Cyberiada (opera)

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Other titleKyberiade
LibrettistKrzysztof Meyer
Language
  • Polish
  • German
Based onThe Cyberiad, short stories by Stanisław Lem
Cyberiada
Opera by Krzysztof Meyer
Krzysztof Meyer, the composer of Cyberiada
Other titleKyberiade
LibrettistKrzysztof Meyer
Language
  • Polish
  • German
Based onThe Cyberiad, short stories by Stanisław Lem
Premiere
11 May 1986 (1986-05-11)

Cyberiada (also known by its German title Kyberiade) is an opera in three acts (11 scenes) composed by Krzysztof Meyer to a Polish-language libretto by the composer himself, based on The Cyberiad, a series of science fiction short stories by Stanisław Lem. It won the Grand Prix of the Prince Pierre of Monaco composers' competition in 1970 and was first performed in its entirety on 11 May 1986 at the Opernhaus Wuppertal.

Meyer's first (and only) opera, Cyberiada was composed between 1967 and 1970. The composer himself wrote the libretto which is based on Stanisław Lem's The Cyberiad, a darkly comic series of science fiction short stories.[1][2][3] The revolutionary approach by Meyer in terms of music included the incorporation of chance into the process of creation known as aleatoricism, and the use of sonorism in orchestration, based on inventing new types of sounds on individual instruments.[2] The opera won the Grand Prix of the Prince Pierre of Monaco composers' competition in 1970. The first act was premiered on Polish television in 1971. The first complete performance of the work took place at the Opernhaus Wuppertal on 11 May 1986 conducted by Jean-François Monnard [fr]. On that occasion, it was performed as Kyberiade in a German translation by Jörg Morgener (pseudonym of Jürgen Köchel). The stage director was Friedrich Meyer-Oertel.[4][5]

The opera was given its Polish premiere and sung in the original Polish at the Grand Theatre, Poznań, on 25 May 2013 in honour of Meyer's 70th birthday. It was the first time the opera had been revived since its premiere in Wuppertal. The Poznań production was directed by Ran Arthur Braun and conducted by Krzysztof Słowiński,[6][7] with space-scenography by Justin C. Arienti.[8]

Roles

Role (in German) translation Voice type
Der Kosmische Fremde The stranger from the cosmos tenor
Trull, Konstrukteur Trull, constructor of the story-telling machines bass
Der glänzende Ring The shining ring soprano
Königin Genia Queen Genia soprano
König Madrilius der Größte, Herrscher der Vielzuvielen King Madrilius the Greatest, sovereign of the FarTooMany tenor
Briefräger der Vielzuvielen Postman of the FarTooMany mezzo-soprano
Listig, Konstrukteur der Traumschränke Cunning, constructor of the dream cupboards baritone
König Voluptatus King Voluptatus tenor
Ritter Vinodur Knight Vinodur bass
Alte Kyberhexe Old Cyber Witch contralto
Greis Old man bass
Automatthias Automatthew baritone
Im Ohr In the Ear, a miniature computer mezzo-soprano and contralto
Drei erzählende Maschinen: Perfekter Ratgeber, E-Advokat, Rechtscomputer Three story-telling machines: Perfect Advisor, E-Lawyer, Law Computer speaking voices
Volk der Vielzuvielen The "FarTooMany" people, subjects of King Madrilius mixed chorus
Volk der Gewindianer The "Threaded" people, subjects of King Voluptatus chorus of basses
Degeneräle Degenerals, soldiers chorus of tenors
Detektive Detectives male chorus
Prinzessin und junge Tänzerinnen Princess and young dancer girls ballet
Stanisław Lem, on whose stories the opera is based

Synopsis

References

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