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List of 1990s albums considered the best

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This is a list of 1990s albums that multiple music journalists, music magazine, and professional music review websites have considered to be among the best of the 1990s and of all time, separated into the years of each album's release. The albums listed here are included on at least four separate "best/greatest of the 1990s/all time" lists from different professional publications (inclusive of all genres and nationalities) as chosen by their editorial staffs or by a sample size of an entire publication's audience, and/or hall of fame awards and historical preservation measures.

List

1990

More information Release date, Album ...
Release date Album Artist Genre(s) Label Notes Accolades
15 January 1990 Reading, Writing and Arithmetic The Sundays
  • NME's "The 500 Greatest Albums Of All Time": No. 277[2]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 134[3]
  • Melody Maker's "All Time Top 100 Albums": No. 60[4]
  • Ned Raggett's Top Albums of the 90s: No. 32[1]
January 1990[5] Flood They Might Be Giants Alternative rock Elektra
  • Pitchfork's "The 100 Best Albums of the 1990s" (1999): No. 25[6]
  • Strange Currencies' Top 100 Albums of the 1990s: No. 80[7]
  • Treble's "Top 150 Albums of the 90s" No. 95[8]
  • 33 1/3 #88 (ISBN 978-1-62356-915-0)
5 February 1990 Chill Out The KLF KLF Communications Ambient-styled concept album featuring an extensive selection of samples, portraying a mythical night-time journey throughout the U.S. Gulf Coast states, beginning in Texas and ending in Louisiana.[13]
  • Paste's "The 300 Greatest Albums of All Time": No. 286[14]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 206[3]
  • Pitchfork's "The 150 Best Albums of the 1990s": No. 76[15]
  • Laut's List of Milestone Albums[16]
  • Groove Magazine's Best Electronic Albums 1988–2013: No. 35[17]
19 March 1990 (1990-03-19)[18] Violator Depeche Mode Mute It is considered one of the darkest albums.[19] Reception
10 April 1990[20] People's Instinctive Travels and the Paths of Rhythm A Tribe Called Quest Jive Accolades
10 April 1990 Fear of a Black Planet Public Enemy Contributed significantly to the popularity of Afrocentric and political subject matter in hip hop, and the genre's mainstream resurgence at the time.[29] Appraisal
19 April 1990 (1990-04-19) Repeater Fugazi Post-hardcore[30] Dischord Accolades
18 May 1990[31] AmeriKKKa's Most Wanted Ice Cube Priority Accolades
26 June 1990 Goo Sonic Youth DGC
  • NME's "The 500 Greatest Albums Of All Time": No. 426[37]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 257[3]
  • Spin's "The 300 Best Albums of the Past 30 Years (1985–2014)": No. 148[38]
  • Pitchfork's "The 150 Best Albums of the 1990s": No. 88[15]
27 July 1990 Bellybutton Jellyfish Power pop[39] Charisma
10 September 1990 (1990-09-10)[43] Ragged Glory Neil Young & Crazy Horse Reprise
14 September 1990 Mama Said Knock You Out LL Cool J
17 September 1990[50] Heaven or Las Vegas Cocteau Twins 4AD Critical reception and legacy
24 September 1990 (1990-09-24) Rust in Peace Megadeth Thrash metal Capitol Regarded as one of the best thrash metal records of all time.[52][53] Legacy and influence
1 October 1990 The La's The La's Widely considered to be a precursor to the Britpop phenomenon of the mid-1990s.[55]
15 October 1990 Nowhere Ride Creation Acclaimed as one of the greatest albums of the shoegaze genre.[58] Critical reception
17 September 1990 Canción Animal Soda Stereo Alternative rock Considered one of the best and most influential albums in the history of Latin American rock music, with many calling it the best album to ever come out of South America.[59][60]
22 October 1990 (1990-10-22) Behaviour Pet Shop Boys Parlophone Critical reception

NME's "The 500 Greatest Albums Of All Time": No. 234[2]

5 November 1990 Pills 'n' Thrills and Bellyaches Happy Mondays Factory
Close

1991

More information Release Date, Album ...
Release Date Album Artist Genre(s) Label Notes Accolades
4 March 1991 The White Room The KLF KLF Communications Critical reception
27 March 1991 (1991-03-27)[67] Spiderland Slint Touch and Go Widely regarded as foundational to the 1990s post-rock and math rock movements.[68][69] It is considered one of the darkest albums.[19]
  • NME's "The 500 Greatest Albums Of All Time": No. 314[70]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 19[3]
  • Spin's "The 300 Best Albums of the Past 30 Years (1985–2014)": No. 273[38]
  • Pitchfork's "The 150 Best Albums of the 1990s": No. 83[15]
2 April 1991 The Orb's Adventures Beyond the Ultraworld The Orb Credited with popularizing the ambient house movement.[72] Reception

Uncut's "The 500 Greatest Albums of the 1990s": No. 254[3]

8 April 1991 (1991-04-08) Blue Lines Massive Attack Generally regarded as the first "trip hop" album.[74] Reception
22 April 1991 Peggy Suicide Julian Cope Island
14 May 1991 Yerself Is Steam Mercury Rev
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 334[3]
  • Ned Raggett's Top Albums of the 90s: No. 8[1]
  • Select's Best Albums of the 90s: No. 62[75]
  • Rockdelux's Best 150 Albums of the 90s: No. 28[79]
14 May 1991 O.G. Original Gangster Ice-T Gangsta rap Sire
12 August 1991 Metallica Metallica Heavy metal Elektra Accolades
27 August 1991 (1991-08-27) Ten Pearl Jam Epic Considered to have been instrumental in the rise and dominance of alternative rock throughout the decade.[80] Legacy
16 September 1991 Laughing Stock Talk Talk Cited as a watershed entry for the at-the-time budding post-rock genre.[85] Legacy
23 September 1991 (1991-09-23) Screamadelica Primal Scream Critical reception and legacy
23 September 1991 Trompe Le Monde Pixies Alternative rock 4AD
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 383[3]
  • Pitchfork's Top 100 Albums of the 1990s (2003): No. 83[92]
  • Treble's Top 100 Albums of the ’90s[93]
  • Classic Rock and Metal Hammer's 200 Greatest Albums of the 90s[94]
24 September 1991 (1991-09-24) Nevermind Nirvana DGC Brought grunge and alternative rock to a mainstream audience, and is regarded as having initiated a resurgence of interest in punk culture among teenagers and young adults of Generation X.[95][96][97] Legacy
24 September 1991 The Low End Theory A Tribe Called Quest Jive Garnered recognition from music critics and writers as a milestone in alternative hip hop, and for Q-Tip's production, which advanced the development and exposure of jazz rap.[98][99][100] Accolades
24 September 1991 (1991-09-24) Blood Sugar Sex Magik Red Hot Chili Peppers Warner Bros. Accolades
4 November 1991 Bandwagonesque Teenage Fanclub
4 November 1991 (1991-11-04) Loveless My Bloody Valentine Creation Widely praised by critics for its sonic innovations and session leader Kevin Shields' "virtual reinvention of the guitar".[116] Accolades
18 November 1991 (1991-11-18) Achtung Baby U2 Alternative rock Island Legacy
Close

1992

More information Release Date, Album ...
Release Date Album Artist Genre(s) Label Notes Accolades
6 January 1992 Little Earthquakes Tori Amos Singer-songwriter[117] Regarded as having shaped the female singer-songwriter movement of the '90s.[117] Legacy
10 February 1992 Generation Terrorists Manic Street Preachers Columbia
  • NME's "The 500 Greatest Albums Of All Time": No. 461[37]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 64[3]
  • Q's "In Our Lifetime: Q's 100 Best Albums 1986–94": #77[119]
  • Classic Rock's Greatest Albums of the 90's: No. 36[40]
25 February 1992 (1992-02-25)[120] Vulgar Display of Power Pantera Groove metal[121][122] Atco It is considered one of the heaviest albums.[123] Legacy and accolades
9 March 1992[124] Going Blank Again Ride Creation/Sire Considered "predictive" of later genres of indie rock.[127]
  • NME's "The 500 Greatest Albums Of All Time": No. 407[37]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 147[3]
  • Ned Raggett's Top Albums of the 90s: No. 108[1]
  • Pitchfork's 50 Best Shoegaze Albums of All Time[128]
24 March 1992 3 Years, 5 Months and 2 Days in the Life Of... Arrested Development Alternative hip-hop Chrysalis/EMI
30 March 1992 Lazer Guided Melodies Spiritualized Dedicated Regarded as having anticipated dream pop.[130]
30 March 1992 (1992-03-30) Dry PJ Harvey Too Pure
20 April 1992 Slanted and Enchanted Pavement Matador Accolades
21 April 1992 (1992-04-21) Check Your Head Beastie Boys Critical reception
21 April 1992 Wish The Cure Fiction
12 May 1992 The Southern Harmony And Musical Companion The Black Crowes Blues rock[142] Def American
  • Classic Rock's Greatest Albums of the 90's: No. 10[40]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 114[3]
  • Rock Hard magazine's The 500 Greatest Rock & Metal Albums of All Time: No. 477[143]
  • Guitar World magazine's Greatest 100 Guitar Albums of All Time: #100[144]
2 June 1992 It's a Shame About Ray The Lemonheads Atlantic
8 June 1992 Angel Dust Faith No More Critical reception and legacy
7 July 1992 (1992-07-07) Images And Words Dream Theater Progressive metal[153] ATCO Accolades
14 July 1992 Psalm 69: The Way to Succeed and the Way to Suck Eggs Ministry Sire It is considered one of the heaviest albums.[123]
21 July 1992 Dirty Sonic Youth Experimental rock DGC
27 July 1992 Your Arsenal Morrissey
4 September 1992 Copper Blue Sugar Rykodisc/Creation
8 September 1992 Bone Machine Tom Waits Experimental rock Island Often noted for its rough, stripped-down, percussion-heavy style, as well as its dark lyrical themes revolving around death and decay.[160] Critical reception

Grammy for Best Alternative Music Album[161]

29 September 1992 (1992-09-29)[162] Dirt Alice in Chains Columbia Often considered as one of the most influential albums to the sludge metal subgenre.[166][167] Reception and legacy
5 October 1992 (1992-10-05)[168] Automatic for the People R.E.M. Warner Bros. Critical reception
26 October 1992 (1992-10-26) Love Deluxe Sade Epic
3 November 1992[175] Rage Against the Machine Rage Against the Machine Epic It is considered one of the heaviest albums.[123] Critical reception
9 November 1992 (1992-11-09) Selected Ambient Works 85–92 Aphex Twin Considered a classic, defining work of electronica and ambient techno.[180] Reception and legacy
24 November 1992 Bizarre Ride II The Pharcyde The Pharcyde One of the first alternative rap acts on the West Coast to have wide appeal.[182]
  • Rolling Stone's "The 500 Greatest Albums of All Time": No. 482[183]
  • Spin's "The 300 Best Albums of the Past 30 Years (1985–2014)": No. 194[38]
  • Pitchfork's "The 150 Best Albums of the 1990s": No. 114[15]
  • Slant's "The 100 Best Albums of the 1990s": No. 99[184]
15 December 1992 (1992-12-15) The Chronic Dr. Dre Popularized the G-funk subgenre within gangsta rap, and is widely regarded as an album that re-defined West Coast hip hop.[185] Accolades
Close

1993

More information Release Date, Album ...
Release Date Album Artist Genre(s) Label Notes Accolades
1 March 1993 (1993-03-01) Everybody Else Is Doing It, So Why Can't We? The Cranberries Island
  • Pitchfork's "The 150 Best Albums of the 1990s": No. 113[15]
  • Pause & Play's "The 90s Top 100 Essential Albums": No. 11[41]
  • Laut's List of Milestones[16]
  • Musikexpress's Best Albums of the 90s: No. 38[193]
29 March 1993 Suede Suede Nude Often cited as one of the first Britpop records.[194][195] Accolades
26 April 1993 (1993-04-26)[196] Rid of Me PJ Harvey Island Accolades
24 May 1993 Orbital Orbital Accolades
24 May 1993 Red House Painters Red House Painters 4AD Praised extensively for its melancholic instrumentation and emotional depth.[203][204]
1 June 1993 (1993-06-01) Souvlaki Slowdive Creation Legacy
22 June 1993 Exile in Guyville Liz Phair Matador Regarded as exceptional for its lo-fi sound and the emotional honesty of Phair's lyrics, inspiring several imitators.[212][210] Accolades
5 July 1993 Debut Björk Credited as one of the first albums to introduce electronic music into mainstream pop.[213][216] Accolades
27 July 1993 Siamese Dream The Smashing Pumpkins Virgin Regarded as one of the greatest alternative rock albums for its diverse musical influences and lyrical material considered unique relative to other contemporary releases.[223] Release, reception and legacy
10 August 1993 (1993-08-10)[224] Transient Random-Noise Bursts with Announcements Stereolab Duophonic/Elektra
30 August 1993 Last Splash The Breeders 4AD/Elektra Records Regarded as a significant album for alternative rock's crossover into the mainstream.[229][230] Accolades
6 September 1993 Wild Wood Paul Weller Rock Go! Discs
21 September 1993 (1993-09-21) In Utero Nirvana DGC It is considered one of the heaviest and darkest albums.[123][19] Reappraisal
27 September 1993 (1993-09-27) Very Pet Shop Boys Parlophone
27 September 1993 (1993-09-27) So Tonight That I Might See Mazzy Star Capitol Records
5 October 1993 Gentlemen The Afghan Whigs Elektra Critically considered to be among the best-written breakup albums.[237]
11 October 1993 (1993-10-11) Tindersticks Tindersticks Chamber pop This Way Up
  • NME's "The 500 Greatest Albums Of All Time": No. 432[37]
  • Rolling Stone Germany's "The 500 Greatest Albums of All Time": No. 107[238]
  • Melody Maker's "All Time Top 100 Albums": No. 35[239]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 90[3]
19 October 1993 (1993-10-19)[240] Vs. Pearl Jam Epic Accolades
9 November 1993 (1993-11-09) Enter the Wu-Tang (36 Chambers) Wu-Tang Clan Served as a landmark release in the era of hip-hop known as the East Coast Renaissance.[241] Retrospect
9 November 1993 (1993-11-09) Midnight Marauders A Tribe Called Quest Jive Frequently credited as a contributor to a "second golden age" of hip hop in the mid-1990s, as well as the pinnacle of the Native Tongues movement.[242][243][244] Accolades
23 November 1993 Doggystyle Snoop Dogg Regarded as having helped introduce the hip-hop subgenre of G-Funk to a mainstream audience, bringing forward West Coast hip-hop as a dominant force in the early-mid 1990s.[245][246]

Praised for the lyrical "realism" that Snoop Dogg delivers on the album and for his distinctive vocal flow.[245][247]

 Accolades
29 November 1993 (1993-11-29) Incunabula Autechre Warp
  • Fact's "The 100 Best Albums of the 1990s": No. 11[249]
  • DJ Magazine's "The Top 50 Most Influential Dance Albums Ever": No. 34[250]
  • Mixmag's "The 50 Most Influential Dance Music Albums of All Time"[251]
  • Ondarock's Rock Milestones[252]
Close

1994

More information Release Date, Album ...
Release Date Album Artist Genre(s) Label Notes Accolades
24 January 1994 (1994-01-24) Dubnobasswithmyheadman Underworld Junior Boy's Own
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 66[3]
  • Slant's "The 100 Best Albums of the 1990s": No. 87[184]
  • Q's "90 Best Albums of the 1990s"[253]
  • Pitchfork's "The 100 Best Albums of the 1990s" (1999): No. 93[6]
1 February 1994 (1994-02-01) Dookie Green Day Reprise Considered pivotal in solidifying punk rock and pop-punk's mainstream popularity.[254] Accolades
14 February 1994 Hex Bark Psychosis Circa The term "post-rock" was coined by music journalist Simon Reynolds in his review of the album for Mojo magazine.[255]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 60[3]
  • Ned Raggett's Top Albums of the 90s: No. 66[1]
  • Porcys' "The 100 Best Albums of the 1990s": No. 62[256]
  • Ondarock's Rock Milestones[252]
14 February 1994 Crooked Rain, Crooked Rain Pavement Matador Legacy
18 February 1994 (1994-02-18) I Could Live in Hope Low Vernon Yard Helped to birth the genre known as slowcore due to its "unprecedent pace".[258][259] Legacy

Uncut's "The 500 Greatest Albums of the 1990s": No. 122[3]

28 February 1994 D. I. Go Pop Disco Inferno Rough Trade Highly influential for its innovative production approach that incorporated found sound elements through extensive use of digital samplers and its advancement of post-rock as a genre, alongside five EPs released by the band also during the 90s.[260][261][262]
  • Ned Raggett's Top Albums of the 90s: No. 5[1]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 476[3]
  • Fast 'n' Bulbous' "The 500 Best Albums Since 1965": No. 103[263]
  • Rockdelux's Best 150 Albums of the 90s: No. 101[79]
7 March 1994 (1994-03-07) Selected Ambient Works Volume II Aphex Twin Warp Was "a very early example of a record being anticipated, experienced, and, ultimately, analyzed in minute detail through online communication."[264]
  • Paste's "The 300 Greatest Albums of All Time": No. 95[14]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 362[3]
  • Spin's "The 300 Best Albums of the Past 30 Years (1985–2014)": No. 146[38]
  • Pitchfork's Top 100 Albums of the 1990s (2003): No. 83[92]
  • Ned Raggett's Top Albums of the 90s: No. 109[1]
8 March 1994 (1994-03-08) The Downward Spiral Nine Inch Nails Nothing/Interscope Regarded as one of the most important albums of the 1990s in part due to its abrasive and eclectic nature and dark themes.[265] It is considered one of the heaviest and darkest albums.[123][19] Accolades
8 March 1994 (1994-03-08) Superunknown Soundgarden A&M Accolades
14 March 1994 Vauxhall and I Morrissey Alternative rock[266] It is considered one of the darkest albums.[19]
12 April 1994 (1994-04-12) Live Through This Hole DGC Reappraisal
18 April 1994[268] Let Love In Nick Cave & The Bad Seeds Mute
  • NME's "The 500 Greatest Albums Of All Time": No. 165[56]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 83[3]
  • Select's Best Albums of the 90s: No. 56[75]
  • Laut's List of Milestone Albums[16]
18 April 1994 His 'N' Hers Pulp Britpop[270][271] Island
  • NME's "The 500 Greatest Albums Of All Time": No. 282[2]
  • Ned Raggett's Top Albums of the 90s: No. 119[1]
  • Q's "100 Greatest Albums of the 1990s": No. 74[272]
  • The Guardian's List of Favourite Albums[208]
19 April 1994 Illmatic Nas Columbia Regarded as a landmark album in East Coast hip hop, as one of the greatest and most influential hip hop albums of all time, and having significantly contributed to the revival of the New York City rap scene.[273][274]
25 April 1994 Parklife Blur Food Accolades
26 April 1994 Yank Crime Drive Like Jehu Regarded as a catalyst for the eclectic San Diego music scene and the emerging national emo scene of the 1990s.[46][275]
26 April 1994 American Recordings Johnny Cash American Critical reception

Uncut's "The 500 Greatest Albums of the 1990s": No. 27[3]

10 May 1994 (1994-05-10) Diary Sunny Day Real Estate Sub Pop Considered by many to be a defining emo album of the second wave, and key in the development of its subgenre, Midwest emo.[279]
  • Spin's "The 300 Best Albums of the Past 30 Years (1985–2014)": No. 155[38]
  • Pitchfork's "The 100 Best Albums of the 1990s" (1999): No. 76[6]
  • Paste's "The 90 Best Albums of the 1990s": No. 58[280]
  • Exclaim!'s "100 Records That Rocked 100 Issues of Exclaim!"[281]
10 May 1994 (1994-05-10) Weezer Weezer DGC Regarded as a formative influence on "melodic emo".[286] Accolades
13 May 1994 (1994-05-13)[citation needed] Catartica Marlene Kuntz
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 66[3]
  • Slant's "The 100 Best Albums of the 1990s": No. 87[184]
  • Q's "90 Best Albums of the 1990s"[253]
  • Pitchfork's "The 100 Best Albums of the 1990s" (1999): No. 93[6]
20 May 1994 (1994-05-20)[287] Teenager of the Year Frank Black Alternative rock
31 May 1994 (1994-05-31) Ill Communication Beastie Boys Critical reception
1 June 1994 76:14 Global Communication Dedicated
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 171[3]
  • The Guardian's 1000 Albums to Hear Before You Die[231]
  • DJ Magazine's "The Top 50 Most Influential Dance Albums Ever": No. 22[250]
  • Porcys' "The 100 Best Albums of the 1990s": No. 94[292]
6 June 1994 Blade Runner Vangelis East West (Europe) / Atlantic (USA) Soundtrack for Ridley Scott's 1982 science-fiction noir film Blade Runner. Acclaimed as an influential work in the history of electronic music and as one of the greatest film soundtracks of all time.[294] Legacy
7 June 1994 (1994-06-07) Purple Stone Temple Pilots Atlantic Legacy
21 June 1994 (1994-06-21) Bee Thousand Guided by Voices Scat Hallmark album in the "lo-fi" genre.[301] Accolades
4 July 1994 (1994-07-04) Music for the Jilted Generation The Prodigy
  • NME's "The 500 Greatest Albums Of All Time": No. 155[56]
  • Spin's "90 Greatest Albums of the '90s": No. 60[303]
  • Melody Maker's "All Time Top 100 Albums": No. 36[4]
  • Q's "100 Greatest Albums of the 1990s"[272]
15 August 1994 (1994-08-15) Grace Jeff Buckley Columbia Accolades
22 August 1994 Dummy Portishead Trip hop Go! Beat/London It is considered one of the darkest albums.[19] Accolades
29 August 1994 (1994-08-29) Definitely Maybe Oasis Creation Regarded as a cornerstone of the Britpop genre, and significant in revitalizing British pop/rock music in the 1990s.[307][310] Legacy
30 August 1994 The Holy Bible Manic Street Preachers Epic Considered to be among the darkest and heaviest albums due to its lyrical contents written by Richey Edwards as he was struggling with severe depression, alcohol abuse, self-harm and anorexia nervosa.[19][123] Legacy
13 September 1994 (1994-09-13) Ready to Die The Notorious B.I.G. Significant for revitalizing the East Coast hip hop scene.[312] Accolades
10 October 1994 Dog Man Star Suede Nude Accolades
24 October 1994 (1994-10-24) At Action Park Shellac Touch and Go
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 464[3]
  • Fact's "The 100 Best Albums of the 1990s": No. 18[249]
  • Ondarock's Rock Milestones[252]
  • Visions' "The 100 Most Important Albums of the 90s": No. 66[316]
1 November 1994 (1994-11-01) MTV Unplugged in New York Nirvana DGC Live album.[317] Retrospective
1 November 1994 (1994-11-01)[318] Wildflowers Tom Petty Warner Bros.
  • Rolling Stone's "The 500 Greatest Albums of All Time": No. 214[48]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 157[3]
  • Pitchfork's "The 150 Best Albums of the 1990s": No. 129[15]
  • Ultimate Classic Rock's Top 90s Rock Albums[321]
15 November 1994 (1994-11-15) CrazySexyCool TLC Accolades
Close

1995

More information Release Date, Album ...
Release Date Album Artist Genre(s) Label Notes Accolades
30 January 1995 (1995-01-30) Leftism Leftfield Progressive house Columbia Praised as one of the first major album-length works of dance music.[323] Legacy

Uncut's "The 500 Greatest Albums of the 1990s": No. 141[3]

20 February 1995 (1995-02-20) Maxinquaye Tricky 4th & B'way Regarded as a significant influence on electronica, underground hip hop and British hip hop, and a key release of the burgeoning trip hop genre.[324] Critical reception and legacy
27 February 1995 (1995-02-27) To Bring You My Love PJ Harvey Island Accolades
13 March 1995 (1995-03-13) The Bends Radiohead Accolades
March 1995 Elastica Elastica Legacy
4 April 1995 Alien Lanes Guided By Voices Matador
  • Pitchfork's Top 100 Albums of the 1990s (2003): No. 27[92]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 374[3]
  • Spin's "The 300 Best Albums of the Past 30 Years (1985–2014)": No. 126[38]
  • Strange Currencies' Top 100 Albums of the 1990s: No. 36[288]
11 April 1995 Wowee Zowee Pavement Matador
  • Rolling Stone's "The 500 Greatest Albums of All Time": No. 265[332]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 106[3]
  • Spin's "The 300 Best Albums of the Past 30 Years (1985–2014)": No. 153[38]
  • Treble's Best Albums of the ’90s[333]
25 April 1995 The Infamous Mobb Deep Credited with helping to redefine the sound of hardcore hip hop, using its production style, which incorporated eerie piano loops, distorted synthesizers, eighth-note hi-hats, and sparse filtered basslines.[334][335]
  • Accolades
  • Spin's "The 300 Best Albums of the Past 30 Years (1985–2014)": No. 205[38]
15 May 1995 I Should Coco Supergrass
29 May 1995 (1995-05-29)[336] Grand Prix Teenage Fanclub
7 June 1995 (1995-06-07) Post Björk Considered an important exponent of art pop, and praised by critics for its ambition and timelessness.[343] Accolades
13 June 1995 Jagged Little Pill Alanis Morissette Credited with leading to the introduction of several female singers such as Fiona Apple,[345] Shakira, Tracy Bonham, Meredith Brooks, and in the early 2000s, Pink, Michelle Branch, and Avril Lavigne.[346] Impact and legacy
26 June 1995 Foo Fighters Foo Fighters
3 July 1995 Brown Sugar D'Angelo EMI
1 August 1995 Only Built 4 Cuban Linx... Raekwon Loud/RCA Widely regarded as a pioneer of the mafioso rap subgenre.[348]
  • Rolling Stone's "The 500 Greatest Albums of All Time": No. 219[48]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 377[3]
  • Spin's "The 300 Best Albums of the Past 30 Years (1985–2014)": No. 154[38]
  • Pitchfork's "The 150 Best Albums of the 1990s": No. 41[15]
7 August 1995 (1995-08-07) Timeless Goldie FFRR Widely regarded as a groundbreaking release in the history of drum and bass music.[349]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 220[3]
  • Treble's "Top 150 Albums of the 90s" No. 138[8]
  • Fact's "The 100 Best Albums of the 1990s": No. 35[249]
  • Visions' "The 100 Most Important Albums of the 90s": No. 53[316]
15 August 1995 (1995-08-15) Garbage Garbage Almo Highly regarded for its unique production incorporating several genres of rock and electronic music together.[350][351]
26 September 1995 Wrecking Ball Emmylou Harris Asylum/Elektra
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 28[3]
  • Paste's "The 90 Best Albums of the 1990s": No. 31[280]
  • Classic Rock's Greatest Albums of the 90's: No. 83[40]
  • 1996 Grammy Award for Best Contemporary Folk Recording[353]
2 October 1995 (1995-10-02) (What's the Story) Morning Glory? Oasis Creation Legacy
24 October 1995 (1995-10-24) Mellon Collie and the Infinite Sadness The Smashing Pumpkins Virgin Widely lauded for its 28-song scope and wide array of musical styles.[354][355] Accolades
30 October 1995 Different Class Pulp Island Accolades
6 November 1995 (1995-11-06) Tri Repetae Autechre Warp
  • Stylus's Top 200 Albums of All Time: #121[206]
  • Mixmag's "The 50 Most Influential Dance Music Albums of All Time"[251]
  • Treble's "Top 150 Albums of the 90s": #136[8]
  • Musikexpress's Best Albums of the 90s: #49[193]
7 November 1995 (1995-11-07) Liquid Swords GZA/Genius Geffen Highly regarded for its complex lyricism.[358] Accolades
1995 94diskont. Oval Mille Plateaux/Thrill Jockey Praised for its glitch music styling methods involving literally deconstructing music and digital audio by using exacto knives, paint, and tape to damage the surfaces of compact discs to stitch back together.[359]
  • Pitchfork's "The 150 Best Albums of the 1990s": No. 132[15]
  • Fact's "The 100 Best Albums of the 1990s": No. 21[249]
  • Porcys' "The 100 Best Albums of the 1990s": No. 50[360]
  • Groove's "The 100 Best Electronic Albums of the past 25 Years" No. 96[361]
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1996

More information Release Date, Album ...
Release Date Album Artist Genre(s) Label Notes Accolades
30 January 1996 (1996-01-30) Millions Now Living Will Never Die Tortoise Thrill Jockey Renowned as a groundbreaking album for the post-rock genre.[363]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 70[3]
  • Fact's "The 100 Best Albums of the 1990s": No. 28[249]
  • LostatSea's "90 Albums of the 90s": No. 54[276]
  • Visions' "The 100 Most Important Albums of the 90s": No. 54[316]
5 February 1996 Murder Ballads Nick Cave
  • Alternative rock[364]
  • Singer-songwriter
 Mute
13 February 1996 (1996-02-13) All Eyez On Me 2Pac Death Row/Interscope The first ever double-full-length hip-hop solo studio album released for mass consumption globally.[369] Accolades
13 February 1996 (1996-02-13) The Score Fugees Ruffhouse/Columbia Accolades
11 March 1996 (1996-03-11) Second Toughest in the Infants Underworld Junior Boy's Own
18 March 1996 (1996-03-18) Emperor Tomato Ketchup Stereolab Critical reception and legacy
29 April 1996 In Sides Orbital Internal/FFRR
  • Spin's "The 300 Best Albums of the Past 30 Years (1985–2014)": No. 217[38]
  • Musikexpress's Best Albums of the 90s: No. 47[193]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 461[3]
  • Q's "90 Best Albums of the 1990s"[253]
20 May 1996 Everything Must Go Manic Street Preachers Epic Legacy
20 May 1996 Fuzzy Logic Super Furry Animals Creation
18 June 1996 (1996-06-18) Odelay Beck Legacy
25 June 1996 Reasonable Doubt Jay-Z Roc-A-Fella/Priority[374] Regarded as one of the greatest albums of New York's hip-hop renaissance of the '90s", and instrumental in transfiguring gangsta rap into mafioso rap.[375][376] Legacy and influence
6 August 1996 (1996-08-06) Music from the Unrealized Film Script: Dusk at Cubist Castle The Olivia Tremor Control Flydaddy 74-minute double album comprising 27 songs.[377]
  • Pitchfork's Top 100 Albums of the 1990s (2003): No. 39[92]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 87[3]
  • Fact's "The 100 Best Albums of the 1990s": No. 98[249]
  • Strange Currencies' Top 100 Albums of the 1990s: No. 25[378]
13 August 1996 Beautiful Freak Eels Alternative rock[379] DreamWorks
27 August 1996 ATLiens Outkast LaFace/Arista Legacy
9 September 1996 (1996-09-09) New Adventures in Hi-Fi R.E.M. Warner Bros. Awards

Uncut's "The 500 Greatest Albums of the 1990s": No. 330[3]

16 September 1996 (1996-09-16) Endtroducing..... DJ Shadow Mo' Wax Considered a landmark recording in the development of instrumental hip hop.[381] Cited by Guinness World Records as the first album created entirely from samples.[382] Legacy
17 September 1996 (1996-09-17)[383][384] Ænima Tool
  • Treble's "Top 150 Albums of the 90s" No. 107[8]
  • Kerrang!'s "50 Most Influential Albums Of All Time": No. 6[388]
  • Rolling Stone's "The 100 Greatest Metal Albums of All Time": No. 18[389]
  • Classic Rock and Metal Hammer's 200 Greatest Albums of the 90s[94]
24 September 1996 (1996-09-24) Pinkerton Weezer DGC Accolades
8 October 1996 Antichrist Superstar Marilyn Manson It is considered one of the heaviest albums.[123] Accolades
22 October 1996 Soundtracks for the Blind Swans Young God Critical reception

Paste's "The 300 Greatest Albums of All Time": No. 175[14]

25 October 1996 (1996-10-25) Long Season Fishmans Polydor Consists of a single 35-minute composition based on the band's earlier single "Season".[394] Regarded as a landmark of Japanese rock music.[14]
  • Paste's "The 300 Greatest Albums of All Time": No. 4[14]
  • Treble's "Top 150 Albums of the 90s" No. 131[8]
  • Strange Currencies' Top 100 Albums of the 1990s: No. 20[378]
  • Music Magazine (Japan)'s "The 100 Best Japanese Albums of the 90s"[395]
29 October 1996 Being There Wilco Reprise Reception
4 November 1996 (1996-11-04) Richard D. James Album Aphex Twin Warp Highly regarded for its production, incorporating fast breakbeats and intricate drum programming, lush string arrangements, ambient melodies, modulated vocals, and unstable time signatures.[400][401][402][403] Critical reception

Uncut's "The 500 Greatest Albums of the 1990s": No. 246[3]

18 November 1996 If You're Feeling Sinister Belle and Sebastian Jeepster Critical reception
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1997

More information Release Date, Album ...
Release Date Album Artist Genre(s) Label Notes Accolades
28 January 1997 (1997-01-28) Perfect from Now On Built to Spill Warner Bros. Stylistically, the album was marked by its experimentation with longer song structures and philosophical lyrics.[412]
  • Paste's "The 300 Greatest Albums of All Time": No. 202[14]
  • Pitchfork's Top 100 Albums of the 1990s (2003): No. 22[92]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 125[3]
  • Strange Currencies' Top 100 Albums of the 1990s: No. 74[413]
10 February 1997 (1997-02-10) Blur Blur Food
11 February 1997 Baduizm Erykah Badu Credited with contributing to the commercial visibility of neo-soul. Accolades
25 February 1997 (1997-02-25) Either/Or Elliott Smith Kill Rock Stars Legacy
3 March 1997 The Boatman's Call Nick Cave & The Bad Seeds Singer-songwriter[421] Mute/Reprise
18 March 1997 Whatever and Ever Amen Ben Folds Five Alternative rock[35]
7 April 1997 (1997-04-07) Dig Your Own Hole The Chemical Brothers Freestyle Dust/Virgin (UK) Critical reception and legacy
8 April 1997 Dig Me Out Sleater-Kinney Punk rock Kill Rock Stars Acclaimed for its energy and feminist lyrics.[425] Legacy
22 April 1997 I Can Hear the Heart Beating as One Yo La Tengo Matador Legacy
21 May 1997 (1997-05-21) OK Computer Radiohead Cited as one of the greatest albums of all time for its anticipation of the mood of 21st-century life's rampant consumerism, capitalism, social alienation, paranoia, and political malaise and its influence in pushing British rock from Britpop towards melancholic, atmospheric alternative rock.[427][428] It is considered one of the darkest albums.[19] Accolades
16 June 1997 Ladies and Gentlemen We Are Floating in Space Spiritualized Dedicated Legacy
30 June 1997 (1997-06-30) The Fat of the Land The Prodigy Reception
14 August 1997

(CD Version: June 8, 1998)

 F♯ A♯ ∞ Godspeed You! Black Emperor Notable for being devoid of traditional lyrics and is mostly instrumental, featuring lengthy songs segmented into movements.[435]
  • Pitchfork's "The 150 Best Albums of the 1990s": No. 85[15]
  • Exclaim!'s "100 Records That Rocked 100 Issues of Exclaim!"[281]
  • Treble's "Top 150 Albums of the 90s" No. 32[8]
  • Strange Currencies' Top 100 Albums of the 1990s: No. 56[413]
16 September 1997 Buena Vista Social Club Buena Vista Social Club Recognized by the Guinness World Records as the best-selling world music album.[437] Reception
22 September 1997 (1997-09-22) Dots and Loops Stereolab Duophonic/Elektra Praised for its blend of accessible bossa nova and 1960s pop music-inspired music with experimental and avant-garde sounds, and for being one of the first albums produced with a digital audio workstation.[438][439]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 119[3]
  • Treble's "Top 150 Albums of the 90s" No. 59[8]
  • Pitchfork's "The 100 Best Albums of the 1990s" (1999): No. 90[6]
  • LostatSea's "90 Albums of the 90s": No. 69[276]
22 September 1997 (1997-09-22) Homogenic Björk Regarded as one of the most groundbreaking albums of all-time, and is often credited for connecting art pop to electronic dance music.[440] Accolades
29 September 1997 (1997-09-29) Urban Hymns The Verve Hut Accolades and legacy
30 September 1997 (1997-09-30) Time Out of Mind Bob Dylan Columbia Aftermath and legacy
7 October 1997 (1997-10-07) The Velvet Rope Janet Jackson Virgin Regarded as a template for pop artists transitioning to a darker or rebellious sound and as a precursor to the development of alternative R&B.[445] Accolades
21 October 1997 (1997-10-21) Mogwai Young Team Mogwai Chemikal Underground
  • NME's "The 500 Greatest Albums Of All Time": No. 177[56]
  • Ned Raggett's Top Albums of the 90s: No. 7[1]
  • Pitchfork's Top 100 Albums of the 1990s (2003): No. 97[92]
  • Ondarock's Rock Milestones[252]
18 November 1997 The Lonesome Crowded West Modest Mouse Indie rock[446] Up Critical reception

Paste's "The 300 Greatest Albums of All Time": No. 300[14]

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1998

More information Release Date, Album ...
Release Date Album Artist Genre(s) Label Notes Accolades
16 January 1998 (1998-01-16) Moon Safari Air Credited with helping to establish the stage for the budding downtempo music style.[456] Accolades
26 January 1998 Mark Hollis Mark Hollis Polydor Noted for being extremely sparse and minimal in its sound; AllMusic called it "quite possibly the most quiet and intimate record ever made".[457]
  • Rolling Stone (Germany)'s "The 500 Greatest Albums of All Time": No. 234[458]
  • Weiner's 100 Best Records of the Century: #99[459]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 96[3]
  • Ned Raggett's Top Albums of the 90s: No. 131[1]
10 February 1998 In the Aeroplane Over the Sea Neutral Milk Hotel Merge Highly regarded for its hard-to-categorize mix of genres, use of less conventional instruments like the singing saw and uilleann pipes, its lo-fi production, and its surrealistic and opaque lyrics inspired by Anne Frank's The Diary of a Young Girl. Notable for developing a substantial cult following.[460][461][462] It is considered one of the darkest albums.[19] Critical reevaluation and sales
22 February 1998 (1998-02-22) Ray of Light Madonna Credited for bringing electronica music into global pop culture.[463] Accolades
10 March 1998 TNT Tortoise Thrill Jockey Critically acclaimed for its postmodern sound using hard disk technology in a "forward-then-back" approach, with members individually adding parts to tracks at different stages until the tracks were completed.[464][465] Critical reception

Uncut's "The 500 Greatest Albums of the 1990s": No. 139[3]

30 March 1998 This Is Hardcore Pulp Island It is considered one of the darkest albums.[19] Reception and legacy

Diariocrítico's The 100 Best Albums of the 90s: No. 69[467]

20 April 1998 (1998-04-20) Music Has the Right to Children Boards of Canada Noted as a major influence on the electronic music genre, using vintage synthesisers, degraded analogue production, found sounds and samples, and hip hop-inspired rhythms in its production.[468][469][472] Legacy and influence

NME's "The 500 Greatest Albums Of All Time": No. 181[56]

20 April 1998 (1998-04-20) Mezzanine Massive Attack Praised for its darker aesthetic and more atmospheric style influenced by British post-punk, industrial music, hip hop and dub music.[473] Reception
23 June 1998 (1998-06-23) Mermaid Avenue Billy Bragg & Wilco Elektra
30 June 1998 Car Wheels on a Gravel Road Lucinda Williams Mercury Credited with popularizing Americana music.[477] Critical reception and legacy
19 August 1998 The Miseducation of Lauryn Hill Lauryn Hill Contributed to bringing hip hop and neo soul to the forefront of popular music, and regarded as among the best hip-hop albums of all time.[478][479] Accolades
25 August 1998 (1998-08-25) XO Elliott Smith DreamWorks
  • Spin's "The 300 Best Albums of the Past 30 Years (1985–2014)": No. 133[38]
  • Strange Currencies' Top 100 Albums of the 1990s: No. 43[288]
  • Pitchfork's Top 100 Albums of the 1990s (2003): No. 68[92]
  • 33 1/3 #63 (ISBN 978-0-8264-2900-1)
21 September 1998 Electro-Shock Blues Eels Indie rock DreamWorks Acclaimed for its representation of frontman Mark Oliver "E" Everett's personal losses and coming to terms with suddenly becoming the only living member of his family.[485]
  • NME's "The 500 Greatest Albums Of All Time": No. 418[37]
  • Diariocrítico's The 100 Best Albums of the 90s: No. 91[467]
  • The Guardian's List of Favourite Albums[208]
  • Ondarock's Rock Milestones[252]
28 September 1998 (1998-09-28) The Three E.P.'s The Beta Band Regal Compilation album.
  • Pitchfork's Top 100 Albums of the 1990s (2003): No. 23[92]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 124[3]
  • Paste's "The 90 Best Albums of the 1990s": No. 56[280]
  • Exclaim!'s "100 Records That Rocked 100 Issues of Exclaim!"[281]
29 September 1998 Deserter's Songs Mercury Rev V2
29 September 1998 (1998-09-29) Aquemini Outkast LaFace/Arista Praised for being one of the most creative rap albums for its musicality, eclectic sound, and unique lyrical themes.[491][492] Accolades
29 September 1998 Mos Def & Talib Kweli Are Black Star Black Star
September 1996 Horse Stories Dirty Three Touch and Go
12 October 1998 (1998-10-12) Without You I'm Nothing Placebo Hut Reception
20 October 1998 American Water Silver Jews Drag City
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 128[3]
  • Pitchfork's "The 150 Best Albums of the 1990s": No. 21[15]
  • Treble's "Top 150 Albums of the 90s" No. 77[8]
  • The Guardian's 1000 Albums to Hear Before You Die[231]
27 October 1998 (1998-10-27) The Shape of Punk to Come Refused Burning Heart Incorporated experimental combinations of post-hardcore, post-punk, techno, and jazz sounds into its punk framework.[502]
  • Kerrang!'s "50 Most Influential Albums Of All Time": No. 13[388]
  • Treble's "Top 150 Albums of the 90s" No. 99[8]
  • Visions' "The 100 Most Important Albums of the 90s": No. 29[316]
  • Rock Hard magazine's The 500 Greatest Rock & Metal Albums of All Time: No. 428[503]
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1999

More information Release Date, Album ...
Release Date Album Artist Genre(s) Label Notes Accolades
19 January 1999 (1999-01-19) I See a Darkness Bonnie 'Prince' Billy Palace/Domino
  • Paste's "The 300 Greatest Albums of All Time": No. 287[14]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 151[3]
  • Treble's "Top 150 Albums of the 90s" No. 101[8]
  • Strange Currencies' Top 100 Albums of the 1990s: No. 83[7]
2 February 1999 Keep It Like A Secret Built To Spill
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 413[3]
  • Spin's "The 300 Best Albums of the Past 30 Years (1985–2014)": No. 119[38]
  • Pitchfork's "The 150 Best Albums of the 1990s": No. 101[15]
  • LostatSea's "90 Albums of the 90s": No. 24[276]
23 February 1999 (1999-02-23) Things Fall Apart The Roots MCA
  • Rolling Stone's "The 500 Greatest Albums of All Time": No. 416[512]
  • Pitchfork's "The 150 Best Albums of the 1990s": No. 77[15]
  • Slant's "The 100 Best Albums of the 1990s": No. 32[184]
  • Paste's "The 90 Best Albums of the 1990s": No. 45[280]
23 February 1999 The Slim Shady LP Eminem Praised for its unique lyrical style, dark humor lyrics involving cartoonish depictions of violence and heavy use of profanity, and unusual personality.[513] Accolades
9 March 1999 Summerteeth Wilco Reprise
15 March 1999 13 Blur Accolades
16 April 1999 (1999-04-16) Mule Variations Tom Waits ANTI-
17 May 1999 The Soft Bulletin The Flaming Lips Warner Bros.
  • NME's "The 500 Greatest Albums Of All Time": No. 102[56]
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 37[3]
  • Pitchfork's "The 150 Best Albums of the 1990s": No. 99[15]
  • Slant's "The 100 Best Albums of the 1990s": No. 66[184]
17 May 1999 (1999-05-17) Play Moby Critical reception
24 May 1999 The Man Who Travis Post-Britpop[532] Independiente
8 June 1999 (1999-06-08) Californication Red Hot Chili Peppers Warner Bros. Retrospective commentary

Uncut's "The 500 Greatest Albums of the 1990s": No. 224[3]

12 June 1999 (1999-06-12) Ágætis Byrjun Sigur Rós Highly regarded for its "cosmic", "other-worldly" and "timeless" nature due to the unique sound of the band's music.[534] Reception
28 June 1999 Bocanada Gustavo Cerati BMG International Regarded as one of the greatest Argentine and Latin-American rock albums of all time.[536][537]
  • Treble's "Top 150 Albums of the 90s" No. 147[8]
  • Rolling Stone's "The 50 Best Latin-American Rock Albums": No. 2[536]
  • The 600 from Latin America: #67[538]
  • Latin Times' "Top 35 Latin American Alternative Albums Of All Time": No. 1[537]
14 September 1999 (1999-09-14) 69 Love Songs The Magnetic Fields Merge A three-volume concept album composed of 69 love songs.[539] Critical reception
14 September 1999 (1999-09-14) American Football American Football Polyvinyl Considered one of the most important math rock and Midwest emo records of the 1990s.
  • Paste's "The 300 Greatest Albums of All Time": No. 206[14]
  • Pitchfork's "The 150 Best Albums of the 1990s": No. 138[15]
  • Treble's "Top 150 Albums of the 90s" No. 48[8]
  • Rolling Stone's 40 Greatest Emo Albums of All Time: #6[541]
21 September 1999 (1999-09-21) The Fragile Nine Inch Nails Acclaimed for its ambition and composition incorporating vast influences and genres.[542][543]
  • Slant's "The 100 Best Albums of the 1990s": No. 90[184]
  • Rock Hard magazine's The 500 Greatest Rock & Metal Albums of All Time: No. 341[143]
  • Classic Rock and Metal Hammer's 200 Greatest Albums of the 90s[94]
  • Visions' "300 Albums for Eternity": No. 64[544]
12 October 1999 Black On Both Sides Mos Def East Coast hip hop[545] Rawkus/Priority
19 October 1999 Operation: Doomsday MF Doom Fondle 'Em Regarded as one of the most influential albums in independent and underground hip-hop history.[546] Accolades
26 October 1999 Emergency & I The Dismemberment Plan Regarded as a landmark indie rock album and influential to its development.[548] Accolades and retrospective reviews
2 November 1999 (1999-11-02) The Battle Of Los Angeles Rage Against The Machine Epic Critical reception
9 November 1999 When The Pawn... Fiona Apple When the Pawn...
10 December 1999 (1999-12-10) Vision Creation Newsun Boredoms Birdman/WEA Japan
  • Uncut's "The 500 Greatest Albums of the 1990s": No. 333[3]
  • Strange Currencies' Top 100 Albums of the 1990s: No. 65[413]
  • Pitchfork's List of the 200 Best Albums of the 2000s: No. 39[550]
  • The Guardian's 1000 Albums to Hear Before You Die[231]
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