Dada Kondke

Indian actor (1932–1998) From Wikipedia, the free encyclopedia

Krishna "Dada" Kondke (8 August 1932 – 14 March 1998) was an Indian actor, lyricist and film producer. He was one of the most renowned personalities in Marathi film industry, famous for his double entendre dialogues in movies.

Born
Krishna Kondke

(1932-08-08)August 8, 1932
Bombay, Bombay Presidency, British India
Died14 March 1998(1998-03-14) (aged 65)
Mumbai, Maharashtra, India
OthernameDada
Occupations
  • Actor
  • director
  • lyricist
  • writer
  • singer
Quick facts Born, Died ...
Dada Kondke
Born
Krishna Kondke

(1932-08-08)August 8, 1932
Bombay, Bombay Presidency, British India
Died14 March 1998(1998-03-14) (aged 65)
Mumbai, Maharashtra, India
Other nameDada
Occupations
  • Actor
  • director
  • lyricist
  • writer
  • singer
Years active19691997
Political party
Shiv Sena
Spouse
Nalini Kondke
(m. 1964; div. 1968)
Close

Kondke was born into a family owning a grocery shop and owners of chawls in Morbaug area of Mumbai which were let out. His family members were also foreman handling millworkers of Bombay Dyeing.[1] Kondke was called "Dada", an honorific Marathi term meaning "elder brother", which led to his popular name Dada Kondke. From the early 1970s to the 1990s, Dada Kondke and his films dominated the Marathi film industry. Kondke was instrumental in sustaining audience interests in the Marathi cinema. His films were low on aesthetic merit but high on animated comic performance that included double entendre. He was credited with introducing the genre of sex comedy to Marathi cinema and Hindi cinema.[2] Dada Kondke was entered in the Guinness Book of World Records for the highest number of films (nine) that achieved silver jubilee (running for 25 consecutive weeks).[3][4]

Early life

Kondke was a born to and raised in a Koli[5] family of cotton-mill workers in a chawl in Naigaon, near Lalbaug, Mumbai. His family originally hailed from the village of Ingavali which was in the erstwhile Bhor State near Pune. Kondke and his migrant family retained close connections to their rural roots. As a youngster, Kondke was a rough kid who later on took up job in a local grocery retail chain called Apna Bazaar. He lost his parents to unfortunate events and the grieving process changed him profoundly. Left alone with his elder brother Dhondiram and his family to take care of him, these events made him focus more on the lighter side of life and make people laugh. Kondke started his entertainment career with a band and then worked as a stage actor. While working for the drama companies, Kondke toured throughout Maharashtra which helped him understand the local population's taste in entertainment.

Personal life

Kondke was married to Nalini in 1964. The marriage was arranged by his elder brother, who was concerned about Kondke's mischievous behavior and sought to settle him down. At the time, Kondke was not keen on marriage as he had recently started a job at the Mumbai Kamgar and was beginning his stage career with the play Vichha Majhi Puri Kara.[6][7] Due to the play's immense success, Kondke was frequently away on tours across Maharashtra, leaving his wife alone in Mumbai. Tensions eventually rose between the couple, leading to their legal separation in 1968. In his autobiography, Kondke remained private about the specific reasons for the fallout, though he noted that he paid a significant alimony following the divorce.[8]

Following his divorce, Kondke entered a long-term live-in relationship with actress Neela Kadwadkar (also known as Neelambari), who was a co-artist in his play Vichha Majhi Puri Kara. Neela, who came from a Devdasi background, became a close companion during a period when Kondke was reportedly dealing with mental stress and loneliness.[9]

The two lived together as a couple for several years; however, the relationship was marked by turbulence. Kondke later discovered that Neela had been untruthful about her past—specifically that she already had children from a previous relationship. Despite the betrayal, Kondke initially stayed with her due to his emotional attachment, though the couple eventually split.[9][10]

In his later years and through various interviews, Kondke revealed a brief but serious romantic chapter involving legendary playback singer Asha Bhosle.[11] The two had grown very close during their professional collaborations, to the point where Bhosle reportedly proposed marriage. The proposal allegedly came with two conditions: that Kondke would have to leave the film industry and relocate. Kondke sought the advice of his mentor, director Bhalji Pendharkar, who advised him against the union, suggesting that their vastly different professional worlds and the required conditions would not lead to long-term happiness. Consequently, Kondke declined the proposal, and the two remained professional colleagues.[12]

Throughout the height of his film career, Kondke was most frequently linked by the media to his long-standing leading lady, Usha Chavan.[13] While they shared an iconic on-screen chemistry and worked together on numerous "Silver Jubilee" hits, both maintained that their relationship was primarily professional and based on deep mutual respect. Kondke was reportedly working on a film titled Jaraa Dheer Dhara with Chavan at the time of his death in 1998.[14]

Career

Stage career

Kondke was involved in cultural activities of Seva Dal, a Congress party volunteers organization, where he started working in dramas. During this period came in contact with various Marathi stage personalities including writer, Vasant Sabnis. Later, Kondke started his own theatre company, and approached Sabnis to compose a drama script for him. Sabnis appreciated Dada's performance in Khankhanpurcha Raja (Translation: Bankrupt King), and agreed to write a modern Marathi language Tamasha or Loknatya (folk play). The drama was named Vichha Majhi Puri Kara (Translation: Fulfill my Wish). The drama went on to play over 1500 shows all over Maharashtra and made Dada a star.

Film career

Vichha Majhi Puri Kara brought Kondke into spotlight and in 1969, he debuted in Marathi movies through a role in Bhalji Pendharkar's movie Tambdi Maati which won the National Film Award for Best Feature Film in Marathi. He then turned producer with Songadya in 1971.[15] Songadya was based on a story written by Vasant Sabnis, and was directed by Govind Kulkarni. He cast himself as Namya, the simpleton who falls for the glamour of Kalavati (played by Usha Chavan) who is a dancer. Some of the other people who played major characters in this movie were Nilu Phule, Ganpat Patil, Sampat Nikam and Ratnamala. Kondke retained his team from Songadya and delivered his next hit Eakta Jeev Sadashiv.[16] Kondke's story-lines were always based on the simpleton engaged in lower level occupations. For example, Kondke portrayed himself as a Dhobi (Laundry Man) in Aali Angavar, Poor Farmer in Songadya, and a Police Constable in Pandu Havaldar. Kondke is known for using the same team of actors, technicians and playback singers to repeat the formula for success that he believed he had got from his debut film. Many of his movies, produced under the "Kamakshi Pictures" banner, had Usha Chavan as the lead actress, Rajesh Mujumdar as screen play writer (from Pandu Hawaldar onward), Raam Laxman as music director, Jayawant Kulkarni and later Mahendra Kapoor as the male playback singer, Usha Mangeshkar as the female playback singer, and Bal Mohite as the chief assistant. Kondke often employed the veteran actor-dancer, Bhagwan Dada in dancing sequences in his films such as Aali Angavar, Hyoch Navra Pahije, Bot Lavin Tithe Gudgulya, and Ram Ram Gangaram. Teaming up with his nephew Vijay Kondke who later produced the blockbuster Maherchi Saadi, and Vijay's brothers, the Kondke family reached zenith of their careers and stayed united till Dada demised.

Filmography

More information Year, Film ...
Year Film Role Language Notes
1969 Tambdi Maati Nana Marathi
1971 Songadya Namdeo (Namya) Marathi
1972 Ekta Jeev Sadashiv Sadashiv Marathi
1973 Andhala Marto Dola Shripati (Shirpya) Marathi
1975 Pandu Havaldar Pandu Hawaldar Marathi Maharashtra State Film Award for Best Director
1976 Tumcha Aamcha Jamala Krushna Marathi Maharashtra State Film Award for Best Director
1977 Ram Ram Gangaram Gangaram Marathi
1977 Chandu Jamadar Chandu Gujarati
1978 Bot Lavin Tithe Gudgulya Chhotu Marathi Maharashtra State Film Award for Best Director
1980 Hyoch Navra Pahije Gopal (Gopi) Marathi
1982 Aalee Angawar Janardan (Janya) Marathi Maharashtra State Film Award for Best Director
1984 Tere Mere Beech Mein Gangaram Hindi
1985 Khol De Meri Zuban Gangaram Hindi
1986 Andheri Raat Mein Diya Tere Haath Mein Gullu Hindi
1988 Mukaa Ghya Mukaa Mukund (Mukya) Marathi
1988 Aage Ki Soch Ganpat Hindi
1989 Mala Gheun Chala Ganpat (Ganpa) Marathi
1990 Palva Palvi Shripati (Shirpya) Marathi
1992 Yeu Kaa Gharaat? Dharma Marathi
1994 Saasarche Dhotar Raja Marathi
1995 Vajavu Ka? Govinda Marathi
2000 Le Chal Apne Sang Himself Hindi (dedicated to the memory of) produced by Sunita Kondke
Close

As a lyricist he wrote multiple songs on animals

  • "Manasa Paris Mendhara Bari" (meaning 'sheep are much better than human beings') in the film Ekta Jeev Sadashiv
  • "Labaad Landga Dhwang Kartay" (on the cunningness of foxes) in Ekta Jeev Sadashiv
  • "Chalara Waghya" (dog) in the film Tumcha Aamcha Jamala
  • "Jodi Bailachi Khillari" (bullocks) in the film Mala Gheun Chala
  • "Bakricha Samdyasni Laglay Lala" (goat) in the film Ram Ram Gangaram

Bhajans

Political career

Balasaheb Thackeray, leader of the party Shiv Sena, helped Kondke with screenings of Songadya, when Dev Anand's film, Tere Mere Sapne was released, and resulted in movie theatres replacing showings of Songadya, for it. The move angered Marathi-speaking moviegoers, as many were eager to watch Kondke's film. The news of the replacement reached the Sena Bhavan, and after a meeting, party members and locals marched to the theatre to protest the move. Thackeray's justification for supporting Kondke was that he was a Marathi Māṇūs (Man). In return, Kondke, with Gajanan Shirke, helped found the Chitrapat Shakha. Kondke was impressed with Thackeray's charisma and had toured Maharashtra to attract voters towards Shiv Sena. Kondke was a very active member of Shiv Sena and was able to influence many areas of rural Maharashtra due to his popularity and way of making fiery speeches to impress the masses.

References

Related Articles

Wikiwand AI