Portal:Visual arts

Wikipedia portal for content related to Visual arts From Wikipedia, the free encyclopedia

THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, image, filmmaking, design, crafts, and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts, as well as arts of other types. Within the visual arts, the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art are also included.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts.

The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying on the imagination of the artist to the highest degree and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

Selected article

A bearded man in clerical vestments tied to a stake on a platform. He is squatting and his hands are bound. In the background is a large group of people, standing below the platform, with indistinct faces.
Plate 34: Por una navaja (For a clasp knife). A garroted priest grasps a crucifix in his hands. Pinned to his chest is a description of the crime for which he was killed—possession of a knife.

The Disasters of War (Spanish: Los desastres de la guerra) is a series of 82 prints created between 1810 and 1820 by the Spanish painter and printmaker Francisco Goya (1746–1828). Although Goya did not make known his intention when creating the plates, art historians view them as a visual protest against the violence of the 1808 Dos de Mayo Uprising, the subsequent cruel war that ended in Spanish victory in the Peninsular War of 1808–1814 and the setbacks to the liberal cause following the restoration of the Bourbon monarchy in 1814. During the conflicts between Napoleon's French Empire and Spain, Goya retained his position as first court painter to the Spanish crown and continued to produce portraits of the Spanish and French rulers. Although deeply affected by the war, he kept private his thoughts on the art he produced in response to the conflict and its aftermath.

He was in poor health and almost deaf when, at 62, he began work on the prints. They were not published until 1863, 35 years after his death. It is likely that only then was it considered politically safe to distribute a sequence of artworks criticising both the French and restored Bourbons. In total over a thousand sets have been printed, though later ones are of lower quality, and most print room collections have at least some of the set. (Full article...)

More information List of selected articles ...
Close

Selected picture

Portrait of Wally Neuzil
Portrait of Wally Neuzil
Portrait of Wally Neuzil
Credit: Google Art Project

Selected quote


Most painting in the European tradition was painting the mask. Modern art rejected all that. Our subject matter was the person behind the mask.
Robert Motherwell, The Times (November 17, 1985)


Selected biography

Trofeo (1499–1500), Loggia palazzo, Brescia, south-east view

Gasparo Cairano, also known as Gasparo da Cairano, de Cayrano, da Milano, Coirano, and other variations (born Milan or Pieve del Cairo or Cairate, before 1489 – Brescia, died before 1517), was an Italian Renaissance sculptor.

The artist emerged in 1489 as part of the cultural world of Milan, beginning a successful career that turned him into a leading exponent of Renaissance sculpture in Brescia, distinguishing himself with works of cultural import such as his cycle of the Caesars for the Loggia palace in Brescia, as well as the Mausoleum of Martinengo. He introduced a powerful and highly expressive classical taste, as opposed to the hitherto existing refined decorativeness. During the first decade of the sixteenth century, Gasparo was able to win over public and private clients who sought to translate into stone their pride in their supposed historical descent from ancient Rome. (Full article...)

General images

The following are images from various visual arts-related articles on Wikipedia.

Major topics

Subcategories

Category puzzle
Category puzzle
Select [►] to view subcategories


WikiProjects

Things you can do

NaodW29-nowiki286369b71e7b327900000001

Here are some Open Tasks :

Associated Wikimedia

The following Wikimedia Foundation sister projects provide more on this subject:

References

    More portals

    Related Articles

    Wikiwand AI