At the bottom of the second paragraph under the "Work and Style" section, it's explained that Taccola was unaware of the revolution in linear perspective. This information came from Lawerence Fane's "The Invented World of Mariano Taccola" from 2003, but it did not provide any specific reason as to why Taccola was unaware of the development of linear perspective. In Galluzzi's "The Italian Renaissance of Machines", which came out in 2020, it is discovered that, due to the rivalry between Taccola's native Siena and Florence, the birthplace of linear perspective, Taccola was never exposed to the art style. I will go in and update the information regarding this issue. [1] Kelton T Back (talk) 11:32, 17 November 2023 (CT)
References
"The Italian Renaissance of Machines" Galluzzi, Paolo, (2020) pp. 1-101