Noli Me Tangere (opera)

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LanguageTagalog
Premiere
5 February 1957
Noli Me Tangere
Opera by Felipe Padilla de León
The composer, Felipe Padilla de León pictured in a stamp. An aria from the opera is on the background.
LibrettistGuillermo Tolentino
LanguageTagalog
Based onNoli Me Tángere
by José Rizal
Premiere
5 February 1957

Noli Me Tangere (Touch Me Not) is an opera in 3 acts by Felipe Padilla de León with libretto by Guillermo Tolentino. The opera was closely based on a novel by José Rizal by the same name. The opera was sung entirely in Tagalog and is considered as the first full-length Filipino opera.

The librettist wrote the libretto during the war[1] and the composer started writing the opera in 1953. However two arias from the opera, Maria Clara's "Kay Tamis ng Buhay" and Sisa's "Awit ng Gabi" were written earlier, with the former being written in 1949 and the latter written in 1952 for Fides Cuyugan-Asensio's graduation recital.[2][3]

Felipe Padilla de León also wrote an opera based on Rizal's sequel to the novel: El filibusterismo (Subversion) in 1970.

Performance history

The opera was premiered on 5 February 1957 at the Far Eastern University auditorium, with the Manila Symphony Orchestra conducted by the composer.[4] The success of the first made possible for several other performances, all with full-house attendances. However, it had to wait for several decades until it was performed again; in 1975 at the Cultural Center of the Philippines under the baton of the composer. It was performed again in 1987, again at the CCP and at the University of the Philippines to commemorate the centenary of the novel's publication.[5]

No performances ensued at the Philippines for many years until it was finally revived by the Dulaang UP in 2011 & 2012. It was further staged at Resorts World Manila in 2014, and then finally back at the CCP in 2017 and twice in 2019.[6][7]

Performances were staged overseas in the United States. It was performed in several cities in 1988 (using the 1987 production with reduced performers).[8] More recently, it was performed in Chicago (2012), New York (2013), at the Kennedy Center at Washington D.C. (2014), at Richmond (2016), and at Boston (2017).[9]

Roles

Synopsis

Sources

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