The Green One in Glass
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The Green One in Glass (Akhdar Azaz fi Gazaz;[1] German: Achdar Azaz Im Glass; English: "Achdar Azaz in the Glass") is a Sudanese folktale. In it, the heroine asks her father to bring an item that belongs to a prince of supernatural origin, which she uses to summon him to her bedroom, but her sisters place broken glass to hurt him, causing him to fly away. The heroine then goes on a long journey to find her supernatural lover, and cures him. Similar tales have been collected by folklorists from oral tradition in Sudan.
It is classified in the Aarne-Thompson-Uther Index as type ATU 432, "The Prince as Bird": despite lacking the prince in bird form, the narrative adheres to the type's description.
According to Andreas Kronenberg and Samia Al Azharia Jahn, the tale was collected by 'Abdallah aṭ-Taijib from the Berber area.[2][3] Sudanese author Abdullah El Tayib later translated the tale and sourced it from Northern Sudan.[4]
Summary
In this tale, Fatima is a beautiful girl that lives with her father and stepfamily. Whenever her father goes on trips, her stepsisters alway ask for gifts, while she does not and wishes for his safe return. One day, her stepsisters, suspecting their father dotes on Fatima, talk to her about asking him to bring "Achdar Azaz in the Glass", which she does not know anything about. Still, the next time her father goes on a journey, the girl asks her father to bring Achdar Azaz in the Glass ("The Green One in Glass"). The man goes on a journey and cannot find Achdar Azaz, until he meets an old woman by a tree and tells her he is looking for this item. The old woman explains that Achdar Azaz is an Emir, son of seven man-eating mothers named Silah (ghouls); if he wants to meet him, he has to avoid them. Fatima's father goes to meet Achdar Azaz and tells him about going to meet his beautiful daughter Fatima, which he cannot do, but gives the man a package and summons a magic horse named Dervish to take the man home. It happens thus and the man teleports home. He gives a servant the package, with orders to be delivered to Fatima. The servant, curious, opens the package and finds a mirror which reflects Achdar Azaz from the other side. The Emir summons Fatima's father again and asks him about the person in the mirror, which the man says is a servant, not his daughter. Achdar Azaz goes with the man to meet Fatima and marvels with her beauty. The pair spend time together and he gives her a golden necklace before leaving.
One day, Fatima's stepsister, who always makes her bed, finds the necklace and shows it to her mother, and the women steal the golden presents whenever she makes the bed. Achdar Azaz tells Fatima about the gifts he leaves and asks her to make her bed herself, thus she keeps his gifts. Her stepfamily begins to plan to ruin her happiness and suggests she asks the prince how he can be hurt. Achdar Azaz explains that his seven mothers are Silah, but he is not supernatural, and they can all be hurt by shards of glass in their bed. The next time Achdar Azaz lies on the bed, his body is badly hurt by the glass and, believing Fatima did this to hurt him, vows to kill her and returns to his mothers. Meanwhile, Fatima dons male garments and flees from home, while also looking for her lover around the world. At one time, she stops to rest by a tree and overhears the conversation between two birds (sparrows, in El-Tayib's translation) which talk about Achdar Azaz's injuries and the way to cure him: the livers of both birds. Fatima stones the birds to death and takes their livers, then keeps walking until she meets the same old woman her father met. The old woman warns her about the seven man-eating Silah mothers, and their son's situation: it was prophecized that Achdar Azaz was to be hurt by glass, and only the livers of the magical birds of the djinn, Abu Najir and Abu Najira (Abinayir and Abinayara, in El-Tayib's translation) can cure him, but these birds are only released from their cages once every hundred years. Fatima, disguised as a fakir, says she has the cure, then goes to meet the seven Silah, who want the fakir to cure their son, unless he is devoured. Fatima applies the lotion she produced from the birds' livers on Achdar Azaz's body and heals his injuries. In return, she makes the Silahs promise not to devour any more people, and asks for Achdar Azaz's amulet and sword as payment, and makes him promise not to hurt the person who shouts "in the name of the Fakir that cured him".
Fatima then teleports back home and places his amulet and sword on the wall. Achdar Azaz appears to kill her, but sees his belongings on the wall, and asks if the fakir was there. Fatima then shouts to be spared "in the name of the fakir that cured him", and still Achdar Azaz does not realize anything. Fatima reveals the whole story, and the Emir summons his horse to turn his step-relatives-in-law to dust. Fatima's father appears and accepts the fate of his wife and stepdaughter, but is happy for his own daughter.[5][6]
Analysis
Tale type
The tale is classified in the international Aarne-Thompson-Uther Index as type ATU 432, "The Prince as Bird":[7][8] the heroine asks her father to bring a strangely-named object that leads her to the enchanted prince, whom she meets in secret; her sisters find out about the clandestine meetings and place blades or glass to hurt the prince, causing him to disappear; the heroine dons a disguise and goes after him; she overhears the conversation between two birds about the cure, which she uses on the prince.[9][10]