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The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console
Noted audio engineer Roger Nichols at a vintage Neve recording console
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This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

  

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Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 Aaliyah in 2000Aaliyah Dana Haughton (/ɑːˈliːə/ ⓘah-LEE-ə; January 16, 1979 – August 25, 2001) was an American singer, actress, dancer, and model. Known as the "Princess of R&B" and "Queen of Urban Pop", she is credited with helping to redefine contemporary R&B, pop, and hip hop. Her accolades include three American Music Awards and two MTV VMAs, along with five Grammy Award nominations.Born in Brooklyn but raised in Detroit, Aaliyah first gained recognition at the age of 10, when she appeared on the television show Star Search and performed in concert alongside Gladys Knight. At the age of 12, she signed with Jive Records and her uncle Barry Hankerson's Blackground Records. Hankerson introduced her to R. Kelly, who became her mentor, as well as lead songwriter and producer of her debut album, Age Ain't Nothing but a Number (1994). The album sold three million copies in the US and was certified double Platinum by the Recording Industry Association of America (RIAA). Her first single, "Back & Forth", rose to number five on the Billboard Hot 100. After allegations of an illegal marriage with Kelly, she ended her contract with Jive and signed with Atlantic Records. (Full article...)

    Aaliyah in 2000

    Aaliyah Dana Haughton (/ɑːˈliːə/ ⓘah-LEE-ə; January 16, 1979 – August 25, 2001) was an American singer, actress, dancer, and model. Known as the "Princess of R&B" and "Queen of Urban Pop", she is credited with helping to redefine contemporary R&B, pop, and hip hop. Her accolades include three American Music Awards and two MTV VMAs, along with five Grammy Award nominations.

    Born in Brooklyn but raised in Detroit, Aaliyah first gained recognition at the age of 10, when she appeared on the television show Star Search and performed in concert alongside Gladys Knight. At the age of 12, she signed with Jive Records and her uncle Barry Hankerson's Blackground Records. Hankerson introduced her to R. Kelly, who became her mentor, as well as lead songwriter and producer of her debut album, Age Ain't Nothing but a Number (1994). The album sold three million copies in the US and was certified double Platinum by the Recording Industry Association of America (RIAA). Her first single, "Back & Forth", rose to number five on the Billboard Hot 100. After allegations of an illegal marriage with Kelly, she ended her contract with Jive and signed with Atlantic Records. (Full article...)
  • Image 2Year Zero is the fifth studio album by the American industrial rock band Nine Inch Nails, released by Interscope Records on April 17, 2007. Conceived while touring in support of the band's previous album, With Teeth (2005), the album was recorded in late 2006. It was produced by Trent Reznor and Atticus Ross, and was the band's first studio album since 1994's The Downward Spiral that was not co-produced by long-time collaborator Alan Moulder. It was the band's last album for Interscope until the Tron: Ares soundtrack in 2025, following Reznor's departure after the album's release due to a dispute regarding overseas pricing.In contrast to the introspective style of songwriting featured on the band's previous work, the record is a concept album that criticizes contemporary policies of the United States government by presenting a dystopian vision of the year 2022. It was part of a larger Year Zero project, which included a remix album, an alternate reality game of the same name, as well as a conceived television or film adaptation. The game expanded upon the album's storyline, using websites, pre-recorded phone messages, murals, among other media in promotion of the project. The album was promoted by two singles: "Survivalism" and "Capital G". (Full article...)
    Year Zero is the fifth studio album by the American industrial rock band Nine Inch Nails, released by Interscope Records on April 17, 2007. Conceived while touring in support of the band's previous album, With Teeth (2005), the album was recorded in late 2006. It was produced by Trent Reznor and Atticus Ross, and was the band's first studio album since 1994's The Downward Spiral that was not co-produced by long-time collaborator Alan Moulder. It was the band's last album for Interscope until the Tron: Ares soundtrack in 2025, following Reznor's departure after the album's release due to a dispute regarding overseas pricing.

    In contrast to the introspective style of songwriting featured on the band's previous work, the record is a concept album that criticizes contemporary policies of the United States government by presenting a dystopian vision of the year 2022. It was part of a larger Year Zero project, which included a remix album, an alternate reality game of the same name, as well as a conceived television or film adaptation. The game expanded upon the album's storyline, using websites, pre-recorded phone messages, murals, among other media in promotion of the project. The album was promoted by two singles: "Survivalism" and "Capital G". (Full article...)
  • Image 3 Poster from 2007 Philadelphia productionA Very Merry Unauthorized Children's Scientology Pageant is a satirical musical about Scientology and L. Ron Hubbard, written by Kyle Jarrow from a concept by Alex Timbers, the show's original director. Jarrow based the story of the one-act, one-hour musical on Hubbard's writings and Church of Scientology literature. The musical follows the life of Hubbard as he develops Dianetics and then Scientology. Though the musical pokes fun at Hubbard's science fiction writing and personal beliefs, it has been called a "deadpan presentation" of his life story. Topics explored in the piece include Dianetics, the E-meter, Thetans, and the story of Xenu. The show was originally presented in 2003 in New York City by Les Freres Corbusier, an experimental theater troupe, enjoying sold-out Off-Off-Broadway and Off-Broadway productions. Later productions have included Los Angeles, New York, Boston, Atlanta, Philadelphia, and Washington, D.C.Early in the production of the musical, the president of the Church of Scientology in New York sent a letter to the producer pointing out the Church's history of litigation. This led Timbers and Jarrow to insert the word Unauthorized into the title, upon the advice of legal counsel. During the Los Angeles production, representatives of the Church of Scientology visited the production staff in the midst of rehearsals and handed out documentation of successful litigation against critics of Scientology. Parents of some of the Los Angeles cast members also received phone calls from Scientologists in the entertainment industry, asking them not to allow their children to perform in the musical. (Full article...)

    Poster from 2007 Philadelphia production

    A Very Merry Unauthorized Children's Scientology Pageant is a satirical musical about Scientology and L. Ron Hubbard, written by Kyle Jarrow from a concept by Alex Timbers, the show's original director. Jarrow based the story of the one-act, one-hour musical on Hubbard's writings and Church of Scientology literature. The musical follows the life of Hubbard as he develops Dianetics and then Scientology. Though the musical pokes fun at Hubbard's science fiction writing and personal beliefs, it has been called a "deadpan presentation" of his life story. Topics explored in the piece include Dianetics, the E-meter, Thetans, and the story of Xenu. The show was originally presented in 2003 in New York City by Les Freres Corbusier, an experimental theater troupe, enjoying sold-out Off-Off-Broadway and Off-Broadway productions. Later productions have included Los Angeles, New York, Boston, Atlanta, Philadelphia, and Washington, D.C.

    Early in the production of the musical, the president of the Church of Scientology in New York sent a letter to the producer pointing out the Church's history of litigation. This led Timbers and Jarrow to insert the word Unauthorized into the title, upon the advice of legal counsel. During the Los Angeles production, representatives of the Church of Scientology visited the production staff in the midst of rehearsals and handed out documentation of successful litigation against critics of Scientology. Parents of some of the Los Angeles cast members also received phone calls from Scientologists in the entertainment industry, asking them not to allow their children to perform in the musical. (Full article...)
  • Image 4 The Beatles in 1963From left: Paul McCartney, Ringo Starr, George Harrison and John LennonThe Beatles were an English rock band formed in Liverpool in 1960. The band comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band in popular music and were integral to the development of 1960s counterculture and the recognition of popular music as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways. They also explored styles ranging from folk and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements.Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation by playing clubs in Liverpool and in Hamburg, West Germany, starting in 1960. Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers before Starr joined in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin developed their recordings, greatly expanding their domestic success after they signed with EMI and achieved their first hit, "Love Me Do", in late 1962. As their popularity grew into the fan frenzy dubbed "Beatlemania", the band acquired the nickname "the Fab Four". By early 1964, the Beatles were international stars and had achieved unprecedented levels of critical and commercial success. They became a leading force in Britain's cultural resurgence, ushering in the British Invasion of the United States pop market. They made their film debut with A Hard Day's Night (1964). (Full article...)

    The Beatles in 1963
    From left: Paul McCartney, Ringo Starr, George Harrison and John Lennon

    The Beatles were an English rock band formed in Liverpool in 1960. The band comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band in popular music and were integral to the development of 1960s counterculture and the recognition of popular music as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways. They also explored styles ranging from folk and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements.

    Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation by playing clubs in Liverpool and in Hamburg, West Germany, starting in 1960. Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers before Starr joined in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin developed their recordings, greatly expanding their domestic success after they signed with EMI and achieved their first hit, "Love Me Do", in late 1962. As their popularity grew into the fan frenzy dubbed "Beatlemania", the band acquired the nickname "the Fab Four". By early 1964, the Beatles were international stars and had achieved unprecedented levels of critical and commercial success. They became a leading force in Britain's cultural resurgence, ushering in the British Invasion of the United States pop market. They made their film debut with A Hard Day's Night (1964). (Full article...)
  • Image 5Kala is the second studio album by English recording artist M.I.A. It was released on 8 August 2007 through XL Recordings. M.I.A. named the album after her mother and has stated that her mother's struggles in life are a major theme of the album. It was mainly written and produced by M.I.A. and Switch, and features contributions from Timbaland, Diplo, Afrikan Boy and The Wilcannia Mob.Initially planning to work with American producer Timbaland for the bulk of the album, M.I.A. was unable to gain a long-term work visa to enter the US. Therefore, she recorded Kala in numerous countries around the world, including India, Angola, Trinidad, Liberia, Jamaica and Australia. M.I.A. and Switch relied heavily on the digital audio workstation Logic Pro and recorded additional vocals and background sounds outside the studio environment. Kala incorporates prominent influences from South Asian music, featuring samples of Bollywood and Tamil cinema. The album draws on various styles, from funk carioca to African folk. The songs are about political themes related to the Third World, including illegal immigration, poverty and capitalism. (Full article...)
    Kala is the second studio album by English recording artist M.I.A. It was released on 8 August 2007 through XL Recordings. M.I.A. named the album after her mother and has stated that her mother's struggles in life are a major theme of the album. It was mainly written and produced by M.I.A. and Switch, and features contributions from Timbaland, Diplo, Afrikan Boy and The Wilcannia Mob.

    Initially planning to work with American producer Timbaland for the bulk of the album, M.I.A. was unable to gain a long-term work visa to enter the US. Therefore, she recorded Kala in numerous countries around the world, including India, Angola, Trinidad, Liberia, Jamaica and Australia. M.I.A. and Switch relied heavily on the digital audio workstation Logic Pro and recorded additional vocals and background sounds outside the studio environment. Kala incorporates prominent influences from South Asian music, featuring samples of Bollywood and Tamil cinema. The album draws on various styles, from funk carioca to African folk. The songs are about political themes related to the Third World, including illegal immigration, poverty and capitalism. (Full article...)
  • Image 6Fantasy Black Channel is the only studio album by British dance-punk revival band Late of the Pier. It was released on 30 July 2008 in Japan through Toshiba EMI and on 4 August 2008 in the British Isles on Parlophone, the band's primary label. Five tracks had already been released as singles in the United Kingdom: "Bathroom Gurgle", "The Bears Are Coming", "Space and the Woods" and "Focker" as a double A-side, and "Heartbeat". The record peaked at number 28 on the UK Albums Chart, but failed to chart in the United States.The album was recorded in lead vocalist Sam Eastgate's bedroom in Castle Donington, England, and at several locations in London. It went through a fractured creative process that lasted more than two years. It was eventually produced by Eastgate and DJ Erol Alkan between 2007 and 2008. Fantasy Black Channel does not contain a unifying musical or lyrical theme; rather, it is a collage of all the ideas, genres, and studio effects that fascinated the band members and Alkan, especially during live recording sessions. The record was very well received by critics. It was often treated as one of the best British albums of 2008 because of its eclecticism and spirit of invention. Late of the Pier did not record any further albums following the death of drummer Ross Dawson in 2015. (Full article...)
    Fantasy Black Channel is the only studio album by British dance-punk revival band Late of the Pier. It was released on 30 July 2008 in Japan through Toshiba EMI and on 4 August 2008 in the British Isles on Parlophone, the band's primary label. Five tracks had already been released as singles in the United Kingdom: "Bathroom Gurgle", "The Bears Are Coming", "Space and the Woods" and "Focker" as a double A-side, and "Heartbeat". The record peaked at number 28 on the UK Albums Chart, but failed to chart in the United States.

    The album was recorded in lead vocalist Sam Eastgate's bedroom in Castle Donington, England, and at several locations in London. It went through a fractured creative process that lasted more than two years. It was eventually produced by Eastgate and DJ Erol Alkan between 2007 and 2008. Fantasy Black Channel does not contain a unifying musical or lyrical theme; rather, it is a collage of all the ideas, genres, and studio effects that fascinated the band members and Alkan, especially during live recording sessions. The record was very well received by critics. It was often treated as one of the best British albums of 2008 because of its eclecticism and spirit of invention. Late of the Pier did not record any further albums following the death of drummer Ross Dawson in 2015. (Full article...)
  • Image 7Adore is the fourth studio album by the American alternative rock band the Smashing Pumpkins, released on June 2, 1998, by Virgin Records. After the multi-platinum success of Mellon Collie and the Infinite Sadness and a subsequent world tour, Adore was considered "one of the most anticipated albums of 1998" by MTV. Recording the album proved to be a challenge as the band members struggled with lingering interpersonal problems, musical uncertainty in the wake of three increasingly successful rock albums, and the departure of drummer Jimmy Chamberlin. Frontman Billy Corgan would later characterize Adore as made by "a band falling apart". Corgan was also going through a divorce and the death of his mother while recording the album.The result was a much more subdued and electronica-tinged sound that Greg Kot of Rolling Stone magazine called "a complete break with the past". The album divided the Smashing Pumpkins fan base and was not as commercially successful as their previous two albums. However, similar to the band's other releases across the decade, the album was critically acclaimed, with praise directed at Corgan's vocal performance, Iha's more subtle guitar work, the atmospheric sound, and the more mature songwriting. (Full article...)
    Adore is the fourth studio album by the American alternative rock band the Smashing Pumpkins, released on June 2, 1998, by Virgin Records. After the multi-platinum success of Mellon Collie and the Infinite Sadness and a subsequent world tour, Adore was considered "one of the most anticipated albums of 1998" by MTV. Recording the album proved to be a challenge as the band members struggled with lingering interpersonal problems, musical uncertainty in the wake of three increasingly successful rock albums, and the departure of drummer Jimmy Chamberlin. Frontman Billy Corgan would later characterize Adore as made by "a band falling apart". Corgan was also going through a divorce and the death of his mother while recording the album.

    The result was a much more subdued and electronica-tinged sound that Greg Kot of Rolling Stone magazine called "a complete break with the past". The album divided the Smashing Pumpkins fan base and was not as commercially successful as their previous two albums. However, similar to the band's other releases across the decade, the album was critically acclaimed, with praise directed at Corgan's vocal performance, Iha's more subtle guitar work, the atmospheric sound, and the more mature songwriting. (Full article...)
  • Image 8In Utero is the third and final studio album by the American rock band Nirvana, released on September 21, 1993, by DGC Records. After breaking into the mainstream with their previous album, Nevermind (1991), Nirvana hired Steve Albini to record In Utero, seeking a more complex, abrasive sound that was reminiscent of their work prior to Nevermind. Although the songwriter, Kurt Cobain, said it was "very impersonal", many songs allude to his personal life, expressing feelings of angst that were prevalent on Nevermind.In Utero was recorded in February 1993 at Pachyderm Studios. After recording finished, rumors circulated that DGC might not release it due to Albini's abrasive and uncommercial sound. It was mastered by Bob Ludwig to achieve a more desirable sound for Nirvana and DGC. Nirvana hired the producer Scott Litt to remix the singles "All Apologies", "Heart-Shaped Box" and "Pennyroyal Tea". (Full article...)
    In Utero is the third and final studio album by the American rock band Nirvana, released on September 21, 1993, by DGC Records. After breaking into the mainstream with their previous album, Nevermind (1991), Nirvana hired Steve Albini to record In Utero, seeking a more complex, abrasive sound that was reminiscent of their work prior to Nevermind. Although the songwriter, Kurt Cobain, said it was "very impersonal", many songs allude to his personal life, expressing feelings of angst that were prevalent on Nevermind.

    In Utero was recorded in February 1993 at Pachyderm Studios. After recording finished, rumors circulated that DGC might not release it due to Albini's abrasive and uncommercial sound. It was mastered by Bob Ludwig to achieve a more desirable sound for Nirvana and DGC. Nirvana hired the producer Scott Litt to remix the singles "All Apologies", "Heart-Shaped Box" and "Pennyroyal Tea". (Full article...)
  • Image 9"Hey Jude" is a song by the English rock band the Beatles that was released as a non-album single in August 1968. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The single was the Beatles' first release on their Apple record label and one of the "First Four" singles by Apple's roster of artists, marking the label's public launch. "Hey Jude" was a number-one hit in many countries around the world and became the year's top-selling single in the UK, the US, Australia and Canada. Its nine-week run at number one on the Billboard Hot 100 tied the all-time record in 1968 for the longest run at the top of the US charts, a record it held for nine years. It has sold approximately eight million copies and is frequently included on music critics' lists of the greatest songs of all time.The writing and recording of "Hey Jude" coincided with a period of upheaval in the Beatles. The ballad evolved from "Hey Jules", a song McCartney wrote to comfort John Lennon's young son Julian Lennon, after Lennon had left his wife Cynthia Lennon for the Japanese artist Yoko Ono. The lyrics espouse a positive outlook on a sad situation, while also encouraging "Jude" to pursue his opportunities to find love. After the fourth verse, the song shifts to a coda featuring a "Na-na-na na" refrain that lasts for over four minutes. (Full article...)
    "Hey Jude" is a song by the English rock band the Beatles that was released as a non-album single in August 1968. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The single was the Beatles' first release on their Apple record label and one of the "First Four" singles by Apple's roster of artists, marking the label's public launch. "Hey Jude" was a number-one hit in many countries around the world and became the year's top-selling single in the UK, the US, Australia and Canada. Its nine-week run at number one on the Billboard Hot 100 tied the all-time record in 1968 for the longest run at the top of the US charts, a record it held for nine years. It has sold approximately eight million copies and is frequently included on music critics' lists of the greatest songs of all time.

    The writing and recording of "Hey Jude" coincided with a period of upheaval in the Beatles. The ballad evolved from "Hey Jules", a song McCartney wrote to comfort John Lennon's young son Julian Lennon, after Lennon had left his wife Cynthia Lennon for the Japanese artist Yoko Ono. The lyrics espouse a positive outlook on a sad situation, while also encouraging "Jude" to pursue his opportunities to find love. After the fourth verse, the song shifts to a coda featuring a "Na-na-na na" refrain that lasts for over four minutes. (Full article...)
  • Image 10Rhythm Killers is an album by Jamaican musical duo Sly and Robbie, released in May 1987 by Island Records. By the time of the album's recording, Sly and Robbie had transitioned away from their prolific work in the reggae genre. They spent the 1980s experimenting with electronic sounds and contemporary recording technology on international, cross-genre endeavors, which influenced their direction for Rhythm Killers.Sly and Robbie enlisted producer Bill Laswell and an ensemble of musicians to record the album at the Quad studio in New York City. Along with their live instruments, the duo used electronic recording equipment such as the Fairlight CMI synthesizer and electronic drums. The predominantly funk and dance-oriented album is arranged into two side-long gapless suites of songs. Other styles featured on the record include hip hop, hard rock, worldbeat, and downtown music. Laswell's densely layered production incorporated electronic grooves, hard beats, string synthesizers, and cross-rhythms produced by turntable scratches, African and Latin-influenced percussion, and percussive raps. (Full article...)
    Rhythm Killers is an album by Jamaican musical duo Sly and Robbie, released in May 1987 by Island Records. By the time of the album's recording, Sly and Robbie had transitioned away from their prolific work in the reggae genre. They spent the 1980s experimenting with electronic sounds and contemporary recording technology on international, cross-genre endeavors, which influenced their direction for Rhythm Killers.

    Sly and Robbie enlisted producer Bill Laswell and an ensemble of musicians to record the album at the Quad studio in New York City. Along with their live instruments, the duo used electronic recording equipment such as the Fairlight CMI synthesizer and electronic drums. The predominantly funk and dance-oriented album is arranged into two side-long gapless suites of songs. Other styles featured on the record include hip hop, hard rock, worldbeat, and downtown music. Laswell's densely layered production incorporated electronic grooves, hard beats, string synthesizers, and cross-rhythms produced by turntable scratches, African and Latin-influenced percussion, and percussive raps. (Full article...)
  • Image 11 Fanning performing in 2010Bernard Joseph Fanning (born 15 August 1969) is an Australian musician and singer-songwriter. He was the lead vocalist of Queensland alternative rock band Powderfinger from its formation in 1989.Born and raised in Toowong, Brisbane, Fanning received piano lessons from his mother at an early age. At the age of 15, while he attended St Joseph's College, Gregory Terrace, he began writing music. Upon graduating from Gregory Terrace, Fanning moved on to the University of Queensland, where he studied journalism briefly. He dropped out to pursue a music career, after meeting Ian Haug in an economics class. Fanning joined Haug, John Collins, and Steven Bishop, who had recently formed Powderfinger, and took the role of lead singer. After Bishop left and drummer Jon Coghill and guitarist Darren Middleton joined, the band released five studio albums in fifteen years and achieved mainstream success in Australia. During Powderfinger's hiatus in 2005, Fanning began his solo music career with the studio album Tea & Sympathy. Powderfinger reunited in 2007 and released two more albums before they disbanded in late 2010. (Full article...)

    Fanning performing in 2010

    Bernard Joseph Fanning (born 15 August 1969) is an Australian musician and singer-songwriter. He was the lead vocalist of Queensland alternative rock band Powderfinger from its formation in 1989.

    Born and raised in Toowong, Brisbane, Fanning received piano lessons from his mother at an early age. At the age of 15, while he attended St Joseph's College, Gregory Terrace, he began writing music. Upon graduating from Gregory Terrace, Fanning moved on to the University of Queensland, where he studied journalism briefly. He dropped out to pursue a music career, after meeting Ian Haug in an economics class. Fanning joined Haug, John Collins, and Steven Bishop, who had recently formed Powderfinger, and took the role of lead singer. After Bishop left and drummer Jon Coghill and guitarist Darren Middleton joined, the band released five studio albums in fifteen years and achieved mainstream success in Australia. During Powderfinger's hiatus in 2005, Fanning began his solo music career with the studio album Tea & Sympathy. Powderfinger reunited in 2007 and released two more albums before they disbanded in late 2010. (Full article...)
  • Image 12Love. Angel. Music. Baby. is the debut solo studio album by American singer-songwriter Gwen Stefani, released on November 12, 2004, by Interscope Records. Stefani, who had previously released five studio albums as lead singer of the rock band No Doubt, began recording solo material in early 2003. She began working on Love. Angel. Music. Baby. as a side project that would become a full album after No Doubt went on hiatus. Stefani co-wrote every song on the album, collaborating with various songwriters and producers including André 3000, Dallas Austin, Dr. Dre, Jimmy Jam and Terry Lewis, the Neptunes and Linda Perry. The album also features guest appearances by Eve and André 3000.Designed to sound like a 1980s dance record, Love. Angel. Music. Baby. was influenced by artists and bands such as the Cure, Lisa Lisa, New Order, Prince, Depeche Mode and Madonna. The album incorporates a diverse range of genres, including electropop, dance-rock, new wave, and soul, while lyrically, it explores themes of fashion, wealth and relationships. Promotion of the album included the release of six commercially successful singles and the North American Harajuku Lovers Tour. While promoting, Stefani was often accompanied by backup dancers called the Harajuku Girls. (Full article...)
    Love. Angel. Music. Baby. is the debut solo studio album by American singer-songwriter Gwen Stefani, released on November 12, 2004, by Interscope Records. Stefani, who had previously released five studio albums as lead singer of the rock band No Doubt, began recording solo material in early 2003. She began working on Love. Angel. Music. Baby. as a side project that would become a full album after No Doubt went on hiatus. Stefani co-wrote every song on the album, collaborating with various songwriters and producers including André 3000, Dallas Austin, Dr. Dre, Jimmy Jam and Terry Lewis, the Neptunes and Linda Perry. The album also features guest appearances by Eve and André 3000.

    Designed to sound like a 1980s dance record, Love. Angel. Music. Baby. was influenced by artists and bands such as the Cure, Lisa Lisa, New Order, Prince, Depeche Mode and Madonna. The album incorporates a diverse range of genres, including electropop, dance-rock, new wave, and soul, while lyrically, it explores themes of fashion, wealth and relationships. Promotion of the album included the release of six commercially successful singles and the North American Harajuku Lovers Tour. While promoting, Stefani was often accompanied by backup dancers called the Harajuku Girls. (Full article...)
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Born this day

Birthdays in Music: September 13
  • David Clayton-Thomas (Record production, 1941–June 24, 2026), Canadian born musician with Blood, Sweat & Tears, would have turned 85 this year.
  • Alex Riel (Record production, 1940–June 09, 2024), Danish Grammy Award-winning drummer and founding member of The Savage Rose, would have turned 86 this year.
  • Arleen Auger (born Joyce Arleen Auger) (Record production, 1939–June 10, 1993), American soprano, would have turned 87 this year.
  • Lewie Steinberg (born Lewie Polk Steinberg) (Record production, 1933–July 21, 2016), American bassist for Booker T. & The M.G.'s, would have turned 93 this year.
  • Bengt Hallberg (Record production, 1932 –July 02, 2013), Swedish pianist, would have turned 94 this year.
  • Mel Tormé (Record production, 1925 –June 05, 1999), American actor and jazz singer, would have turned 101 this year.
  • Maurice Jarre (Record production, 1924 –March 28, 2009), Internationally acclaimed French composer, would have turned 102 this year.
  • Dick Haymes (Record production, 1916 –March 28, 1980), Argentinian vocalist, would have turned 110 this year.
  • Leonard Feather (Record production, 1914 –September 22, 1994), Brit pianist, music critic, and composer, would have turned 112 this year.
  • Bernard Ette (Record production, 1898 –September 26, 1973), German violinist and bandleader, would have turned 128 this year.
  • David Rubinoff (Record production, 1897 –October 06, 1986), Russian violinist and bandleader, would have turned 129 this year.
  • Kelly Harrell (Record production, 1889 –July 09, 1942), Renowned country musician – singer and songwriter, would have turned 137 this year.
  

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These are all Good articles, which meet a core set of high editorial standards.
  • Image 1Salt is a 2010 American spy action thriller film directed by Phillip Noyce and written by Kurt Wimmer. It stars Angelina Jolie, Liev Schreiber, Daniel Olbrychski, August Diehl, and Chiwetel Ejiofor. Jolie plays CIA operative Evelyn Salt, who is accused of being a Russian sleeper agent and goes on the run to try to clear her name.Originally written with a male protagonist, with Tom Cruise initially secured for the lead, the script was ultimately rewritten by Brian Helgeland for Jolie. Filming took place on location in Washington, D.C., New York City, and Albany, New York, between March and June 2009, with reshoots in January 2010. Action scenes were primarily performed with practical stunts, computer-generated imagery being used mostly for creating digital environments. (Full article...)
    Salt is a 2010 American spy action thriller film directed by Phillip Noyce and written by Kurt Wimmer. It stars Angelina Jolie, Liev Schreiber, Daniel Olbrychski, August Diehl, and Chiwetel Ejiofor. Jolie plays CIA operative Evelyn Salt, who is accused of being a Russian sleeper agent and goes on the run to try to clear her name.

    Originally written with a male protagonist, with Tom Cruise initially secured for the lead, the script was ultimately rewritten by Brian Helgeland for Jolie. Filming took place on location in Washington, D.C., New York City, and Albany, New York, between March and June 2009, with reshoots in January 2010. Action scenes were primarily performed with practical stunts, computer-generated imagery being used mostly for creating digital environments. (Full article...)
  • Image 2Slow Life is an EP by the Welsh alternative rock band Super Furry Animals, released in 2004. The EP was made available as a free download and also saw a limited CD release, bundled with remix album Phantom Phorce. Lead track "Slow Life" appeared on the 2003 album Phantom Power and was originally composed as a purely electronic song by keyboardist Cian Ciaran several years earlier. The band were keen to finish the track and Ciaran encouraged them to jam over his original version—this jam was then edited and made into the finished song. The track "Motherfokker" is a collaboration between the Super Furry Animals and rap group Goldie Lookin Chain.The EP received mixed reviews although "Slow Life" itself was singled out for praise by many critics. A music video was made to accompany the track directed by Dylan Jones and Paps O'Maoileoain. The Super Furries appeared in the 2004 film 9 Songs playing "Slow Life" live during a scene in which one of the characters attends a gig by the band at the Brixton Academy. (Full article...)
    Slow Life is an EP by the Welsh alternative rock band Super Furry Animals, released in 2004. The EP was made available as a free download and also saw a limited CD release, bundled with remix album Phantom Phorce. Lead track "Slow Life" appeared on the 2003 album Phantom Power and was originally composed as a purely electronic song by keyboardist Cian Ciaran several years earlier. The band were keen to finish the track and Ciaran encouraged them to jam over his original version—this jam was then edited and made into the finished song. The track "Motherfokker" is a collaboration between the Super Furry Animals and rap group Goldie Lookin Chain.

    The EP received mixed reviews although "Slow Life" itself was singled out for praise by many critics. A music video was made to accompany the track directed by Dylan Jones and Paps O'Maoileoain. The Super Furries appeared in the 2004 film 9 Songs playing "Slow Life" live during a scene in which one of the characters attends a gig by the band at the Brixton Academy. (Full article...)
  • Image 3Wave 1 is the third extended play released under synthwave musician Seth Haley's pseudonym Com Truise. Haley described his releases as Com Truise as parts of a story about the world's first "Synthetic Astronaut" on his adventure to a planet, and Wave 1 is where he lands on a kind-of replica of Earth. Musically, Haley had to get inspiration from several artists as this part of the story is also where the music starts to change.The EP is a combination of styles including synth soul, drum and bass, synth funk and electro, and retains the bright and danceable vibe from Com Truise's debut album Galactic Melt (2011). Promoted with two pre-EP track releases, a music video for the track "Subsonic" and a February–March 2014 tour, the EP was issued on the Ghostly International label in February 2014 to generally positive reviews, with critics praising the record's creativity. Commercially, it also landed in the top ten of the American Billboard Dance/Electronic and Heatseekers album charts. (Full article...)
    Wave 1 is the third extended play released under synthwave musician Seth Haley's pseudonym Com Truise. Haley described his releases as Com Truise as parts of a story about the world's first "Synthetic Astronaut" on his adventure to a planet, and Wave 1 is where he lands on a kind-of replica of Earth. Musically, Haley had to get inspiration from several artists as this part of the story is also where the music starts to change.

    The EP is a combination of styles including synth soul, drum and bass, synth funk and electro, and retains the bright and danceable vibe from Com Truise's debut album Galactic Melt (2011). Promoted with two pre-EP track releases, a music video for the track "Subsonic" and a February–March 2014 tour, the EP was issued on the Ghostly International label in February 2014 to generally positive reviews, with critics praising the record's creativity. Commercially, it also landed in the top ten of the American Billboard Dance/Electronic and Heatseekers album charts. (Full article...)
  • Image 4Flood is the third studio album by American alternative rock duo They Might Be Giants, released on January 15, 1990. Flood was the duo's first album on the major label Elektra Records. It generated three singles: "Birdhouse in Your Soul", "Istanbul (Not Constantinople)", and the domestic promotional track "Twisting". The album is generally considered to be the band's definitive release, as it is their best-selling and most recognizable album, and is regarded as one of the best albums of the 1990s. Despite minimal stylistic and instrumental differences from previous releases, Flood is distinguished by contributions from seasoned producers Clive Langer and Alan Winstanley. Band members John Linnell and John Flansburgh also took advantage of new equipment and recording techniques, including unconventional, home-recorded samples, which were programmed through Casio FZ-1 synthesizers. The album was recorded in New York City at Skyline Studios, which was better equipped than studios the band had worked in previously. (Full article...)
    Flood is the third studio album by American alternative rock duo They Might Be Giants, released on January 15, 1990. Flood was the duo's first album on the major label Elektra Records. It generated three singles: "Birdhouse in Your Soul", "Istanbul (Not Constantinople)", and the domestic promotional track "Twisting".

    The album is generally considered to be the band's definitive release, as it is their best-selling and most recognizable album, and is regarded as one of the best albums of the 1990s. Despite minimal stylistic and instrumental differences from previous releases, Flood is distinguished by contributions from seasoned producers Clive Langer and Alan Winstanley. Band members John Linnell and John Flansburgh also took advantage of new equipment and recording techniques, including unconventional, home-recorded samples, which were programmed through Casio FZ-1 synthesizers. The album was recorded in New York City at Skyline Studios, which was better equipped than studios the band had worked in previously. (Full article...)
  • Image 5Toil is a studio album by the Chicago Celtic punk band Flatfoot 56, released on August 14, 2012, by Paper + Plastick. The release is the fourth studio album released by the group since they were signed by a label. Johnny Rioux, a member of the Celtic punk band Street Dogs, returned as the producer.The album was released to generally favorable reviews. Critics and fans enjoyed the album's diversity of sound and song writing. Reviewers described the album's songs as working-class anthems with Christian themes. The final track on the album, a Celtic punk cover of the hymn "I'll Fly Away", was well received by music critics. The album produced one single, "I Believe It", that was released as a music video. Both the album and the single failed to chart. The track "Winter in Chicago" was featured on the soundtrack for the video game Watch Dogs. (Full article...)
    Toil is a studio album by the Chicago Celtic punk band Flatfoot 56, released on August 14, 2012, by Paper + Plastick. The release is the fourth studio album released by the group since they were signed by a label. Johnny Rioux, a member of the Celtic punk band Street Dogs, returned as the producer.

    The album was released to generally favorable reviews. Critics and fans enjoyed the album's diversity of sound and song writing. Reviewers described the album's songs as working-class anthems with Christian themes. The final track on the album, a Celtic punk cover of the hymn "I'll Fly Away", was well received by music critics. The album produced one single, "I Believe It", that was released as a music video. Both the album and the single failed to chart. The track "Winter in Chicago" was featured on the soundtrack for the video game Watch Dogs. (Full article...)
  • Image 6Spoopy is the debut extended play (EP) by American drag performer Sharon Needles, released through Producer Entertainment Group on October 11, 2019. It includes six covers of songs with a Halloween theme. The music video for "Monster Mash", released on the same day, features an appearance by drag performer Alaska Thunderfuck, Sharon Needles' ex-partner. The EP received generally positive reviews from music critics, who appreciated the collection's theme and reinterpretations. (Full article...)
    Spoopy is the debut extended play (EP) by American drag performer Sharon Needles, released through Producer Entertainment Group on October 11, 2019. It includes six covers of songs with a Halloween theme. The music video for "Monster Mash", released on the same day, features an appearance by drag performer Alaska Thunderfuck, Sharon Needles' ex-partner. The EP received generally positive reviews from music critics, who appreciated the collection's theme and reinterpretations. (Full article...)
  • Image 7Box Car Racer is the only studio album by American rock band Box Car Racer. Produced by Jerry Finn, the album was released on May 21, 2002, through MCA Records. The band was a side-project of Blink-182 members Tom DeLonge and Travis Barker, with David Kennedy completing the band's studio lineup. A bassist and friend of Barker, Anthony Celestino, later joined as the band's bassist after DeLonge recorded the bass tracks for the record.The record is primarily based on DeLonge's post-hardcore influences, such as Fugazi and Refused. The recording sessions were particularly difficult for him, as he had recently undergone back surgery. The record is a concept album detailing the end of the world, and features dark, moody tracks mulling over confusion. Blink-182 bassist Mark Hoppus—the only member of that band not involved in the project—felt betrayed over his lack of inclusion, which evolved into tensions between him and DeLonge, ultimately contributing to the band's 2005 breakup. Despite this, Hoppus provided guest vocals on the album's twelfth track "Elevator". (Full article...)
    Box Car Racer is the only studio album by American rock band Box Car Racer. Produced by Jerry Finn, the album was released on May 21, 2002, through MCA Records. The band was a side-project of Blink-182 members Tom DeLonge and Travis Barker, with David Kennedy completing the band's studio lineup. A bassist and friend of Barker, Anthony Celestino, later joined as the band's bassist after DeLonge recorded the bass tracks for the record.

    The record is primarily based on DeLonge's post-hardcore influences, such as Fugazi and Refused. The recording sessions were particularly difficult for him, as he had recently undergone back surgery. The record is a concept album detailing the end of the world, and features dark, moody tracks mulling over confusion. Blink-182 bassist Mark Hoppus—the only member of that band not involved in the project—felt betrayed over his lack of inclusion, which evolved into tensions between him and DeLonge, ultimately contributing to the band's 2005 breakup. Despite this, Hoppus provided guest vocals on the album's twelfth track "Elevator". (Full article...)
  • Image 8Wildlife is the second studio album by American post-hardcore band La Dispute, released October 4, 2011, on independent label No Sleep Records. Recording sessions for the album took place primarily at StadiumRed in New York City in April 2011. The band members took control of all of the production duties alongside the album's recording engineers, Andrew Everding and Joseph Pedulla. Wildlife was their last release on No Sleep Records before forming their own record label, Better Living.Noted by music writers for its varied elements, Wildlife incorporates musical components from La Dispute's previous releases, particularly Somewhere at the Bottom of the River Between Vega and Altair and Here, Hear III., and genres such as screamo, progressive rock and post-rock. The album features lyrical themes that – while making several references to the band's home town of Grand Rapids – focus on personal loss, anger, despair, and in the vision of the band, is a collection of unpublished "short stories" from a hypothetical author, complete with the author’s notes and sectioned thematically by the use of four monologues. (Full article...)
    Wildlife is the second studio album by American post-hardcore band La Dispute, released October 4, 2011, on independent label No Sleep Records. Recording sessions for the album took place primarily at StadiumRed in New York City in April 2011. The band members took control of all of the production duties alongside the album's recording engineers, Andrew Everding and Joseph Pedulla. Wildlife was their last release on No Sleep Records before forming their own record label, Better Living.

    Noted by music writers for its varied elements, Wildlife incorporates musical components from La Dispute's previous releases, particularly Somewhere at the Bottom of the River Between Vega and Altair and Here, Hear III., and genres such as screamo, progressive rock and post-rock. The album features lyrical themes that – while making several references to the band's home town of Grand Rapids – focus on personal loss, anger, despair, and in the vision of the band, is a collection of unpublished "short stories" from a hypothetical author, complete with the author’s notes and sectioned thematically by the use of four monologues. (Full article...)
  • Image 9Pull Up Some Dust and Sit Down is the fourteenth studio album by American singer-songwriter and multi-instrumentalist Ry Cooder. It was released by Nonesuch Records on August 30, 2011, and written and produced by Cooder, who recorded its songs at Drive-By Studios, Ocean Studios, and Wireland Studios in California. He played various instruments for the project while working alongside studio musicians such as Flaco Jiménez, Juliette Commagere, Robert Francis, and Jim Keltner.Pull Up Some Dust and Sit Down features topical songs with socio-political subject matter about 21st-century America, including economic disparity, social injustice, politics, and war. Cooder pursued a more political direction with his songwriting, inspired by the Great Recession and protest songs of the past. Its music is rooted in Americana and incorporates traditional styles and musical language from historical sources such as country blues, tejano, and American roots music. The record has been noted by critics for its eclectic musical range, allegorical songs, working-class perspective, and Cooder's sardonic lyrics. (Full article...)
    Pull Up Some Dust and Sit Down is the fourteenth studio album by American singer-songwriter and multi-instrumentalist Ry Cooder. It was released by Nonesuch Records on August 30, 2011, and written and produced by Cooder, who recorded its songs at Drive-By Studios, Ocean Studios, and Wireland Studios in California. He played various instruments for the project while working alongside studio musicians such as Flaco Jiménez, Juliette Commagere, Robert Francis, and Jim Keltner.

    Pull Up Some Dust and Sit Down features topical songs with socio-political subject matter about 21st-century America, including economic disparity, social injustice, politics, and war. Cooder pursued a more political direction with his songwriting, inspired by the Great Recession and protest songs of the past. Its music is rooted in Americana and incorporates traditional styles and musical language from historical sources such as country blues, tejano, and American roots music. The record has been noted by critics for its eclectic musical range, allegorical songs, working-class perspective, and Cooder's sardonic lyrics. (Full article...)
  • Image 10Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" and "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds and lyrical content.The Beatles recorded Revolver after taking a three-month break at the start of 1966, and during a period when London was feted as the era's cultural capital. Regarded by some commentators as the start of the group's psychedelic period, the songs reflect their interest in the drug LSD, Eastern philosophy and the avant-garde while addressing themes such as death and transcendence of material concerns. With no plans to reproduce their new material in concert, the band made liberal use of automatic double tracking, varispeed, reversed tapes, close audio miking, and instruments outside of their standard live set-up. Among its tracks are "Tomorrow Never Knows", incorporating heavy Indian drone and a collage of tape loops; "Eleanor Rigby", a song about loneliness featuring a string octet as its only musical backing; and "Love You To", a foray into Hindustani classical music. The sessions also produced a non-album single, "Paperback Writer", backed with "Rain". (Full article...)
    Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" and "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds and lyrical content.

    The Beatles recorded Revolver after taking a three-month break at the start of 1966, and during a period when London was feted as the era's cultural capital. Regarded by some commentators as the start of the group's psychedelic period, the songs reflect their interest in the drug LSD, Eastern philosophy and the avant-garde while addressing themes such as death and transcendence of material concerns. With no plans to reproduce their new material in concert, the band made liberal use of automatic double tracking, varispeed, reversed tapes, close audio miking, and instruments outside of their standard live set-up. Among its tracks are "Tomorrow Never Knows", incorporating heavy Indian drone and a collage of tape loops; "Eleanor Rigby", a song about loneliness featuring a string octet as its only musical backing; and "Love You To", a foray into Hindustani classical music. The sessions also produced a non-album single, "Paperback Writer", backed with "Rain". (Full article...)
  • Image 11Thank Me Later is the debut studio album by the Canadian rapper Drake. It was released on June 15, 2010, by Young Money Entertainment, Cash Money Records, and Universal Motown Records. Production for the album took place at various recording studios during 2009 to 2010 and was mostly produced by longtime collaborators 40 and Boi-1da. It features contributions from Alicia Keys, Timbaland, Swizz Beatz, Nicki Minaj, Lil Wayne, The-Dream, and Kanye West, among others.Thank Me Later has a languorous, ambient production that incorporates moody synthesizers, sparse beats, obscured keyboards, minor keys, and subtle arrangements. Thematically, the album focuses on Drake's introduction to fame and his romances over the course of confessional, club-oriented, and sexual songs. Drake's emotionally transparent, self-deprecating lyrics are delivered in both rapped and subtly sung verses, and explore feelings of doubt, insecurity, and heartbreak. (Full article...)
    Thank Me Later is the debut studio album by the Canadian rapper Drake. It was released on June 15, 2010, by Young Money Entertainment, Cash Money Records, and Universal Motown Records. Production for the album took place at various recording studios during 2009 to 2010 and was mostly produced by longtime collaborators 40 and Boi-1da. It features contributions from Alicia Keys, Timbaland, Swizz Beatz, Nicki Minaj, Lil Wayne, The-Dream, and Kanye West, among others.

    Thank Me Later has a languorous, ambient production that incorporates moody synthesizers, sparse beats, obscured keyboards, minor keys, and subtle arrangements. Thematically, the album focuses on Drake's introduction to fame and his romances over the course of confessional, club-oriented, and sexual songs. Drake's emotionally transparent, self-deprecating lyrics are delivered in both rapped and subtly sung verses, and explore feelings of doubt, insecurity, and heartbreak. (Full article...)
  • Image 12The Revival is the second studio album by American R&B band Tony! Toni! Toné!, released on May 8, 1990, by Wing Records. It was produced and arranged primarily by the band, although they were assisted on a few songs by the production duo Foster & McElroy, who had produced their first album, Who? (1988). The band recorded at several studios in California with the assistance of the Synclavier, an early music workstation.The album features R&B music that draws on funk and older soul influences. Its songs incorporate eccentric sounds and stylistic elements from jazz and hip hop, including improvisational sounds, conversational vocals, and digital samples. The group's lyrics exhibit contemporary hip hop attitudes and traditional soul themes, with songs about unruly women, low-key ballads, and more danceable tracks. (Full article...)
    The Revival is the second studio album by American R&B band Tony! Toni! Toné!, released on May 8, 1990, by Wing Records. It was produced and arranged primarily by the band, although they were assisted on a few songs by the production duo Foster & McElroy, who had produced their first album, Who? (1988). The band recorded at several studios in California with the assistance of the Synclavier, an early music workstation.

    The album features R&B music that draws on funk and older soul influences. Its songs incorporate eccentric sounds and stylistic elements from jazz and hip hop, including improvisational sounds, conversational vocals, and digital samples. The group's lyrics exhibit contemporary hip hop attitudes and traditional soul themes, with songs about unruly women, low-key ballads, and more danceable tracks. (Full article...)
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  • Image 1The Bellamy Brothers had their first number-one country single in 1979 with "If I Said You Had a Beautiful Body Would You Hold It Against Me".Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1979, 33 different singles topped the chart, which was published at the time under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.Waylon Jennings, Anne Murray, Kenny Rogers, and Conway Twitty tied for the highest total number of weeks spent at number one in 1979, each spending five weeks at the top of the chart. Jennings, Murray and Twitty each had a run of three consecutive weeks at number one with "Amanda", "I Just Fall in Love Again" and "Happy Birthday Darlin'" respectively. The three songs tied for the longest unbroken run in the top spot during 1979 with "Every Which Way but Loose" by Eddie Rabbitt, "Golden Tears" by Dave & Sugar and "If I Said You Had a Beautiful Body Would You Hold It Against Me" by the Bellamy Brothers, each of which also spent three weeks atop the listing. Murray, Rogers and Twitty each had three number ones in 1979, the most by an individual act. (Full article...)
    Two grey-haired men wearing cowboy hats, standing in front of the sea at sunset
    The Bellamy Brothers had their first number-one country single in 1979 with "If I Said You Had a Beautiful Body Would You Hold It Against Me".

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1979, 33 different singles topped the chart, which was published at the time under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

    Waylon Jennings, Anne Murray, Kenny Rogers, and Conway Twitty tied for the highest total number of weeks spent at number one in 1979, each spending five weeks at the top of the chart. Jennings, Murray and Twitty each had a run of three consecutive weeks at number one with "Amanda", "I Just Fall in Love Again" and "Happy Birthday Darlin'" respectively. The three songs tied for the longest unbroken run in the top spot during 1979 with "Every Which Way but Loose" by Eddie Rabbitt, "Golden Tears" by Dave & Sugar and "If I Said You Had a Beautiful Body Would You Hold It Against Me" by the Bellamy Brothers, each of which also spent three weeks atop the listing. Murray, Rogers and Twitty each had three number ones in 1979, the most by an individual act. (Full article...)
  • Image 2Pee Wee King ended the year at number one on all three charts.In 1951 Billboard magazine published three charts covering the best-performing country music songs in the United States: Most-Played Juke Box (Country & Western) Records, Best-Selling Retail Folk (Country & Western) Records and Country & Western Records Most Played By Folk Disk Jockeys. The juke box chart was compiled based on a "weekly survey among a selected group of jukebox operators whose locations require country and western records", the best sellers chart based on a "survey among a selected group of retail stores, the majority of whose customers purchase country and western records", and the jockeys chart based on a "weekly survey among a select list of over 400 disk jockeys specializing in country and western tunes". The juke box chart would be discontinued in 1957 and the other two charts merged in 1958 to form a multimetric chart, which has been published weekly since that date and since 2005 has been entitled Hot Country Songs.In the first issue of Billboard of 1951, each chart had a different number one, although two were by the same artist. Lefty Frizzell was atop both the juke box and jockeys charts, with "If You've Got the Money I've Got the Time" and "I Love You a Thousand Ways" respectively, while the best sellers chart was headed by Hank Snow with "The Golden Rocket". During the year, each of the three charts had a song spend more than ten consecutive weeks at number one: Frizzell had an unbroken run of eleven weeks in the top spot of the best sellers chart with "Always Late (with Your Kisses)" and had a similar run at number one on the jockeys chart with "I Want to Be with You Always". The longest run at number one on any of the charts, however, was the fourteen consecutive weeks which Tennessee Ernie spent atop the juke box chart with "Shotgun Boogie". Frizzell reached number one for the first time in late 1950 and achieved five chart-toppers within 18 months, but soon afterwards his chart performance began to decline, his career suffering in part due to issues in his personal life. He was the only artist with four number-one country songs in 1951; Snow and Eddy Arnold each had three. Hank Williams had two number ones on the jockeys chart, but none on either of the other two charts. (Full article...)
    A smiling man wearing a cowboy hat
    Pee Wee King ended the year at number one on all three charts.

    In 1951 Billboard magazine published three charts covering the best-performing country music songs in the United States: Most-Played Juke Box (Country & Western) Records, Best-Selling Retail Folk (Country & Western) Records and Country & Western Records Most Played By Folk Disk Jockeys. The juke box chart was compiled based on a "weekly survey among a selected group of jukebox operators whose locations require country and western records", the best sellers chart based on a "survey among a selected group of retail stores, the majority of whose customers purchase country and western records", and the jockeys chart based on a "weekly survey among a select list of over 400 disk jockeys specializing in country and western tunes". The juke box chart would be discontinued in 1957 and the other two charts merged in 1958 to form a multimetric chart, which has been published weekly since that date and since 2005 has been entitled Hot Country Songs.

    In the first issue of Billboard of 1951, each chart had a different number one, although two were by the same artist. Lefty Frizzell was atop both the juke box and jockeys charts, with "If You've Got the Money I've Got the Time" and "I Love You a Thousand Ways" respectively, while the best sellers chart was headed by Hank Snow with "The Golden Rocket". During the year, each of the three charts had a song spend more than ten consecutive weeks at number one: Frizzell had an unbroken run of eleven weeks in the top spot of the best sellers chart with "Always Late (with Your Kisses)" and had a similar run at number one on the jockeys chart with "I Want to Be with You Always". The longest run at number one on any of the charts, however, was the fourteen consecutive weeks which Tennessee Ernie spent atop the juke box chart with "Shotgun Boogie". Frizzell reached number one for the first time in late 1950 and achieved five chart-toppers within 18 months, but soon afterwards his chart performance began to decline, his career suffering in part due to issues in his personal life. He was the only artist with four number-one country songs in 1951; Snow and Eddy Arnold each had three. Hank Williams had two number ones on the jockeys chart, but none on either of the other two charts. (Full article...)
  • Image 3Keith Urban had his first number one in 2001.Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2001, 22 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.Singer Tim McGraw's song "My Next Thirty Years" was at number one at the start of the year, having been at the top since the issue dated December 16, 2000, and remained at number one until the issue dated January 20, when it was replaced by "Born to Fly" by Sara Evans. McGraw also topped the chart with "Grown Men Don't Cry" in June and "Angry All the Time" in November. Toby Keith also achieved three number ones in 2001, "You Shouldn't Kiss Me Like This" in March, "I'm Just Talkin' About Tonight" in September and "I Wanna Talk About Me" in November–December, and had the most weeks at number one of any act during the year, with nine. Four acts each topped the charts with two songs, groups Lonestar and Brooks & Dunn and solo artists Jamie O'Neal and Alan Jackson, the latter of whom ended the year at the top of the chart with "Where Were You (When the World Stopped Turning)". Jackson's song, written in response to the September 11 attacks and premiered at the 2001 Country Music Association Awards, reached the top spot after just six weeks on the chart, the fastest such rise for four years. It would remain at number one until the chart dated February 2 of the following year. The longest run at number one during 2001 was six weeks, achieved by two songs, "Ain't Nothing 'bout You" by Brooks & Dunn and "I'm Already There" by Lonestar. "Ain't Nothing 'bout You" was ranked number one on Billboard's year-end chart of the most popular country songs, and is the longest-running of the duo's twenty number ones. (Full article...)
    A fman with long blond hair playing a bass guitar
    Keith Urban had his first number one in 2001.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 2001, 22 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

    Singer Tim McGraw's song "My Next Thirty Years" was at number one at the start of the year, having been at the top since the issue dated December 16, 2000, and remained at number one until the issue dated January 20, when it was replaced by "Born to Fly" by Sara Evans. McGraw also topped the chart with "Grown Men Don't Cry" in June and "Angry All the Time" in November. Toby Keith also achieved three number ones in 2001, "You Shouldn't Kiss Me Like This" in March, "I'm Just Talkin' About Tonight" in September and "I Wanna Talk About Me" in November–December, and had the most weeks at number one of any act during the year, with nine. Four acts each topped the charts with two songs, groups Lonestar and Brooks & Dunn and solo artists Jamie O'Neal and Alan Jackson, the latter of whom ended the year at the top of the chart with "Where Were You (When the World Stopped Turning)". Jackson's song, written in response to the September 11 attacks and premiered at the 2001 Country Music Association Awards, reached the top spot after just six weeks on the chart, the fastest such rise for four years. It would remain at number one until the chart dated February 2 of the following year. The longest run at number one during 2001 was six weeks, achieved by two songs, "Ain't Nothing 'bout You" by Brooks & Dunn and "I'm Already There" by Lonestar. "Ain't Nothing 'bout You" was ranked number one on Billboard's year-end chart of the most popular country songs, and is the longest-running of the duo's twenty number ones. (Full article...)
  • Image 4Rapper 50 Cent's "In da Club" was one of the longest-running singles of 2003, topping the chart for nine straight weeks. It was also the best-performing single of 2003.The Billboard Hot 100 is a chart that ranks the best-performing singles in the United States. Published by Billboard magazine, the data are compiled by Nielsen SoundScan based collectively on each single's weekly physical sales, and airplay. In 2003, there were 11 singles that topped the chart.During the year, ten acts achieved a first U.S. number-one single, either as a lead artist or featured guest. Those acts were B2K, LL Cool J, 50 Cent, Sean Paul, Nate Dogg, Clay Aiken, Murphy Lee, Ludacris, and Shawnna. Beyoncé, despite having hit number one with Destiny's Child, also earns her first number one song as a solo act. P. Diddy, 50 Cent, Sean Paul, and Beyoncé were the only acts to hit number one more than once, each of them reaching number one twice throughout the year. (Full article...)
    A young black man, seated, wearing a black shirt and a gray baseball cap. He is smiling and speaking into a microphone.
    Rapper 50 Cent's "In da Club" was one of the longest-running singles of 2003, topping the chart for nine straight weeks. It was also the best-performing single of 2003.


    The Billboard Hot 100 is a chart that ranks the best-performing singles in the United States. Published by Billboard magazine, the data are compiled by Nielsen SoundScan based collectively on each single's weekly physical sales, and airplay. In 2003, there were 11 singles that topped the chart.

    During the year, ten acts achieved a first U.S. number-one single, either as a lead artist or featured guest. Those acts were B2K, LL Cool J, 50 Cent, Sean Paul, Nate Dogg, Clay Aiken, Murphy Lee, Ludacris, and Shawnna. Beyoncé, despite having hit number one with Destiny's Child, also earns her first number one song as a solo act. P. Diddy, 50 Cent, Sean Paul, and Beyoncé were the only acts to hit number one more than once, each of them reaching number one twice throughout the year. (Full article...)
  • Image 5The Oak Ridge Boys (pictured in 2013) had two number one singles in 1980.Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1980, 43 different singles topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.In the first issue of Billboard of 1980, Kenny Rogers moved into the number one position with "Coward of the County", his fifth consecutive country number one. The song went on to tie for the year's longest unbroken run at the top with Ronnie Milsap's double A-sided single "My Heart" / "Silent Night (After the Fight)" and "Lookin' for Love" by Johnny Lee. All three singles spent three consecutive weeks at number one. Rogers returned to the top of the country chart later in the year with "Lady", which was a crossover success, also reaching number one on Billboard's pop chart, the Hot 100. Rogers was experiencing a lengthy spell of success with smooth sounds which appealed equally to country and pop audiences and established him as a major star in both genres. Milsap had the most country number ones of any artist in 1980, taking four different singles to the top spot, followed by Mickey Gilley with three. Milsap's total of six weeks at number one was the most achieved by an individual act. (Full article...)
    Four men standing at microphones on a stage. Three are wearing black suits. The fourth is wearing a tan jacket, dark glasses and jeans and has an extremely long white beard.
    The Oak Ridge Boys (pictured in 2013) had two number one singles in 1980.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1980, 43 different singles topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine, based on playlists submitted by country music radio stations and sales reports submitted by stores.

    In the first issue of Billboard of 1980, Kenny Rogers moved into the number one position with "Coward of the County", his fifth consecutive country number one. The song went on to tie for the year's longest unbroken run at the top with Ronnie Milsap's double A-sided single "My Heart" / "Silent Night (After the Fight)" and "Lookin' for Love" by Johnny Lee. All three singles spent three consecutive weeks at number one. Rogers returned to the top of the country chart later in the year with "Lady", which was a crossover success, also reaching number one on Billboard's pop chart, the Hot 100. Rogers was experiencing a lengthy spell of success with smooth sounds which appealed equally to country and pop audiences and established him as a major star in both genres. Milsap had the most country number ones of any artist in 1980, taking four different singles to the top spot, followed by Mickey Gilley with three. Milsap's total of six weeks at number one was the most achieved by an individual act. (Full article...)
  • Image 6Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1975, 43 different singles topped the chart, at the time published under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.Merle Haggard had the most number ones in 1975, taking four different singles to the top spot. The four singles spent a total of five weeks at number one, tying Haggard with Freddy Fender for the highest number of weeks spent atop the chart by a single artist in 1975. When Fender reached number one with "Before the Next Teardrop Falls" in the issue of Billboard dated March 15, he achieved the feat of topping the Hot Country chart with his first hit. The Tex-Mex-influenced song went on to be a crossover success, topping Billboard's all-genre singles chart, the Hot 100, in May. Five other singles released in 1975 reached number one on both charts: "(Hey Won't You Play) Another Somebody Done Somebody Wrong Song" by B.J. Thomas, "Rhinestone Cowboy" by Glen Campbell, both "Thank God I'm a Country Boy" and "I'm Sorry" by John Denver, and "Convoy" by C.W. McCall. "Rhinestone Cowboy" spent three non-consecutive weeks atop the country listing, the only song to spend more than two weeks in the top spot. (Full article...)

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1975, 43 different singles topped the chart, at the time published under the title Hot Country Singles, in 52 issues of the magazine. Chart placings were based on playlists submitted by country music radio stations and sales reports submitted by stores.

    Merle Haggard had the most number ones in 1975, taking four different singles to the top spot. The four singles spent a total of five weeks at number one, tying Haggard with Freddy Fender for the highest number of weeks spent atop the chart by a single artist in 1975. When Fender reached number one with "Before the Next Teardrop Falls" in the issue of Billboard dated March 15, he achieved the feat of topping the Hot Country chart with his first hit. The Tex-Mex-influenced song went on to be a crossover success, topping Billboard's all-genre singles chart, the Hot 100, in May. Five other singles released in 1975 reached number one on both charts: "(Hey Won't You Play) Another Somebody Done Somebody Wrong Song" by B.J. Thomas, "Rhinestone Cowboy" by Glen Campbell, both "Thank God I'm a Country Boy" and "I'm Sorry" by John Denver, and "Convoy" by C.W. McCall. "Rhinestone Cowboy" spent three non-consecutive weeks atop the country listing, the only song to spend more than two weeks in the top spot. (Full article...)
  • Image 7Cristian Castro was the first artist to reach number one on the Latin Pop Airplay chart in 1994. He also had the most number one singles in 1995 with three songs.In October 1994, Billboard magazine established Latin Pop Airplay, a chart that ranks the top-performing songs played on Latin pop radio stations in the United States based on weekly airplay data compiled by Nielsen's Broadcast Data Systems (BDS). It is a subchart of Hot Latin Songs, which lists the best-performing Spanish-language songs in the country. According to Billboard, "Latin pop" refers to pop music sung in Spanish. Five songs topped the chart in 1994 while 16 tracks did the same in 1995. Until November 5, 1994, BDS ran tests charts which only listed the number one song of the week on Billboard's electronic database. The first song to reach number one on the Latin Pop Airplay chart was "Mañana" by Cristian Castro, which was composed and originally performed by Juan Gabriel. Castro was also the artist with the most number-one songs in 1995 with "Con Tu Amor", "Azul Gris", and "Vuélveme a Querer". The latter song held this position for the longest with 14 weeks. Luis Miguel had two number-one songs on the chart in 1994 with "El Día Que Me Quieras" and "La Media Vuelta", the second of which was the final chart-topper of the year and the first at the start of 1995. He achieved his third number one track in 1995 with "Todo y Nada". The three songs were recorded for the album Segundo Romance (1994), in which Luis Miguel covers ballads from Latin America. Ednita Nazario became the first female artist to have a chart-topper with "Quiero Que Me Hagas el Amor" and achieved her second number one song a year later with "Gata Sin Luna". (Full article...)
    Man with black-dyed hair is wearing a tuxedo and holding a microphone on his right hand
    Cristian Castro was the first artist to reach number one on the Latin Pop Airplay chart in 1994. He also had the most number one singles in 1995 with three songs.


    In October 1994, Billboard magazine established Latin Pop Airplay, a chart that ranks the top-performing songs played on Latin pop radio stations in the United States based on weekly airplay data compiled by Nielsen's Broadcast Data Systems (BDS). It is a subchart of Hot Latin Songs, which lists the best-performing Spanish-language songs in the country. According to Billboard, "Latin pop" refers to pop music sung in Spanish. Five songs topped the chart in 1994 while 16 tracks did the same in 1995. Until November 5, 1994, BDS ran tests charts which only listed the number one song of the week on Billboard's electronic database.

    The first song to reach number one on the Latin Pop Airplay chart was "Mañana" by Cristian Castro, which was composed and originally performed by Juan Gabriel. Castro was also the artist with the most number-one songs in 1995 with "Con Tu Amor", "Azul Gris", and "Vuélveme a Querer". The latter song held this position for the longest with 14 weeks. Luis Miguel had two number-one songs on the chart in 1994 with "El Día Que Me Quieras" and "La Media Vuelta", the second of which was the final chart-topper of the year and the first at the start of 1995. He achieved his third number one track in 1995 with "Todo y Nada". The three songs were recorded for the album Segundo Romance (1994), in which Luis Miguel covers ballads from Latin America. Ednita Nazario became the first female artist to have a chart-topper with "Quiero Que Me Hagas el Amor" and achieved her second number one song a year later with "Gata Sin Luna". (Full article...)
  • Image 8MercyMe recorded seven number-one singles during the decade including "Word of God Speak", the longest-running number-one single of the decade.The Christian Songs chart is a record chart compiled by Billboard magazine. Launched on June 21, 2003, the chart was ranked during the decade by overall audience impressions (the approximate number of audience impressions made for each play, as determined by BDS data cross-referenced with Arbitron listener information). While the chart covers all Christian radio formats, it is dominated by Christian adult contemporary (Christian AC) radio stations, which cater to a mostly adult audience. As opposed to Christian stations that cater to young audiences, Christian AC stations tend to play hits often and for long periods. As a result, number-one singles on the Christian Songs chart often had lengthy stays at the top position.During the 2000s, 44 singles reached the number one position on the Christian Songs chart. MercyMe was the most successful group, with seven of their singles topping the chart during the 2000s. The band's "Word of God Speak" was the longest-running number one single of the 2000s, having spent a total of 23 non-consecutive weeks atop the chart. Casting Crowns spent the longest time atop the chart during the decade, as their six number one singles spent a combined total of 62 weeks at the summit. Out of the 44 singles that hit the number-one position during the 2000s, 15 singles spent two separate runs atop the chart. Three singles ("Word of God Speak", "My Savior My God", and "Cry Out to Jesus") returned to the top position for three distinct runs. Nineteen artists recorded number-one singles during the decade. The first number-one single of the 2000s on the chart was Third Day's "You Are So Good to Me", which led the chart's debut week of June 21, 2003, and seven consecutive weeks afterward; the final number-one single was TobyMac's "City On Our Knees", which led the chart for the final eleven weeks of the 2000s, and continued to lead into 2010. (Full article...)
    In a dark room, a singer holding a microphone in one hand and stand in the other is standing in front of a drummer
    MercyMe recorded seven number-one singles during the decade including "Word of God Speak", the longest-running number-one single of the decade.

    The Christian Songs chart is a record chart compiled by Billboard magazine. Launched on June 21, 2003, the chart was ranked during the decade by overall audience impressions (the approximate number of audience impressions made for each play, as determined by BDS data cross-referenced with Arbitron listener information). While the chart covers all Christian radio formats, it is dominated by Christian adult contemporary (Christian AC) radio stations, which cater to a mostly adult audience. As opposed to Christian stations that cater to young audiences, Christian AC stations tend to play hits often and for long periods. As a result, number-one singles on the Christian Songs chart often had lengthy stays at the top position.

    During the 2000s, 44 singles reached the number one position on the Christian Songs chart. MercyMe was the most successful group, with seven of their singles topping the chart during the 2000s. The band's "Word of God Speak" was the longest-running number one single of the 2000s, having spent a total of 23 non-consecutive weeks atop the chart. Casting Crowns spent the longest time atop the chart during the decade, as their six number one singles spent a combined total of 62 weeks at the summit. Out of the 44 singles that hit the number-one position during the 2000s, 15 singles spent two separate runs atop the chart. Three singles ("Word of God Speak", "My Savior My God", and "Cry Out to Jesus") returned to the top position for three distinct runs. Nineteen artists recorded number-one singles during the decade. The first number-one single of the 2000s on the chart was Third Day's "You Are So Good to Me", which led the chart's debut week of June 21, 2003, and seven consecutive weeks afterward; the final number-one single was TobyMac's "City On Our Knees", which led the chart for the final eleven weeks of the 2000s, and continued to lead into 2010. (Full article...)
  • Image 9Wynonna spent eight weeks at number one in 1992.Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1992, 25 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.In early 1992, after performing with her mother in the duo The Judds since the early 1980s, Wynonna Judd, now known mononymously as Wynonna, launched her solo career and achieved immediate success. She topped the Hot Country Singles & Tracks chart with her debut single "She Is His Only Need" and followed it up before the end of the year with two more chart-toppers with "I Saw the Light" and "No One Else on Earth". The three songs spent a total of eight weeks at number one, the most by any act in 1992. Alan Jackson was the only other artist to achieve three number ones during the year, but his three chart-toppers, "Dallas", "Love's Got a Hold on You" and "She's Got the Rhythm (And I Got the Blues)", spent only four weeks in total at the top of the chart. Brooks & Dunn, Collin Raye, Garth Brooks and Vince Gill each reached number one with two songs. (Full article...)
    A woman with long red hair wearing black, singing into a microphone while raising both her arms
    Wynonna spent eight weeks at number one in 1992.

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1992, 25 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

    In early 1992, after performing with her mother in the duo The Judds since the early 1980s, Wynonna Judd, now known mononymously as Wynonna, launched her solo career and achieved immediate success. She topped the Hot Country Singles & Tracks chart with her debut single "She Is His Only Need" and followed it up before the end of the year with two more chart-toppers with "I Saw the Light" and "No One Else on Earth". The three songs spent a total of eight weeks at number one, the most by any act in 1992. Alan Jackson was the only other artist to achieve three number ones during the year, but his three chart-toppers, "Dallas", "Love's Got a Hold on You" and "She's Got the Rhythm (And I Got the Blues)", spent only four weeks in total at the top of the chart. Brooks & Dunn, Collin Raye, Garth Brooks and Vince Gill each reached number one with two songs. (Full article...)
  • Image 10Keith Whitley, who died the previous year, had a posthumous number one in January 1990 with "It Ain't Nothin'".Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1990, 24 different songs topped the chart in 52 issues of the magazine. The chart was published under the title Hot Country Singles through the February 10 issue and Hot Country Singles & Tracks thereafter. With effect from the January 20 issue, Billboard discontinued its longstanding methodology of compiling the chart based on playlists submitted by country music radio stations and sales reports submitted by stores and instead began basing the chart on weekly airplay data from radio stations compiled by Nielsen Broadcast Data Systems.At the start of the year, the number one song on the chart was Highway 101's "Who's Lonely Now", which had been at the top of the chart since the issue of Billboard dated December 30, 1989. It remained in the top spot for one further week in 1990 before being replaced by "It Ain't Nothin'" by Keith Whitley. This was the second of two posthumous number ones for Whitley, who had died in May of the previous year. Three months later, Whitley's widow Lorrie Morgan topped the chart for the first time with "Five Minutes". Other artists who topped the chart for the first time in 1990 were Travis Tritt, who spent one week at number one with "Help Me Hold On", and Joe Diffie, who reached number one with his debut single "Home". (Full article...)
    A man with long curly hair and a beard, wearing a white jacket and grey shirt, playing a guitar and singing into a microphone
    Keith Whitley, who died the previous year, had a posthumous number one in January 1990 with "It Ain't Nothin'".

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1990, 24 different songs topped the chart in 52 issues of the magazine. The chart was published under the title Hot Country Singles through the February 10 issue and Hot Country Singles & Tracks thereafter. With effect from the January 20 issue, Billboard discontinued its longstanding methodology of compiling the chart based on playlists submitted by country music radio stations and sales reports submitted by stores and instead began basing the chart on weekly airplay data from radio stations compiled by Nielsen Broadcast Data Systems.

    At the start of the year, the number one song on the chart was Highway 101's "Who's Lonely Now", which had been at the top of the chart since the issue of Billboard dated December 30, 1989. It remained in the top spot for one further week in 1990 before being replaced by "It Ain't Nothin'" by Keith Whitley. This was the second of two posthumous number ones for Whitley, who had died in May of the previous year. Three months later, Whitley's widow Lorrie Morgan topped the chart for the first time with "Five Minutes". Other artists who topped the chart for the first time in 1990 were Travis Tritt, who spent one week at number one with "Help Me Hold On", and Joe Diffie, who reached number one with his debut single "Home". (Full article...)
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