For A Motion Picture Or Television |
Ennio Morricone |
The Untouchables |
| Best Song Written Specifically For A Motion Picture Or Television |
|
Somewhere Out There (From An American Tail) |
| Best Performance Music Video |
|
The Prince's Trust All-Star Rock Concert |
| Best Concept Music Video |
Genesis |
Land of Confusion |
| Best Arrangement On An Instrumental |
|
Take The \"A\" Train |
| Best Instrumental Arrangement Accompanying Vocal(s) |
|
Deedles' Blues |
| Best Album Package |
|
King's Record Shop |
| Best Album Notes |
|
Thelonious Monk - The Complete Riverside Recordings |
| Best Historical Album |
Thelonious Monk |
Thelonious Monk - The Complete Riverside Recordings |
| Best Engineered Recording - Non-Classical |
|
Bad |
| Producer Of The Year, (Non-Classical) |
|
Narada Michael Walden |
| Best Classical Album |
|
Horowitz in Moscow |
| Best Orchestral Recording |
|
Beethoven: Symphony No. 9 In D Minor |
| Best Opera Recording |
|
R. Strauss: Ariadne Auf Naxos |
| Best Choral Performance (Other Than Opera) |
|
Hindemith: When Lilacs Last In The Dooryard Bloom'd |
| Best Classical Performance - Instrumental Soloist(s) (With Orchestra) |
|
Mozart: Violin Concertos Nos. 2 And 4 |
| Best Classical Performance - Instrumental Soloist(s) (Without Orchestra) |
Vladimir Horowitz |
Horowitz in Moscow |
| Best Chamber Music Performance |
Vladimir Ashkenazy, Lynn Harrell et Itzhak Perlman |
Beethoven: The Complete Piano Trios |
| Best Classical Vocal Soloist Performance |
|
Kathleen Battle - Salzburg Recital |
| Best Contemporary Composition |
Krzysztof Penderecki |
Penderecki: Cello Concerto No. 2 |
| Best Engineered Recording, Classical |
|
Faure: Requiem/Durufle: Requiem |
| Classical Producer Of The Year |
Robert Woods |