Cyberiada (opera)
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- Polish
- German
| Cyberiada | |
|---|---|
| Opera by Krzysztof Meyer | |
Krzysztof Meyer, the composer of Cyberiada | |
| Other title | Kyberiade |
| Librettist | Krzysztof Meyer |
| Language |
|
| Based on | The Cyberiad, short stories by Stanisław Lem |
| Premiere | |
Cyberiada (also known by its German title Kyberiade) is an opera in three acts (11 scenes) composed by Krzysztof Meyer to a Polish-language libretto by the composer himself, based on The Cyberiad, a series of science fiction short stories by Stanisław Lem. It won the Grand Prix of the Prince Pierre of Monaco composers' competition in 1970 and was first performed in its entirety on 11 May 1986 at the Opernhaus Wuppertal.
Meyer's first (and only) opera, Cyberiada was composed between 1967 and 1970. The composer himself wrote the libretto which is based on Stanisław Lem's The Cyberiad, a darkly comic series of science fiction short stories.[1][2][3] The revolutionary approach by Meyer in terms of music included the incorporation of chance into the process of creation known as aleatoricism, and the use of sonorism in orchestration, based on inventing new types of sounds on individual instruments.[2] The opera won the Grand Prix of the Prince Pierre of Monaco composers' competition in 1970. The first act was premiered on Polish television in 1971. The first complete performance of the work took place at the Opernhaus Wuppertal on 11 May 1986 conducted by Jean-François Monnard. On that occasion, it was performed as Kyberiade in a German translation by Jörg Morgener (pseudonym of Jürgen Köchel). The stage director was Friedrich Meyer-Oertel.[4][5]
The opera was given its Polish premiere and sung in the original Polish at the Grand Theatre, Poznań, on 25 May 2013 in honour of Meyer's 70th birthday. It was the first time the opera had been revived since its premiere in Wuppertal. The Poznań production was directed by Ran Arthur Braun and conducted by Krzysztof Słowiński,[6][7] with space-scenography by Justin C. Arienti.[8]
Roles
| Role (in German) | translation | Voice type |
|---|---|---|
| Der Kosmische Fremde | The stranger from the cosmos | tenor |
| Trull, Konstrukteur | Trull, constructor of the story-telling machines | bass |
| Der glänzende Ring | The shining ring | soprano |
| Königin Genia | Queen Genia | soprano |
| König Madrilius der Größte, Herrscher der Vielzuvielen | King Madrilius the Greatest, sovereign of the FarTooMany | tenor |
| Briefräger der Vielzuvielen | Postman of the FarTooMany | mezzo-soprano |
| Listig, Konstrukteur der Traumschränke | Cunning, constructor of the dream cupboards | baritone |
| König Voluptatus | King Voluptatus | tenor |
| Ritter Vinodur | Knight Vinodur | bass |
| Alte Kyberhexe | Old Cyber Witch | contralto |
| Greis | Old man | bass |
| Automatthias | Automatthew | baritone |
| Im Ohr | In the Ear, a miniature computer | mezzo-soprano and contralto |
| Drei erzählende Maschinen: Perfekter Ratgeber, E-Advokat, Rechtscomputer | Three story-telling machines: Perfect Advisor, E-Lawyer, Law Computer | speaking voices |
| Volk der Vielzuvielen | The "FarTooMany" people, subjects of King Madrilius | mixed chorus |
| Volk der Gewindianer | The "Threaded" people, subjects of King Voluptatus | chorus of basses |
| Degeneräle | Degenerals, soldiers | chorus of tenors |
| Detektive | Detectives | male chorus |
| Prinzessin und junge Tänzerinnen | Princess and young dancer girls | ballet |
