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The widely reported claim that Bram Stoker only filled 1 copy of Dracula, invalidating his US copyright, is untrue, as confirmed by the Library of Congress in 2013. I suggest the follow edits:
In the introduction, para.4, change
"In the mid-20th century, publishers and film-makers realised Stoker incorrectly filed the novel's copyright in the United States, making its story and characters public domain there. Consequently, the novel has been adapted many times."
to
"In the mid-20th century, publishers and film-makers adapted the novel many times. Many sources claim Stoker incorrectly filed the novel's copyright in the United States, however this claim is untrue."
Under the Legacy:Influence subheading, para.3, change
"In the 1930s, Universal Studios initiated development on a Dracula film and learned Stoker failed to comply with United States copyright law. This prematurely placed the novel into the public domain in the United States.[233][x] It was not until the 1960s that publishers recognised the novel's copyright status. Coinciding with the mass-market paperback's rising popularity, publishers began to produce their own versions.[234] Stoker's mistake prevented his descendants from collecting royalties but provided ideal conditions for the novel to endure because writers and producers did not need to pay a licence fee to use the character of Count Dracula.[235]
[x]It has been widely believed that Stoker was required to purchase the copyright and register two copies, and only registered one."
to
"In the 1930s, Universal Studios initiated development on a Dracula film and believed Stoker failed to comply with United States copyright law. This caused many to believe the novel was placed in public domain in the United States.[233][x] It was not until the 1960s that publishers recognised the novel's copyright status. Coinciding with the mass-market paperback's rising popularity, publishers began to produce their own versions.[234] Stoker's descendants were prevented from collecting royalties, but the copyright confusion provided ideal conditions for the novel to endure because writers and producers did not pay a licence fee to use the character of Count Dracula.[235]
[x]In a 2013 post to the United States Library of Congress blog, Margaret M Wood establishes that two copies of the novel were registered in 1899, invalidating the historical claims that he only registered one, affirming Stoker's copyright claim.[1]" OlivierNotOliver (talk) 17:52, 15 June 2026 (UTC)
- Thanks for raising this: I will look into it further. But for for the moment, this is a Featured Article so peer-reviewed sources are preferred. Your source is a post on a blog site. Yes, it is a Library of Congress Blog site but there is no evidence that the post has been peer reviewed or its claims have been widely accepted. Just about every reliable source states that Dracula was not properly protected by copyright in the US and that's what we have to go by under policy. It is also the case that Stoker's estate vigorously defended its copyright and took action against unauthorised adaptations of the work. If Margaret Woods contention becomes widely accepted by academics and other experts in the field, we can change the article to reflect the new expert consensus. Aemilius Adolphin (talk) 22:25, 15 June 2026 (UTC)
Not done for now: per the above response. Day Creature (talk) 22:43, 15 June 2026 (UTC)
- I have followed this up. Belford (2002) p 272 states, "Surprisingly, no American publisher wanted Dracula, even though Stoker formerly had published with Harper and with Hamilton. To protect himself he purchased the copyright but never registered the required two copies. Thus, through a technicality, Dracula has always been in the public domain in the United States. Finally in 1899, Doubleday and McClure announced the first American edition, which followed serialization in the New York Sun and other American newspapers."
- The blog by Wood states that Doubleday and McClure lodged two copies of their edition with the Library of Congress in 1899. This might well protect the copyright in their edition, but Belford states that it was Stoker who owned the copyright of the text and who failed to properly protect his copyright in 1897. The unprotected text was serialised in American newspapers and therefore it probably came into the public domain in the US before Doubleday and McClure registered their edition.
- I'm no expert in 19th century US copyright law but I suggest this is the explanation. Presumably, Universal Pictures had their lawyers check things out before they filmed their unauthorised movie of Dracula. Aemilius Adolphin (talk) 00:19, 20 June 2026 (UTC)