Malahari
From Wikipedia, the free encyclopedia
| Arohanam | S R₁ M₁ P D₁ Ṡ |
|---|---|
| Avarohanam | Ṡ D₁ P M₁ G₃ R₁ S |
| Carnatic music |
|---|
| Concepts |
| Compositions |
| Instruments |
|
Malahari is a Carnatic raga. This raaga is a janya of the 15th Melakarta raga Mayamalavagowla. This raga is known to be a morning raga which brings out a sense of calmness.[1] It is associated with the rainy season.[2]
In classical carnatic training, it is often used as a raaga for beginners using geetha right after the swara-based exercises in Mayamalavagowla. Many of the Geethas in this raga have been composed by Purandara Dasa.


This raga is an asymmetric scale and is classified as an audava-shadava raga (five notes in the ascending scale and six notes in the descending scale).[1][2]
The notes in this scale are shuddha rishabha, shuddha madhyama, shuddha dhaivata in arohana and additional antara gandhara in avarohana. Since this scale does not have a nishadha, it can be derived from Gayakapriya (13th melakarta) or Vakulabharanam (14th) too, but has been traditionally associated with Mayamalavagowla (15th) as the parent.
Select compositions
Geetams
- Shri Gananaatha in Rupaka, written by Purandara Dasa
- Kundha Gowra Gowrivara in Rupaka, written by Purandara Dasa
- Padumanaabha Paramapurusha in Triputa, written by Purandara Dasa
- Keraya Neeranu Kerege Challi in Triputa, written by Purandara Dasa
Varnams
- Vara Siddhi Vinayaka, a Varnam in Adi tala by Dr. Sripada Pinakapani
Kritis
- Vigneshwaram Bhajare in Adi tala and Pancha Matanga Mukha in Rupaka Tala composed by Muthuswami Dikshitar
- Evvarevvarivaado by Annamacharya
- Shri Mahaganapathe in Rupaka Tala composed by Muthiah Bhagavatar
- Dasasreshtam by T. N. Seshagopalan in Rupaka Tala in praise of Shri Purandara Dasa
- Sharanambitade in Adi tala by Annamacharya
- Shri Raghupungava in Rupaka Tala by Gopikrishnan AJ